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R Lachmann

Biographic Data

ID101526
NAMER Lachmann
GIVEN NAMESR
FAMILY NAMELachmann
SIGNATURELACHMANN R
AFFILIATIONSUniversity of Konstanz
ORCID0000-0002-4732-0496
VERIFIEDYes
TOTAL WORKS18
TOTAL CITATIONS32
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Dmitrij Tschižewskij’s Reading of Jan Amos Komenský’s Labyrint světa a ráj srdce

    Open Access•R Lachmann•ARTICLE•Slovo a smysl•2025

    This paper deals with Dmitrij Tschižewskij’s interpretation of Jan Amos Komenský’s poetical work Labyrint světa a ráj srdce. In Dmitrij Tschižewskij’s articles dedicated to this masterpiece of Czech literature the analysis of its structure and the exploration of its moral-religious message are intertwined. The fact that the work is an outstanding example of Baroque literature is of prime interest and allows for an innovative approach to its devic…

  • Memória

    Open Access•R Lachmann•ARTICLE•RUS (São Paulo)•2022

    Este ensaio analisa como a categoria Memória percorre a produção teórica de Lotman. O pensador russo analisa uma nova teoria da memória, que ele desenvolve como parte essencial da cultura concebida como um sistema semiótico, conceito desenvolvido nas obras da escola Tártu-Moscou. Visando descrever as técnicas de autointerpretação e automodelagem (transformação, tradução, transcodificação) por meio do qual uma cultura tenta se estabilizar

  • Russia’s Iconoclasms

    Open Access•R Lachmann•ARTICLE•European Review•2022

    Two iconoclasms took place in twentieth-century Russian history: the iconoclasm after the October revolution, and the iconoclasm after the breakdown of the Soviet Union. These two (ideologically opposite) phases of iconoclastic actions (dismantling, destruction) were incited by programmes concerning the abolition of tsarist monuments of 1918 and met by controversial reactions to the removal of the statues of the former Soviet politicians in the 1…

  • Poetik und Hermeneutik im Rückblick: Interviews mit Beteiligten

    R Lachmann, Jürgen Schlaeger et al.•BOOK•Poetik und Hermeneutik im Rückblick•2017

    Die interdisziplinäre Forschungsgruppe »Poetik und Hermeneutik« und ihre Mitglieder haben die geistes- und kulturwissenschaftliche Landschaft der alten Bundesrepublik geprägt wie vielleicht sonst nur noch die Kritische Theorie. Zahlreiche Interviews mit den wichtigsten noch lebenden Akteuren erlauben einen ebenso erkenntnisreichen wie unterhaltsamen Blick hinter die Kulissen von Poetik & Hermeneutik. Unter welchen Bedingungen und mit welchen Absi…

  • Magieglaube und Magie-Entlarvung

    R Lachmann, Elisabeth Von Samsonow•CHAPTER•Magie und Religion•2010

  • A Chinese World System, Again

    R Lachmann•ARTICLE•Contemporary Sociology A Journal…•2010

  • Mnemonic and Intertextual Aspects of Literature

    R Lachmann•CHAPTER•Cultural memory studies•2008

  • Mnemonische Konzepte«

    R Lachmann•CHAPTER•Arbeit am Gedächtnis•2007

  • Cultural memory and the role of literature

    Open Access•R Lachmann•ARTICLE•European Review•2004•References: 1

    The history of mnemonic concepts encompasses utopian and sceptical views that produce either a hypertrophic memory or denounce any representation as false. Each literary text incorporates or stores other texts, thus mnemonic space unfolds between and within texts. In storing and accumulating cultural data, the literary text in its intertextual dimension functions as part of cultural memory. A fantastic text points to a silenced repressed memory, …

  • Memory and Literature: Intertextuality in Russian Modernism

    Jason Merrill, R Lachmann et al.•ARTICLE•The Slavic and East European…•1998

    Part 1 Mnemotechnics and simulacra. Part 2 Intertextuality and dialogism: defining textuality literature made from literature - writing as continuation, writing as rejoinder, writing and re-writing intertextuality and the constitution of meaning - Bley's Petersburg and other texts concepts of the dialogic. Part 3 Syncretism and carnivalization: boundary transgression and mixing - the stylistic of Dostoevsky, Bely, and Mayakovsky Bakhtin's carniva…

  • Cleaning up Bakhtin's Carnival Act

    Anthony Wall, Clive Thomson et al.•ARTICLE•diacritics•1993

  • Gedachtnis und Literatur. Intertextualitat in der russischen Moderne

    Sven Spieker, R Lachmann•ARTICLE•The Slavic and East European…•1992

  • Kryptogramm. Zur a Esthetik des Verborgenen

    Thomas R Beyer, R Lachmann et al.•ARTICLE•The Slavic and East European…•1991

  • Origins of Capitalism in Western Europe: Economic and Political Aspects

    R Lachmann•ARTICLE•Annual Review of Sociology•1989•Cited by: 6•References: 9

    Recent scholars have drawn upon the insights of Marx and Weber in a renewed effort to explain the origins of capitalism in Western Europe. Few Weberians or Marxists have addressed the specific role of Protestantism in fostering rational economic action; instead they speak of modernization or of the rise of the West. Marxists are divided over whether capitalism developed out of conflicts among classes in feudal society or whether an external marke…

  • Bakhtin and Carnival: Culture as Counter-Culture

    R Lachmann, Raoul Eshelman et al.•ARTICLE•Cultural Critique•1988•Cited by: 25

    W A hen Mikhail Bakhtin characterized his Rabelais study as first step in a grand enterprise of studying folk culture of laughter, he was, properly speaking, formulating two mutually intertwined goals.2 The first was to set forth a new interpretation of Gargantua and Pantagruel that would cut away the dross of moralizing-officializing, puritanical-puristic misreadings and that would once more lay

  • Slavische Barockliteratur II: Gedenkschrift für Dmitrij Tschižewskij (1894-1977)

    Joseph P Mozur, R Lachmann•ARTICLE•The Slavic and East European…•1985

  • Rhetorik ‐ alte und neue Disziplin

    Open Access•R Lachmann•ARTICLE•Berichte zur Wissenschaftsgeschicht…•1981•Cited by: 1

    Plurifunctionality of rhetoric guaranteed its survival and promoted its renascence as modern discipline. There are four aspects of rhetoric to be pointed out: 1. rhetoric as the art of persuasive speech; 2. rhetoric as a doctrine (including its institutionalisation); 3. rhetoric as a descriptive apparatus; 4. rhetoric as a normative authority. The latter two aspects allow to define rhetoric as a secondary grammar and its function as that of a met…

  • Das problem der poetischen sprache bei V.V. Vinogradov

    Open Access•R Lachmann•ARTICLE•Poetics•1974•References: 3

  • Bakhtin and Carnival: Culture as Counter-Culture

    R Lachmann, Raoul Eshelman et al.•ARTICLE•Cultural Critique•1988•Cited by: 25

    W A hen Mikhail Bakhtin characterized his Rabelais study as first step in a grand enterprise of studying folk culture of laughter, he was, properly speaking, formulating two mutually intertwined goals.2 The first was to set forth a new interpretation of Gargantua and Pantagruel that would cut away the dross of moralizing-officializing, puritanical-puristic misreadings and that would once more lay

  • Origins of Capitalism in Western Europe: Economic and Political Aspects

    R Lachmann•ARTICLE•Annual Review of Sociology•1989•Cited by: 6•References: 9

    Recent scholars have drawn upon the insights of Marx and Weber in a renewed effort to explain the origins of capitalism in Western Europe. Few Weberians or Marxists have addressed the specific role of Protestantism in fostering rational economic action; instead they speak of modernization or of the rise of the West. Marxists are divided over whether capitalism developed out of conflicts among classes in feudal society or whether an external marke…

  • Rhetorik ‐ alte und neue Disziplin

    Open Access•R Lachmann•ARTICLE•Berichte zur Wissenschaftsgeschicht…•1981•Cited by: 1

    Plurifunctionality of rhetoric guaranteed its survival and promoted its renascence as modern discipline. There are four aspects of rhetoric to be pointed out: 1. rhetoric as the art of persuasive speech; 2. rhetoric as a doctrine (including its institutionalisation); 3. rhetoric as a descriptive apparatus; 4. rhetoric as a normative authority. The latter two aspects allow to define rhetoric as a secondary grammar and its function as that of a met…

  • Das problem der poetischen sprache bei V.V. Vinogradov

    Open Access•R Lachmann•ARTICLE•Poetics•1974•References: 3

  • Rhetorik ‐ alte und neue Disziplin

    Open Access•R Lachmann•ARTICLE•Berichte zur Wissenschaftsgeschicht…•1981•Cited by: 1

    Plurifunctionality of rhetoric guaranteed its survival and promoted its renascence as modern discipline. There are four aspects of rhetoric to be pointed out: 1. rhetoric as the art of persuasive speech; 2. rhetoric as a doctrine (including its institutionalisation); 3. rhetoric as a descriptive apparatus; 4. rhetoric as a normative authority. The latter two aspects allow to define rhetoric as a secondary grammar and its function as that of a met…

  • Slavische Barockliteratur II: Gedenkschrift für Dmitrij Tschižewskij (1894-1977)

    Joseph P Mozur, R Lachmann•ARTICLE•The Slavic and East European…•1985

  • Bakhtin and Carnival: Culture as Counter-Culture

    R Lachmann, Raoul Eshelman et al.•ARTICLE•Cultural Critique•1988•Cited by: 25

    W A hen Mikhail Bakhtin characterized his Rabelais study as first step in a grand enterprise of studying folk culture of laughter, he was, properly speaking, formulating two mutually intertwined goals.2 The first was to set forth a new interpretation of Gargantua and Pantagruel that would cut away the dross of moralizing-officializing, puritanical-puristic misreadings and that would once more lay

  • Origins of Capitalism in Western Europe: Economic and Political Aspects

    R Lachmann•ARTICLE•Annual Review of Sociology•1989•Cited by: 6•References: 9

    Recent scholars have drawn upon the insights of Marx and Weber in a renewed effort to explain the origins of capitalism in Western Europe. Few Weberians or Marxists have addressed the specific role of Protestantism in fostering rational economic action; instead they speak of modernization or of the rise of the West. Marxists are divided over whether capitalism developed out of conflicts among classes in feudal society or whether an external marke…

  • Kryptogramm. Zur a Esthetik des Verborgenen

    Thomas R Beyer, R Lachmann et al.•ARTICLE•The Slavic and East European…•1991

  • Gedachtnis und Literatur. Intertextualitat in der russischen Moderne

    Sven Spieker, R Lachmann•ARTICLE•The Slavic and East European…•1992

  • Cleaning up Bakhtin's Carnival Act

    Anthony Wall, Clive Thomson et al.•ARTICLE•diacritics•1993

  • Memory and Literature: Intertextuality in Russian Modernism

    Jason Merrill, R Lachmann et al.•ARTICLE•The Slavic and East European…•1998

    Part 1 Mnemotechnics and simulacra. Part 2 Intertextuality and dialogism: defining textuality literature made from literature - writing as continuation, writing as rejoinder, writing and re-writing intertextuality and the constitution of meaning - Bley's Petersburg and other texts concepts of the dialogic. Part 3 Syncretism and carnivalization: boundary transgression and mixing - the stylistic of Dostoevsky, Bely, and Mayakovsky Bakhtin's carniva…

  • Cultural memory and the role of literature

    Open Access•R Lachmann•ARTICLE•European Review•2004•References: 1

    The history of mnemonic concepts encompasses utopian and sceptical views that produce either a hypertrophic memory or denounce any representation as false. Each literary text incorporates or stores other texts, thus mnemonic space unfolds between and within texts. In storing and accumulating cultural data, the literary text in its intertextual dimension functions as part of cultural memory. A fantastic text points to a silenced repressed memory, …

  • Mnemonische Konzepte«

    R Lachmann•CHAPTER•Arbeit am Gedächtnis•2007

  • Mnemonic and Intertextual Aspects of Literature

    R Lachmann•CHAPTER•Cultural memory studies•2008

  • Magieglaube und Magie-Entlarvung

    R Lachmann, Elisabeth Von Samsonow•CHAPTER•Magie und Religion•2010

  • A Chinese World System, Again

    R Lachmann•ARTICLE•Contemporary Sociology A Journal…•2010

  • Poetik und Hermeneutik im Rückblick: Interviews mit Beteiligten

    R Lachmann, Jürgen Schlaeger et al.•BOOK•Poetik und Hermeneutik im Rückblick•2017

    Die interdisziplinäre Forschungsgruppe »Poetik und Hermeneutik« und ihre Mitglieder haben die geistes- und kulturwissenschaftliche Landschaft der alten Bundesrepublik geprägt wie vielleicht sonst nur noch die Kritische Theorie. Zahlreiche Interviews mit den wichtigsten noch lebenden Akteuren erlauben einen ebenso erkenntnisreichen wie unterhaltsamen Blick hinter die Kulissen von Poetik & Hermeneutik. Unter welchen Bedingungen und mit welchen Absi…

  • Memória

    Open Access•R Lachmann•ARTICLE•RUS (São Paulo)•2022

    Este ensaio analisa como a categoria Memória percorre a produção teórica de Lotman. O pensador russo analisa uma nova teoria da memória, que ele desenvolve como parte essencial da cultura concebida como um sistema semiótico, conceito desenvolvido nas obras da escola Tártu-Moscou. Visando descrever as técnicas de autointerpretação e automodelagem (transformação, tradução, transcodificação) por meio do qual uma cultura tenta se estabilizar

  • Russia’s Iconoclasms

    Open Access•R Lachmann•ARTICLE•European Review•2022

    Two iconoclasms took place in twentieth-century Russian history: the iconoclasm after the October revolution, and the iconoclasm after the breakdown of the Soviet Union. These two (ideologically opposite) phases of iconoclastic actions (dismantling, destruction) were incited by programmes concerning the abolition of tsarist monuments of 1918 and met by controversial reactions to the removal of the statues of the former Soviet politicians in the 1…

  • Dmitrij Tschižewskij’s Reading of Jan Amos Komenský’s Labyrint světa a ráj srdce

    Open Access•R Lachmann•ARTICLE•Slovo a smysl•2025

    This paper deals with Dmitrij Tschižewskij’s interpretation of Jan Amos Komenský’s poetical work Labyrint světa a ráj srdce. In Dmitrij Tschižewskij’s articles dedicated to this masterpiece of Czech literature the analysis of its structure and the exploration of its moral-religious message are intertwined. The fact that the work is an outstanding example of Baroque literature is of prime interest and allows for an innovative approach to its devic…

Art (9 works) · Philosophy (5 works) · Political science (5 works) · German Literature and Culture Studies (4 works) · Law (4 works) · Psychology (4 works) · Sociology (4 works) · History (3 works) · History (3 works) · Law (3 works)

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