Intermedia In Electronic Images
Bibliographic Data
| ID | 3194046 |
|---|---|
| Authors | Yvonne Spielmann (Cornell University, corresponding author) |
| Year | 2001 |
| Volume | 34 |
| Issue | 1 |
| Pages | 55-61 |
| Publication date | 2001-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/002409401300052523 |
| OpenAlex | W1985688336 |
| Language | EN |
| Citations received | 5 |
| References cited | 1 |
The essay focuses on the processes of intermedia in visual media. The author's analysis of the merging of still, moving and computed images reveals that, in intermedia, images tend to-ward a spatial, rather than temporal, organizing prin-ciple. This shift becomes evident in particular in the moving images in such elec-tronic films as Peter Greenaway's Prospero's Books. The limits of intermedia in the electronic medium are unfolded in the concept of the coherent im-age by Zbigniew Rybczynski. Another concept of com-pression and convergence is demonstrated by Clea T. Waite in her crossing two-and three-dimensionality in a video installation
Art · Art history · Computer graphics (images) · Computer vision · Convergence (economics) · Curse of dimensionality · Intermedia · Performance art · Artificial Intelligence · Computer Science · Digital Games and Media · Multidisciplinary Warburg-centric Studies
Constructions of Cultural Identities in Newsreel Cinema and Television after 1945
Dismembered Frames
Intermedialities as Sociopolitical Assemblages in Contemporary Art
Performed intermediality and beyond in the BTS music video ‘Idol’
Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension
| Citations per year | 0.21 |
|---|---|
| Citation span | 2002 - 2023 (22) |
| Highly cited | No |