Yvonne Spielmann
Biographic Data
| ID | 1029066 |
|---|---|
| NAME | Yvonne Spielmann |
| GIVEN NAMES | Yvonne |
| FAMILY NAME | Spielmann |
| SIGNATURE | SPIELMANN Y |
| AFFILIATIONS | University of the West of Scotland |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Conceptual Synchronicity
Extended and revised version of “Conceptual Synchronicity: Intermedial Encounters between Film, Video and Computer”, previously published in Expanded Cinema: Art, Performance, Film, edited by, A. L. Rees, Duncan White, Steven Ball and David Curtis (London: Tate Publishing, 2011), 194-201
Hybrid Culture
This title has been withdrawn from MIT Press Direct. Please follow the "Buy in Print Options" link for other ways to obtain this book. An exploration of the tensions between East and West and digital and analog in Japanese new-media art.This book grew out of Yvonne Spielmann's 2005–2006 and 2009 visits to Japan, where she explored the technological and aesthetic origins of Japanese new-media art—which was known for pioneering interactive and virt…
Perceptual-responsive environments
In Japan, the interwoven systems of communication, transport, and information and the commercially-industrially-culturally compressed spaces of the metropoles, like Tokyo, have created super-density as new cultural form of the present. In this respect, the installation works by Seiko Mikami respond to quotidian experience with high density and lack of individual space. In her interactive installations, we are targeted by programmed multisensors a…
Thinking in networks
The article discusses creative practices that in aesthetical-technical ways intervene into the computer networked communication systems.I am interested in artist practices that use networks in different ways to make us aware about the possibilities to rethink media-cultural environments. I use the example of the Japanese art-architectural group Double Negative Architecture to give an example of creatively thinking in networks.Thinking in networks…
Hybridity
April 01 2006 Hybridity: Arts, Sciences and Cultural Effects Yvonne Spielmann, Yvonne Spielmann Braunschweig School of Art Johannes-Selenka-Platz 1 38118 Braunschweig Germany [email protected] Search for other works by this author on: This Site Google Scholar Jay David Bolter Jay David Bolter Graphics, Visualization Usability Center College of Computing 801 Atlantic Drive Georgia Institute of Technology Atlanta, GA 30332-0280 U.S…
Exhibition
April 01 2006 Exhibition: La Biennale di Venezia Yvonne Spielmann Yvonne Spielmann Institute of Media Research, Braunschweig University of Art, Braunschweig, Germany. Email: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Yvonne Spielmann Institute of Media Research, Braunschweig University of Art, Braunschweig, Germany. Email: [email protected] …
The Artist and the Scientific Research Environment
The authors reflect on the experiences of collaboration between artists and scientists at the Electronic Visualization Laboratory at the University of Illinois at Chicago. They outline the measures that enable both media artists and computer scientists to benefit from the collaborations. In particular, if long-term collaborations are to be successful, the collaborators must garner rewards not only in the field of the collaboration but also in the…
Leonardo Reviews
February 01 2005 The Cinema Effect The Cinema Effect by Sean Cubitt. MIT Press, Cambridge, MA, U.S.A., 2004. 464 pp., illus. Trade. ISBN: 0-262-03312-7. Yvonne Spielmann Yvonne Spielmann Braun-schweig School of Art, Braunschweig, Germany. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Information Yvonne Spielmann Braun-schweig School of Art, Braunschweig, Germany. …
Leonardo Reviews
February 01 2004 Valie Export: Mediale Anagramme Valie Export: Mediale AnagrammeAcademie derKunste, Berlin, 18 January–9 March 2003. Edited by Neue Gesellschaft fuer Bildende Kunst, Berlin, Germany, 2003. 224 pp., illus. ISBN: 3926796 Yvonne Spielmann Yvonne Spielmann Institute of Media Research, Braunschweig School of Art, Braunschweig, Germany. E-mail: [email protected] Search for other works by this author on: This Site Google…
Leonardo Reviews
June 01 2001 Noise, Water, Meat: A History of Sound in the Arts Noise, Water, Meat: A History of Sound in the Arts by DouglasKahn. MIT Press, Cambridge, MA, U.S.A., 1999. ISBN: 0-262-11243-4. Yvonne Spielmann Yvonne Spielmann E:mail: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Yvonne Spielmann E:mail: [email protected] Online Issn: 1530-9282 Pr…
Intermedia In Electronic Images
The essay focuses on the processes of intermedia in visual media. The author's analysis of the merging of still, moving and computed images reveals that, in intermedia, images tend to-ward a spatial, rather than temporal, organizing prin-ciple. This shift becomes evident in particular in the moving images in such elec-tronic films as Peter Greenaway's Prospero's Books. The limits of intermedia in the electronic medium are unfolded in the concept …
The Artist and the Scientific Research Environment
The authors reflect on the experiences of collaboration between artists and scientists at the Electronic Visualization Laboratory at the University of Illinois at Chicago. They outline the measures that enable both media artists and computer scientists to benefit from the collaborations. In particular, if long-term collaborations are to be successful, the collaborators must garner rewards not only in the field of the collaboration but also in the…
Intermedia In Electronic Images
The essay focuses on the processes of intermedia in visual media. The author's analysis of the merging of still, moving and computed images reveals that, in intermedia, images tend to-ward a spatial, rather than temporal, organizing prin-ciple. This shift becomes evident in particular in the moving images in such elec-tronic films as Peter Greenaway's Prospero's Books. The limits of intermedia in the electronic medium are unfolded in the concept …
Leonardo Reviews
June 01 2001 Noise, Water, Meat: A History of Sound in the Arts Noise, Water, Meat: A History of Sound in the Arts by DouglasKahn. MIT Press, Cambridge, MA, U.S.A., 1999. ISBN: 0-262-11243-4. Yvonne Spielmann Yvonne Spielmann E:mail: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Yvonne Spielmann E:mail: [email protected] Online Issn: 1530-9282 Pr…
Intermedia In Electronic Images
The essay focuses on the processes of intermedia in visual media. The author's analysis of the merging of still, moving and computed images reveals that, in intermedia, images tend to-ward a spatial, rather than temporal, organizing prin-ciple. This shift becomes evident in particular in the moving images in such elec-tronic films as Peter Greenaway's Prospero's Books. The limits of intermedia in the electronic medium are unfolded in the concept …
Leonardo Reviews
February 01 2004 Valie Export: Mediale Anagramme Valie Export: Mediale AnagrammeAcademie derKunste, Berlin, 18 January–9 March 2003. Edited by Neue Gesellschaft fuer Bildende Kunst, Berlin, Germany, 2003. 224 pp., illus. ISBN: 3926796 Yvonne Spielmann Yvonne Spielmann Institute of Media Research, Braunschweig School of Art, Braunschweig, Germany. E-mail: [email protected] Search for other works by this author on: This Site Google…
Leonardo Reviews
February 01 2005 The Cinema Effect The Cinema Effect by Sean Cubitt. MIT Press, Cambridge, MA, U.S.A., 2004. 464 pp., illus. Trade. ISBN: 0-262-03312-7. Yvonne Spielmann Yvonne Spielmann Braun-schweig School of Art, Braunschweig, Germany. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Information Yvonne Spielmann Braun-schweig School of Art, Braunschweig, Germany. …
Hybridity
April 01 2006 Hybridity: Arts, Sciences and Cultural Effects Yvonne Spielmann, Yvonne Spielmann Braunschweig School of Art Johannes-Selenka-Platz 1 38118 Braunschweig Germany [email protected] Search for other works by this author on: This Site Google Scholar Jay David Bolter Jay David Bolter Graphics, Visualization Usability Center College of Computing 801 Atlantic Drive Georgia Institute of Technology Atlanta, GA 30332-0280 U.S…
Exhibition
April 01 2006 Exhibition: La Biennale di Venezia Yvonne Spielmann Yvonne Spielmann Institute of Media Research, Braunschweig University of Art, Braunschweig, Germany. Email: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Yvonne Spielmann Institute of Media Research, Braunschweig University of Art, Braunschweig, Germany. Email: [email protected] …
The Artist and the Scientific Research Environment
The authors reflect on the experiences of collaboration between artists and scientists at the Electronic Visualization Laboratory at the University of Illinois at Chicago. They outline the measures that enable both media artists and computer scientists to benefit from the collaborations. In particular, if long-term collaborations are to be successful, the collaborators must garner rewards not only in the field of the collaboration but also in the…
Thinking in networks
The article discusses creative practices that in aesthetical-technical ways intervene into the computer networked communication systems.I am interested in artist practices that use networks in different ways to make us aware about the possibilities to rethink media-cultural environments. I use the example of the Japanese art-architectural group Double Negative Architecture to give an example of creatively thinking in networks.Thinking in networks…
Hybrid Culture
This title has been withdrawn from MIT Press Direct. Please follow the "Buy in Print Options" link for other ways to obtain this book. An exploration of the tensions between East and West and digital and analog in Japanese new-media art.This book grew out of Yvonne Spielmann's 2005–2006 and 2009 visits to Japan, where she explored the technological and aesthetic origins of Japanese new-media art—which was known for pioneering interactive and virt…
Perceptual-responsive environments
In Japan, the interwoven systems of communication, transport, and information and the commercially-industrially-culturally compressed spaces of the metropoles, like Tokyo, have created super-density as new cultural form of the present. In this respect, the installation works by Seiko Mikami respond to quotidian experience with high density and lack of individual space. In her interactive installations, we are targeted by programmed multisensors a…
Conceptual Synchronicity
Extended and revised version of “Conceptual Synchronicity: Intermedial Encounters between Film, Video and Computer”, previously published in Expanded Cinema: Art, Performance, Film, edited by, A. L. Rees, Duncan White, Steven Ball and David Curtis (London: Tate Publishing, 2011), 194-201
Art (11 works) · Computer Science (9 works) · Art history (8 works) · World Wide Web (7 works) · Visual arts (6 works) · Citation (5 works) · Download (5 works) · Icon (5 works) · Sociology (5 works) · Art, Technology, and Culture (4 works)