Tuning Renaissance and Baroque Instruments
Some Guidelines
Bibliographic Data
| ID | 19463530 |
|---|---|
| Authors | Mark Lindley (Claremont Colleges, corresponding author) |
| Year | 1994 |
| Volume | 7 |
| Issue | 1 |
| Pages | 85-92 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Performance Practice Review (JOURNAL) |
| Journal identifiers | ISSN: 1044-1638 • E-ISSN: 2166-8205 |
| Publisher | Claremont Colleges Library (PUBLISHER • US) |
| DOI | 10.5642/perfpr.199407.01.07 |
| OpenAlex | W1981475711 |
| Language | EN |
Provides detailed guidelines for tuning keyboard instruments, including the harpsichord, piano, and organ. Musical examples for tuning unisons between overtones in consonant intervals and octaves are included. Other musical examples illustrate the procedures for setting a quasi-Pythagorean temperament, a meantone temperament, a temperament ordinaire, a Bach-style irregular temperament, and an equal temperament
Art · Art history · Baroque · Harpsichord · Literature · MOZART · Personality · Piano · Psychoanalysis · Temperament · The Renaissance · Visual arts · Music Technology and Sound Studies · Musicology and Musical Analysis · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |