Edited Excerpts From a Smithsonian Seminar Series
Part 1: The Arts
Bibliographic Data
| ID | 11277904 |
|---|---|
| Authors | Carla M Borden (Office of Interdisciplinary Studies, Smithsonian Institution, corresponding author), Judith Zilczer (Hirshhorn Museum and Sculpture Garden), Judith K Zilczer (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution), Jan Stuart (0000-0002-3245-0466, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution), Charles Guggenheim (Solomon R. Guggenheim Museum), Charles E Guggenheim (Guggenheim Productions) |
| Year | 1991 |
| Volume | 13 |
| Issue | 2 |
| Pages | 193-215 |
| Publication date | 1991-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Knowledge (JOURNAL) |
| Journal identifiers | ISSN: 0164-0259 • E-ISSN: 2673-9585 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/107554709101300205 |
| OpenAlex | W2120590529 |
| Language | EN |
In the first of three excerpts from seminars on collaborative knowledge generation in the arts, the sciences, and the humanities, two art curators and a filmmaker discuss the meaning of collaboration in their fields. Judith K. Ztlczer explores how 20th-century artists and art curators collaborate in creating new aesthetic expressions. Jan Stuart explains that, in Chinese painting, additions to a scroll by calligraphers or other painters is considered artistic collaboration with the original artist. Charles E. Guggenheim argues that filmmaking follows a different model, in which a single strong visionary identifies and enlists the talents of others in "a collaboration of compromise
Art · Art history · Compromise · Epistemology · Film director · Filmmaking · Meaning (existential · Movie theater · Painting · Scroll · Social science · Sociology · The arts · Visual arts · Engineering · Museums and Cultural Heritage · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |