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Cyndia Susan Clegg

Biographic Data

ID1050960
NAMECyndia Susan Clegg
GIVEN NAMESCyndia Susan
FAMILY NAMEClegg
SIGNATURECLEGG C S
AFFILIATIONSPepperdine University
ORCID0000-0001-9369-8310
VERIFIEDYes
TOTAL WORKS18
TOTAL CITATIONS0
WORKS AS AUTHOR18
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Spenserian Moments

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Undiscovered Countries

    Open Access•Cyndia Susan Clegg•ARTICLE•Religions•2019

    The multiple uses of religion in Shakespeare’s plays seem to counter each other at every turn. In one respect, though, I have found a surprising consistency. Moments when Shakespeare’s drama imagines the afterlife are moments that lend significant insights into the play’s action or characterization, even though the image of one undiscovered country may differ drastically from another. Across the canon, the afterlife may appear as a place of relig…

  • The Intellectual Properties of Learning

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2019

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Masters of the Revels and Elizabeth I’s Court Theatre, by W.R. Streitberger

    Open Access•Cyndia Susan Clegg•ARTICLE•The English Historical Review•2018

    Upon the 1923 publication of E.K. Chambers’s four-volume The Elizabethan Stage, A.R. Pollard observed that it stood to other treatises on the subject as the Dictionary of National Biography stood to other biographical dictionaries. One reviewer remarked that it brought together ‘practically all the discoverable evidence upon the various parts of the subject’ (New Statesman). Just as time took its toll and the Oxford Dictionary of National Biograp…

  • The 1559 Books of Common Prayer and the Elizabethan Reformation

    Open Access•Cyndia Susan Clegg•ARTICLE•The Journal of Ecclesiastical…•2015•References: 1

    The 1559 Book of Common Prayer printed by Richard Grafton has been dismissed by bibliographers, who have suggested that Grafton printed it as ‘agent for Jugge and Cawood’ (the Queen’s Printers) and ‘improperly put his name in the imprint’. Relying on evidence from a 1559 Grafton prayer book in the collection of Corpus Christi College, Oxford, which contains the signatures of members of Elizabeth i ’s Privy Council that can be dated prior to the o…

  • Censorship and Propaganda

    Cyndia Susan Clegg, Susan D Amussen•CHAPTER•Elizabethan World•2014

    Social Hierarchies - 1

  • Governing Elizabethan England

    Cyndia Susan Clegg, Norman Jones•CHAPTER•Elizabethan World•2014

    Censorship and Propaganda - 1

  • Scholarship, Commerce, Religion

    Open Access•Cyndia Susan Clegg•ARTICLE•Journal of History•2013

    "Scholarship, Commerce, Religion: The Learned Book in the Age of Confessions, 1560-1630, by Ian Maclean." Canadian Journal of History, 48(2), pp. 325–326

  • Censorship

    Cyndia Susan Clegg•BOOK•The Oxford Handbook Of Holinsheds…•2012

  • Press Censorship in Caroline England

    Cyndia Susan Clegg, Tim Stretton•ARTICLE•Renaissance and Reformation•2012

    Clegg, Cyndia Susan. Press Censorship in Caroline England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Things Not Easily Believed: Introducing the Early Modern Relation), on Érudit

  • Press Censorship in Caroline England

    Open Access•Cyndia Susan Clegg•BOOK•Press Censorship in Caroline…•2008

    Between 1625 and 1640, a distinctive cultural awareness of censorship emerged, which ultimately led the Long Parliament to impose drastic changes in press control. The culture of censorship addressed in this study helps to explain the divergent historical interpretations of Caroline censorship as either draconian or benign. Such contradictions transpire because the Caroline regime and its critics employed similar rhetorical strategies that depend…

  • Censorship and the Courts of Star Chamber and High Commission in England to 1640

    Open Access•Cyndia Susan Clegg•ARTICLE•Journal of Modern European History•2005

    Zensur und die Gerichte der Star Chamber und der High Commission in England bis 1640Zensur und die Gerichte der Star Chamber und der High Commission in England bis 1640Historiker der Frühen Neuzeit neigen dazu, von einem durchgängigen System von Kontrollmechanismen des Druckwesens von der Herrschaft der Tudors bis zu den ersten Stuarts auszugehen. Der Beitrag untersucht, wie die beiden grundlegenden Institutionen der Zensur – die Lizensierung und…

  • The History of the Book and a History of Two Books

    Open Access•Cyndia Susan Clegg•ARTICLE•Literature Compass•2004•References: 1

    Recent publications in the history of the book show both the variety and sophistication of studies in this emerging discipline; even so, skeptics find little literary value in print culture studies. In response, this demonstrates how literary strategies in two early modern texts – Castiglione's Book of the Courtier (1528) and Shakespeare's Sonnets (1609) – respond to divergent conditions in print culture in Venice and London

  • Reading, Society and Politics in Early Modern England

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2004

    Kevin Sharpe and Steven N. Zwicker, eds. Reading, Society and Politics in Early Modern England. Cambridge and New York: Cambridge University Press, 2003. x + 363 pp. index, illus. $70. ISBN: 0-521-82434-6. - Volume 57 Issue 3

  • Guilty Creatures

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Press Censorship in Jacobean England

    Open Access•Cyndia Susan Clegg•BOOK•Press Censorship in Jacobean…•2001

    This 2001 book examines the ways in which books were produced, read and received during the reign of King James I. It challenges prevailing attitudes that press censorship in Jacobean England differed little from either the 'whole machinery of control' enacted by the Court of Star Chamber under Elizabeth or the draconian campaign implemented by Archbishop Laud, during the reign of Charles I. Cyndia Clegg, building on her earlier study Press Censo…

  • History of the Book

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2001

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Press Censorship in Elizabethan England

    Open Access•Cyndia Susan Clegg•BOOK•Press Censorship in Elizabethan…•1997

    This is a revisionist history of press censorship in the rapidly expanding print culture of the sixteenth century. Professor Clegg establishes the nature and source of the controls, and evaluates their means and effectiveness. The state wanted to control the burgeoning press, but there were difficulties in practice because of the competing and often contradictory interests of the Crown, the Church, and the printing trade. By considering the liter…

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  • Press Censorship in Elizabethan England

    Open Access•Cyndia Susan Clegg•BOOK•Press Censorship in Elizabethan…•1997

    This is a revisionist history of press censorship in the rapidly expanding print culture of the sixteenth century. Professor Clegg establishes the nature and source of the controls, and evaluates their means and effectiveness. The state wanted to control the burgeoning press, but there were difficulties in practice because of the competing and often contradictory interests of the Crown, the Church, and the printing trade. By considering the liter…

  • Press Censorship in Jacobean England

    Open Access•Cyndia Susan Clegg•BOOK•Press Censorship in Jacobean…•2001

    This 2001 book examines the ways in which books were produced, read and received during the reign of King James I. It challenges prevailing attitudes that press censorship in Jacobean England differed little from either the 'whole machinery of control' enacted by the Court of Star Chamber under Elizabeth or the draconian campaign implemented by Archbishop Laud, during the reign of Charles I. Cyndia Clegg, building on her earlier study Press Censo…

  • History of the Book

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2001

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Guilty Creatures

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The History of the Book and a History of Two Books

    Open Access•Cyndia Susan Clegg•ARTICLE•Literature Compass•2004•References: 1

    Recent publications in the history of the book show both the variety and sophistication of studies in this emerging discipline; even so, skeptics find little literary value in print culture studies. In response, this demonstrates how literary strategies in two early modern texts – Castiglione's Book of the Courtier (1528) and Shakespeare's Sonnets (1609) – respond to divergent conditions in print culture in Venice and London

  • Reading, Society and Politics in Early Modern England

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2004

    Kevin Sharpe and Steven N. Zwicker, eds. Reading, Society and Politics in Early Modern England. Cambridge and New York: Cambridge University Press, 2003. x + 363 pp. index, illus. $70. ISBN: 0-521-82434-6. - Volume 57 Issue 3

  • Censorship and the Courts of Star Chamber and High Commission in England to 1640

    Open Access•Cyndia Susan Clegg•ARTICLE•Journal of Modern European History•2005

    Zensur und die Gerichte der Star Chamber und der High Commission in England bis 1640Zensur und die Gerichte der Star Chamber und der High Commission in England bis 1640Historiker der Frühen Neuzeit neigen dazu, von einem durchgängigen System von Kontrollmechanismen des Druckwesens von der Herrschaft der Tudors bis zu den ersten Stuarts auszugehen. Der Beitrag untersucht, wie die beiden grundlegenden Institutionen der Zensur – die Lizensierung und…

  • Press Censorship in Caroline England

    Open Access•Cyndia Susan Clegg•BOOK•Press Censorship in Caroline…•2008

    Between 1625 and 1640, a distinctive cultural awareness of censorship emerged, which ultimately led the Long Parliament to impose drastic changes in press control. The culture of censorship addressed in this study helps to explain the divergent historical interpretations of Caroline censorship as either draconian or benign. Such contradictions transpire because the Caroline regime and its critics employed similar rhetorical strategies that depend…

  • Censorship

    Cyndia Susan Clegg•BOOK•The Oxford Handbook Of Holinsheds…•2012

  • Press Censorship in Caroline England

    Cyndia Susan Clegg, Tim Stretton•ARTICLE•Renaissance and Reformation•2012

    Clegg, Cyndia Susan. Press Censorship in Caroline England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Things Not Easily Believed: Introducing the Early Modern Relation), on Érudit

  • Scholarship, Commerce, Religion

    Open Access•Cyndia Susan Clegg•ARTICLE•Journal of History•2013

    "Scholarship, Commerce, Religion: The Learned Book in the Age of Confessions, 1560-1630, by Ian Maclean." Canadian Journal of History, 48(2), pp. 325–326

  • Censorship and Propaganda

    Cyndia Susan Clegg, Susan D Amussen•CHAPTER•Elizabethan World•2014

    Social Hierarchies - 1

  • Governing Elizabethan England

    Cyndia Susan Clegg, Norman Jones•CHAPTER•Elizabethan World•2014

    Censorship and Propaganda - 1

  • The 1559 Books of Common Prayer and the Elizabethan Reformation

    Open Access•Cyndia Susan Clegg•ARTICLE•The Journal of Ecclesiastical…•2015•References: 1

    The 1559 Book of Common Prayer printed by Richard Grafton has been dismissed by bibliographers, who have suggested that Grafton printed it as ‘agent for Jugge and Cawood’ (the Queen’s Printers) and ‘improperly put his name in the imprint’. Relying on evidence from a 1559 Grafton prayer book in the collection of Corpus Christi College, Oxford, which contains the signatures of members of Elizabeth i ’s Privy Council that can be dated prior to the o…

  • The Masters of the Revels and Elizabeth I’s Court Theatre, by W.R. Streitberger

    Open Access•Cyndia Susan Clegg•ARTICLE•The English Historical Review•2018

    Upon the 1923 publication of E.K. Chambers’s four-volume The Elizabethan Stage, A.R. Pollard observed that it stood to other treatises on the subject as the Dictionary of National Biography stood to other biographical dictionaries. One reviewer remarked that it brought together ‘practically all the discoverable evidence upon the various parts of the subject’ (New Statesman). Just as time took its toll and the Oxford Dictionary of National Biograp…

  • The Undiscovered Countries

    Open Access•Cyndia Susan Clegg•ARTICLE•Religions•2019

    The multiple uses of religion in Shakespeare’s plays seem to counter each other at every turn. In one respect, though, I have found a surprising consistency. Moments when Shakespeare’s drama imagines the afterlife are moments that lend significant insights into the play’s action or characterization, even though the image of one undiscovered country may differ drastically from another. Across the canon, the afterlife may appear as a place of relig…

  • The Intellectual Properties of Learning

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2019

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Spenserian Moments

    Open Access•Cyndia Susan Clegg•ARTICLE•Renaissance Quarterly•2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (12 works) · History (11 works) · Political science (9 works) · Law (8 works) · History (7 works) · Philosophy (7 works) · Censorship (6 works) · Literature (6 works) · Sociology (6 works) · Philosophy (5 works)

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