Mark Lindley

Biographic Data

ID1027405
NAMEMark Lindley
GIVEN NAMESMark
FAMILY NAMELindley
SIGNATURELINDLEY M
AFFILIATIONSMemorial
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS0
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1928
LATEST PUBLICATION YEAR2001
H-INDEX0

  • Just intonation

    Mark LindleyCHAPTERThe new Grove dictionary of music…2001

  • Mean-tone

    Mark LindleyCHAPTERThe new Grove dictionary of music…2001

  • Temperaments

    Mark LindleyCHAPTERThe new Grove dictionary of music…2001

  • Zither

    Mark Lindley, Andreas Michel et al.CHAPTERThe new Grove dictionary of music…2001

  • Microtone

    Paul Griffiths, Mark Lindley et al.CHAPTERThe new Grove dictionary of music…2001

  • Interval

    Mark Lindley, Murray Campbell et al.CHAPTERThe new Grove dictionary of music…2001

  • Fingering

    Mark Lindley, Glyn Jenkins et al.CHAPTERThe new Grove dictionary of music…2001

  • Pythagorean intonation

    Mark LindleyCHAPTERThe new Grove dictionary of music…2001

  • Some Thoughts Concerning the Effects of Tuning on Selected Musical Works (From Landini to Bach)

    Mark LindleyARTICLEPerformance Practice Review1996

    RILM abstract: "The type of tuning system in use during any particular period in history sometimes had a profound influence on the musical works produced. The impure intervals of the Pythagorean, quasi-Pythagorean, and later meantone temperaments might well have been used and heard as dissonances in certain contexts. Composers such as Louis Couperin, Francois and Bach exploited the distinctive tonal colors of different keys arising from the Frenc…

  • The Harmony of the Spheres

    Open AccessJon K Barlow, Jon Barlow et al.ARTICLENotes1994

  • Tuning Renaissance and Baroque Instruments

    Mark LindleyARTICLEPerformance Practice Review1994

    Provides detailed guidelines for tuning keyboard instruments, including the harpsichord, piano, and organ. Musical examples for tuning unisons between overtones in consonant intervals and octaves are included. Other musical examples illustrate the procedures for setting a quasi-Pythagorean temperament, a meantone temperament, a temperament ordinaire, a Bach-style irregular temperament, and an equal temperament

  • Lutes, Viols and Temperaments

    Cary Karp, Mark LindleyARTICLEThe Galpin Society Journal1993

    Introduction 1. Classifying temperaments 2. Pythagorean intonation 3. Equal temperament 4. Meantone temperament 5. Just intonation 6. Other schemes 7. Conclusions Appendices Bibliography Index.

  • Howard Mayer Brown

    Mark LindleyARTICLEPerformance Practice Review1993

    He was decidedly not the kind of teacher who would tell a musicology student lo "leave your 'cello at home when you come to study here."The article about him in New Grove tells us that between his own undergraduate and graduate courses at Harvard, he studied singing and conducting in Vienna.Back at Harvard as a graduate student he founded the "Bach Society Chorus" (which was smaller than most groups of that name), and he always loved to play the …

  • An Algebraic Approach to Mathematical Models of Scales

    Open AccessMark Lindley, RONALD TURNER-SMITH et al.ARTICLEMusic Theory Online1993

    Although mathematical models of the scale have always been characteristic of Western music theory, in the last 200 years they have not been very much improved (although some interesting properties of scales have been defined in recent years). This article describes our effort in a new book to contribute to this part of music theory by using some appropriate concepts of modern algebra

  • Early Keyboard Fingerings

    Richard Langham Smith, Mark Lindley et al.ARTICLEThe Musical Times1993

  • The Stanford Organ

    Robert Bates, Mark Lindley et al.ARTICLEPerformance Practice Review1992

    Presents a compromise of previously published views regarding the tunings of the Fisk organ in Stanford's Memorial Church (Palo Alto, California). Proposes new meantone and well-tempered tunings, illustrated with examples from Renaissance and Baroque repertoire

  • A Suggested Improvement for the Fisk Organ at Stanford

    Mark LindleyARTICLEPerformance Practice Review1988

  • Theories of Chromatic and Enharmonic Music in Late Sixteenth Century Italy

    Open AccessMark LindleyARTICLERenaissance Quarterly1981

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Authentic Instruments, Authentic Playing

    Mark LindleyARTICLEThe Musical Times1977

  • The World War and International Law

    Phillips Bradley, Pitman B Potter et al.ARTICLESocial Forces1928

    Journal Article The World War and International Law Get access Phillips Bradley Phillips Bradley Search for other works by this author on: Oxford Academic Google Scholar Social Forces, Volume 6, Issue 3, March 1928, Pages 487–489, https://doi.org/10.1093/sf/6.3.487 Published: 01 March 1928