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Nhlanhla Maake

Biographic Data

ID102337
NAMENhlanhla Maake
GIVEN NAMESNhlanhla
FAMILY NAMEMaake
SIGNATUREMAAKE N
AFFILIATIONSNorth-West University
ORCID0000-0003-4186-430X
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS5
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2017
H-INDEX1
  • A Strategic Analysis of the Folktale of Tselane Le Dimo

    Nhlanhla Maake•ARTICLE•Southern African Journal for…•2017•Cited by: 1

    In conflict and warfare, strategy, more than tactic is a primary vehicle and instrument for competitive advantage or victory. In the tshomo (folk story) of Tselane Le Dimo, the protagonist or heroine is engaged in a conflict of advantage with the antagonist or villain. Generally, folk narratives are regarded as didactic genres aimed at teaching young people certain morals or ways of conduct or warn against certain taboos. In this study, I shift t…

  • Mbulelo Vizikhungo Mzamane (1948–2014)

    Open Access•Nhlanhla Maake•ARTICLE•Tydskrif vir letterkunde•2017

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

  • ‘I sing of the woes of my travels’

    Open Access•Nhlanhla Maake•CHAPTER•The Cambridge history of South…•2012

    Sotho folk literature, like that of other Bantu or indigenous languages spoken in South Africa, has been in existence since time immemorial, and has been passed by word of mouth from one generation to the succeeding, until in the latter half of the nineteenth century when it was transcribed by the Paris Evangelical Missionary Society, whose members arrived in Lesotho around 1833. Poetry in particular is a salient genre of this folk tradition. The…

  • The Cambridge History of South African Literature

    Open Access•Hedley Twidle, Russell H Kaschula et al.•BOOK•The Cambridge history of South…•2012

    South Africa's unique history has produced literatures in many languages, in both oral and written forms, reflecting the diversity in the cultural histories and experiences of its people. The Cambridge History offers a comprehensive, multi-authored history of South African literature in all eleven official languages (and more minor ones) of the country, produced by a team of over forty international experts, including contributors from all of the…

  • Watermarks in the Sesotho Novels of the Twentieth Century

    Nhlanhla Maake•ARTICLE•Research in African Literatures•2006•Cited by: 1

    The paper considers novels in Sesotho by five authors, three of which were short-listed in the 100 Best Books project conducted in South africa in 2003. It provides a critique of the style, structure, and content of five novels: Mofolo's Chaka, Segoete's Monono ke Moholi ke Mowane, khatketla's Mosali a Nkhola, Matlosa's Mopheme, and Maake's Kweetsa ya Pelo ya Motho. The paper summariZes aspects of plot for the english-speaking reader and draws co…

  • Archetyping race, gender and class

    Open Access•Nhlanhla Maake•ARTICLE•The Journal for Transdisciplinary…•2006

    This article sets out to interrogate the ideological hegemony of the superstructuring narrative voice in advertisements by studying linguistic, structural devices and encoding that are employed, in order to expose its racial, class and gender undertones embedded in the authorial voice. The sample of advertisements discussed is derived from The Bantu World and its two sequels, The World and The Sowetan. The sample is thinly dispersed over a period…

  • Towards an understanding of Africanization

    Nhlanhla Maake•ARTICLE•Scrutiny2•1997•Cited by: 1

  • Introduction

    E Boehmer, Liz Gunner et al.•ARTICLE•Journal of Southern African Studies•1995•Cited by: 1

    (1995). Introduction: new representations out of neglected spaces: changing paradigms in South African writing. Journal of Southern African Studies: Vol. 21, South African literature: paradigms forming and reinformed, pp. 557-560

  • C.M. Doke and the development of Bantu literature

    Nhlanhla Maake, Nhlanhla P Maake•ARTICLE•African Studies•1993•Cited by: 1•References: 12

    1993). C.M. Doke and the development of Bantu literature. African Studies: Vol. 52, No. 2, pp. 77-88

  • A survey of trends in the development of African language literatures in South Africa

    Nhlanhla Maake, Nhlanhla P Maake•ARTICLE•African Languages and Cultures•1992

    (1992). A survey of trends in the development of African language literatures in South Africa: with specific reference to written Southern Sotho literature c1900–1970s. African Languages and Cultures: Vol. 5, No. 2, pp. 157-188

  • Multi-Cultural Relations in a Post-Apartheid South Africa

    Nhlanhla Maake, Nhlanhla P Maake•ARTICLE•African Affairs•1992

    I WOULD LIKE TO discuss multi-cultural relations in post-apartheid South Africa. Received definitions of culture tend to refer to certain long standing traits and characteristics of group behaviour; and groups are often narrowly defined in terms of well established allegiances to tribe, ethnic group, national group, religion, race and so forth. With reference to South Africa, race, in addition to tribe and ethnicity, are often the most important …

  • A Strategic Analysis of the Folktale of Tselane Le Dimo

    Nhlanhla Maake•ARTICLE•Southern African Journal for…•2017•Cited by: 1

    In conflict and warfare, strategy, more than tactic is a primary vehicle and instrument for competitive advantage or victory. In the tshomo (folk story) of Tselane Le Dimo, the protagonist or heroine is engaged in a conflict of advantage with the antagonist or villain. Generally, folk narratives are regarded as didactic genres aimed at teaching young people certain morals or ways of conduct or warn against certain taboos. In this study, I shift t…

  • Watermarks in the Sesotho Novels of the Twentieth Century

    Nhlanhla Maake•ARTICLE•Research in African Literatures•2006•Cited by: 1

    The paper considers novels in Sesotho by five authors, three of which were short-listed in the 100 Best Books project conducted in South africa in 2003. It provides a critique of the style, structure, and content of five novels: Mofolo's Chaka, Segoete's Monono ke Moholi ke Mowane, khatketla's Mosali a Nkhola, Matlosa's Mopheme, and Maake's Kweetsa ya Pelo ya Motho. The paper summariZes aspects of plot for the english-speaking reader and draws co…

  • Towards an understanding of Africanization

    Nhlanhla Maake•ARTICLE•Scrutiny2•1997•Cited by: 1

  • Introduction

    E Boehmer, Liz Gunner et al.•ARTICLE•Journal of Southern African Studies•1995•Cited by: 1

    (1995). Introduction: new representations out of neglected spaces: changing paradigms in South African writing. Journal of Southern African Studies: Vol. 21, South African literature: paradigms forming and reinformed, pp. 557-560

  • C.M. Doke and the development of Bantu literature

    Nhlanhla Maake, Nhlanhla P Maake•ARTICLE•African Studies•1993•Cited by: 1•References: 12

    1993). C.M. Doke and the development of Bantu literature. African Studies: Vol. 52, No. 2, pp. 77-88

  • A survey of trends in the development of African language literatures in South Africa

    Nhlanhla Maake, Nhlanhla P Maake•ARTICLE•African Languages and Cultures•1992

    (1992). A survey of trends in the development of African language literatures in South Africa: with specific reference to written Southern Sotho literature c1900–1970s. African Languages and Cultures: Vol. 5, No. 2, pp. 157-188

  • Multi-Cultural Relations in a Post-Apartheid South Africa

    Nhlanhla Maake, Nhlanhla P Maake•ARTICLE•African Affairs•1992

    I WOULD LIKE TO discuss multi-cultural relations in post-apartheid South Africa. Received definitions of culture tend to refer to certain long standing traits and characteristics of group behaviour; and groups are often narrowly defined in terms of well established allegiances to tribe, ethnic group, national group, religion, race and so forth. With reference to South Africa, race, in addition to tribe and ethnicity, are often the most important …

  • C.M. Doke and the development of Bantu literature

    Nhlanhla Maake, Nhlanhla P Maake•ARTICLE•African Studies•1993•Cited by: 1•References: 12

    1993). C.M. Doke and the development of Bantu literature. African Studies: Vol. 52, No. 2, pp. 77-88

  • Introduction

    E Boehmer, Liz Gunner et al.•ARTICLE•Journal of Southern African Studies•1995•Cited by: 1

    (1995). Introduction: new representations out of neglected spaces: changing paradigms in South African writing. Journal of Southern African Studies: Vol. 21, South African literature: paradigms forming and reinformed, pp. 557-560

  • Towards an understanding of Africanization

    Nhlanhla Maake•ARTICLE•Scrutiny2•1997•Cited by: 1

  • Watermarks in the Sesotho Novels of the Twentieth Century

    Nhlanhla Maake•ARTICLE•Research in African Literatures•2006•Cited by: 1

    The paper considers novels in Sesotho by five authors, three of which were short-listed in the 100 Best Books project conducted in South africa in 2003. It provides a critique of the style, structure, and content of five novels: Mofolo's Chaka, Segoete's Monono ke Moholi ke Mowane, khatketla's Mosali a Nkhola, Matlosa's Mopheme, and Maake's Kweetsa ya Pelo ya Motho. The paper summariZes aspects of plot for the english-speaking reader and draws co…

  • Archetyping race, gender and class

    Open Access•Nhlanhla Maake•ARTICLE•The Journal for Transdisciplinary…•2006

    This article sets out to interrogate the ideological hegemony of the superstructuring narrative voice in advertisements by studying linguistic, structural devices and encoding that are employed, in order to expose its racial, class and gender undertones embedded in the authorial voice. The sample of advertisements discussed is derived from The Bantu World and its two sequels, The World and The Sowetan. The sample is thinly dispersed over a period…

  • ‘I sing of the woes of my travels’

    Open Access•Nhlanhla Maake•CHAPTER•The Cambridge history of South…•2012

    Sotho folk literature, like that of other Bantu or indigenous languages spoken in South Africa, has been in existence since time immemorial, and has been passed by word of mouth from one generation to the succeeding, until in the latter half of the nineteenth century when it was transcribed by the Paris Evangelical Missionary Society, whose members arrived in Lesotho around 1833. Poetry in particular is a salient genre of this folk tradition. The…

  • The Cambridge History of South African Literature

    Open Access•Hedley Twidle, Russell H Kaschula et al.•BOOK•The Cambridge history of South…•2012

    South Africa's unique history has produced literatures in many languages, in both oral and written forms, reflecting the diversity in the cultural histories and experiences of its people. The Cambridge History offers a comprehensive, multi-authored history of South African literature in all eleven official languages (and more minor ones) of the country, produced by a team of over forty international experts, including contributors from all of the…

  • A Strategic Analysis of the Folktale of Tselane Le Dimo

    Nhlanhla Maake•ARTICLE•Southern African Journal for…•2017•Cited by: 1

    In conflict and warfare, strategy, more than tactic is a primary vehicle and instrument for competitive advantage or victory. In the tshomo (folk story) of Tselane Le Dimo, the protagonist or heroine is engaged in a conflict of advantage with the antagonist or villain. Generally, folk narratives are regarded as didactic genres aimed at teaching young people certain morals or ways of conduct or warn against certain taboos. In this study, I shift t…

  • Mbulelo Vizikhungo Mzamane (1948–2014)

    Open Access•Nhlanhla Maake•ARTICLE•Tydskrif vir letterkunde•2017

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

History (8 works) · Sociology (8 works) · South African History and Culture (8 works) · Linguistics (5 works) · Philosophy (5 works) · Political science (5 works) · African history and culture studies (4 works) · Anthropology (4 works) · Art (4 works) · Literature (4 works)

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