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Voice from the wings

Ann Barzel and twentieth-century dance writing

Bibliographic Data

ID22157101
AuthorsJessica Ray Herzogenrath (Texas A&M University, corresponding author)
Year2022
Volume5
Issue3
Pages314-325
Publication date2022-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFeminist Modernist Studies (JOURNAL)
Journal identifiersISSN: 2469-2921 • E-ISSN: 2469-293X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/24692921.2022.2140877
OpenAlexW4308342763
LanguageEN
References cited3

This article looks at Ann Barzel’s dance writing in the early twentieth century to explore the ways that she influenced dance in the United States from her home base of Chicago. Consideration of how she embarked on her writing career, her work for specialized publications and newspapers, and her early correspondence with the dance world’s prime movers reveals how Barzel leveraged her knowledge as a dancer and dance teacher, ultimately achieving the status of an international expert on dance. Greater attention to dance writing provides insight into how it impacts our understanding of dance history, since written accounts about dance are the primary way it entered the historical record before film became ubiquitous

Art · Concert dance · Contemporary dance · Dance · Dance education · Folk dance · Literature · Media studies · Newspaper · Sociology · Visual arts · Diversity and Impact of Dance · History · Musicology and Musical Analysis · Theater, Performance, and Music History

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Citation velocityhistorical
Highly citedNo

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