John H Oakley
Datos Biográficos
| ID | 1052953 |
|---|---|
| NOMBRE | John H Oakley |
| NOMBRES | John H |
| APELLIDO | Oakley |
| FIRMA | OAKLEY J H |
| AFILIACIONES | William & Mary |
| VERIFICADO | No |
| TOTAL DE OBRAS | 23 |
| TOTAL DE CITAS | 58 |
| TOTAL COMO AUTOR | 22 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1979 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 4 |
Corpus Vasorum Antiquorum. Deutsch-land. Berlin, Antikensammlung ehemals Antiquarium. Band 18
A Guide to Scenes of Daily Life on Athenian Vases
A unique new depiction of a Panathenaic victor
Athenian Potters and Painters III
Greek Children
Greek Vase Painting
This article presents a synthesis of the developments in the field of Greek vase painting during the last 15 years. I first place various types of publications and fields of inquiry into a historical context and then consider the current state of research in the various subareas. I close with comments on emerging practices and trends in the field and some of the major problems that need to be addressed
The Departure of the Argonauts on the Dinos Painter's Bell Krater in Gela
Hesperia: The Journal of the American School of Classical Studies at Athens - Volume 76, Number 2, April-June 2007
Ancient Greece
Vase painters
Style and Politics in Athenian Vase-Painting
Some ‘Other’ Members of the Athenian Household
Exekias I
Why study a Greek vase-painter?–a response to Whitley's ‘Beazley as theorist’
John Oakley defends the legacy of Beazley in response to James Whitley's recent analysis of Beazley and his followers (ANTIQUITY 72: 40–47). The debate demonstrates how influential some past figures of archaeological methodology still are, and how diverse are the approaches of modern scholars in interpreting and using their legacy
The Parthenon Frieze
Gods and Heroes in Late Archaic Greek Art
Debris from a Public Dining Place in the Athenian Agora
Greek Erotica on Attic Red-Figure Vases
Debris from a Public Dining Place in the Athenian Agora
Susan I. Rotroff, John H. Oakley, Debris from a Public Dining Place in the Athenian Agora, Hesperia Supplements, Vol. 25, Debris from a Public Dining Place in the Athenian Agora (1992), pp. i-iii+v-xiii+xv+1+3-57+59-129+131-155+157-183+185-248
Attic Red-Figured Skyphoi of Corinthian Shape
Perseus, the Graiai, and Aeschylus' Phorkides
A reexamination of the scenes on an Attic red-figure column-krater in Metaponto indicates that the three women on the reverse are the Graiai, sisters and guardians of the Gorgons. The date of the vase—ca. 460 B.C.—and the iconography suggest that the representation was inspired by a lost play of Aeschylus, the Phorkides. A number of other vases with representations possibly inspired by the same play are collected and analyzed
Dionysian Imagery in Archaic Greek Art
This study examines the development of Dionysian imagery in Greek vase painting from the first appearance of the god on an Attic vase c. 580 BC to the point at which red figure overtook black figure as the dominant style of vase painting in Attica c. 520 BC
Danae and Perseus on Seriphos
A Fragmentary Skyphos by the Affecter
Greek Erotica on Attic Red-Figure Vases
Why study a Greek vase-painter?–a response to Whitley's ‘Beazley as theorist’
John Oakley defends the legacy of Beazley in response to James Whitley's recent analysis of Beazley and his followers (ANTIQUITY 72: 40–47). The debate demonstrates how influential some past figures of archaeological methodology still are, and how diverse are the approaches of modern scholars in interpreting and using their legacy
Debris from a Public Dining Place in the Athenian Agora
Susan I. Rotroff, John H. Oakley, Debris from a Public Dining Place in the Athenian Agora, Hesperia Supplements, Vol. 25, Debris from a Public Dining Place in the Athenian Agora (1992), pp. i-iii+v-xiii+xv+1+3-57+59-129+131-155+157-183+185-248
Danae and Perseus on Seriphos
Greek Vase Painting
This article presents a synthesis of the developments in the field of Greek vase painting during the last 15 years. I first place various types of publications and fields of inquiry into a historical context and then consider the current state of research in the various subareas. I close with comments on emerging practices and trends in the field and some of the major problems that need to be addressed
Attic Red-Figured Skyphoi of Corinthian Shape
Perseus, the Graiai, and Aeschylus' Phorkides
A reexamination of the scenes on an Attic red-figure column-krater in Metaponto indicates that the three women on the reverse are the Graiai, sisters and guardians of the Gorgons. The date of the vase—ca. 460 B.C.—and the iconography suggest that the representation was inspired by a lost play of Aeschylus, the Phorkides. A number of other vases with representations possibly inspired by the same play are collected and analyzed
A Fragmentary Skyphos by the Affecter
Danae and Perseus on Seriphos
Dionysian Imagery in Archaic Greek Art
This study examines the development of Dionysian imagery in Greek vase painting from the first appearance of the god on an Attic vase c. 580 BC to the point at which red figure overtook black figure as the dominant style of vase painting in Attica c. 520 BC
Attic Red-Figured Skyphoi of Corinthian Shape
Perseus, the Graiai, and Aeschylus' Phorkides
A reexamination of the scenes on an Attic red-figure column-krater in Metaponto indicates that the three women on the reverse are the Graiai, sisters and guardians of the Gorgons. The date of the vase—ca. 460 B.C.—and the iconography suggest that the representation was inspired by a lost play of Aeschylus, the Phorkides. A number of other vases with representations possibly inspired by the same play are collected and analyzed
Debris from a Public Dining Place in the Athenian Agora
Susan I. Rotroff, John H. Oakley, Debris from a Public Dining Place in the Athenian Agora, Hesperia Supplements, Vol. 25, Debris from a Public Dining Place in the Athenian Agora (1992), pp. i-iii+v-xiii+xv+1+3-57+59-129+131-155+157-183+185-248
Gods and Heroes in Late Archaic Greek Art
Debris from a Public Dining Place in the Athenian Agora
Greek Erotica on Attic Red-Figure Vases
The Parthenon Frieze
Why study a Greek vase-painter?–a response to Whitley's ‘Beazley as theorist’
John Oakley defends the legacy of Beazley in response to James Whitley's recent analysis of Beazley and his followers (ANTIQUITY 72: 40–47). The debate demonstrates how influential some past figures of archaeological methodology still are, and how diverse are the approaches of modern scholars in interpreting and using their legacy
Exekias I
Some ‘Other’ Members of the Athenian Household
Ancient Greece
Vase painters
Style and Politics in Athenian Vase-Painting
The Departure of the Argonauts on the Dinos Painter's Bell Krater in Gela
Hesperia: The Journal of the American School of Classical Studies at Athens - Volume 76, Number 2, April-June 2007
Greek Vase Painting
This article presents a synthesis of the developments in the field of Greek vase painting during the last 15 years. I first place various types of publications and fields of inquiry into a historical context and then consider the current state of research in the various subareas. I close with comments on emerging practices and trends in the field and some of the major problems that need to be addressed
Athenian Potters and Painters III
Greek Children
A unique new depiction of a Panathenaic victor
Corpus Vasorum Antiquorum. Deutsch-land. Berlin, Antikensammlung ehemals Antiquarium. Band 18
A Guide to Scenes of Daily Life on Athenian Vases
Art (21 obras) · Classical Antiquity Studies (16 obras) · History (16 obras) · Art history (12 obras) · Ancient Mediterranean Archaeology and History (10 obras) · Archaeology (7 obras) · History (7 obras) · Painting (7 obras) · Visual arts (7 obras) · Computer Science (6 obras)