Judith Zilczer
Biographic Data
| ID | 1026171 |
|---|---|
| NAME | Judith Zilczer |
| GIVEN NAMES | Judith |
| FAMILY NAME | Zilczer |
| SIGNATURE | ZILCZER J |
| AFFILIATIONS | Hirshhorn Museum and Sculpture Garden |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Willem and Elaine de Kooning Visit the Barnes Foundation
Although Willem de Kooning’s admiration for the paintings of Chaim Soutine, particularly those in the Barnes Foundation, has been recognized, the precise timing and circumstances of his journey to the private, restricted-access institution in Merion, Pennsylvania, have eluded historical analysis. Archival documentation reveals that Willem de Kooning, together with his wife, painter Elaine de Kooning, visited the foundation on June 3, 1952, thanks…
Camera Work
Stieglitz, Alfred
United States
Armory Show
Beyond Genealogy
"Identifying Willem de Kooning's "Reclining Man
Artist and Patron
The Hirshhorn Museum and Sculpture Garden is fortunate to own mure than seventy works by Willem de Kooning, one of the pre-eminent painters of the twentieth century. These holdings, which constitute the most comprehensive public collection of de Kooning's art, offer a representative overview of this artist's career from the late 1930s to the mid-1980s. The formation of such a concentrated collection of a single artist's work provides a case-study…
Edited Excerpts From a Smithsonian Seminar Series
In the first of three excerpts from seminars on collaborative knowledge generation in the arts, the sciences, and the humanities, two art curators and a filmmaker discuss the meaning of collaboration in their fields. Judith K. Ztlczer explores how 20th-century artists and art curators collaborate in creating new aesthetic expressions. Jan Stuart explains that, in Chinese painting, additions to a scroll by calligraphers or other painters is consid…
The Theory of Direct Carving in Modern Sculpture
Journal Article The Theory of Direct Carving in Modern Sculpture Get access JUDITH ZILCZER JUDITH ZILCZER Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 4, Issue 2, November 1981, Pages 44–49, https://doi.org/10.1093/oxartj/4.2.44 Published: 01 November 1981
The Noble Buyer
No prominent works on this page.
The Noble Buyer
The Theory of Direct Carving in Modern Sculpture
Journal Article The Theory of Direct Carving in Modern Sculpture Get access JUDITH ZILCZER JUDITH ZILCZER Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 4, Issue 2, November 1981, Pages 44–49, https://doi.org/10.1093/oxartj/4.2.44 Published: 01 November 1981
Edited Excerpts From a Smithsonian Seminar Series
In the first of three excerpts from seminars on collaborative knowledge generation in the arts, the sciences, and the humanities, two art curators and a filmmaker discuss the meaning of collaboration in their fields. Judith K. Ztlczer explores how 20th-century artists and art curators collaborate in creating new aesthetic expressions. Jan Stuart explains that, in Chinese painting, additions to a scroll by calligraphers or other painters is consid…
Artist and Patron
The Hirshhorn Museum and Sculpture Garden is fortunate to own mure than seventy works by Willem de Kooning, one of the pre-eminent painters of the twentieth century. These holdings, which constitute the most comprehensive public collection of de Kooning's art, offer a representative overview of this artist's career from the late 1930s to the mid-1980s. The formation of such a concentrated collection of a single artist's work provides a case-study…
"Identifying Willem de Kooning's "Reclining Man
Beyond Genealogy
Stieglitz, Alfred
United States
Armory Show
Camera Work
Willem and Elaine de Kooning Visit the Barnes Foundation
Although Willem de Kooning’s admiration for the paintings of Chaim Soutine, particularly those in the Barnes Foundation, has been recognized, the precise timing and circumstances of his journey to the private, restricted-access institution in Merion, Pennsylvania, have eluded historical analysis. Archival documentation reveals that Willem de Kooning, together with his wife, painter Elaine de Kooning, visited the foundation on June 3, 1952, thanks…
Art (8 works) · Art history (7 works) · Art, Politics, and Modernism (5 works) · Visual arts (5 works) · Art History and Market Analysis (4 works) · History (3 works) · Painting (3 works) · Visual Culture and Art Theory (3 works) · Computer Science (2 works) · Engineering (2 works)