Kenneth E Rinaldo
Biographic Data
| ID | 1060879 |
|---|---|
| NAME | Kenneth E Rinaldo |
| GIVEN NAMES | Kenneth E |
| FAMILY NAME | Rinaldo |
| SIGNATURE | RINALDO K E |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 1 |
In: Formation: The Aesthetic Use of Machinic Beings
August 01 2000 in::FORMATION: The Aesthetic Use of Machinic Beings James R. Hugunin, James R. Hugunin 454 Iowa Street, Oak Park, IL 60302, U.S.A., E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Stephen Boyer, Stephen Boyer Search for other works by this author on: This Site Google Scholar Kym Olsen, Kym Olsen Search for other works by this author on: This Site Google Scholar Trevor Martin, Trevor Marti…
The Flock
Technology Recapitulates Phylogeny: Artificial Life Art
The author discusses the notion of emergence, the result of a collapse of both scientific and artistic barriers that has contributed to the rise of artificial life art. A discussion of artists who use biology as model and computers as material will lead into a description of some current artificial life art works. The author finishes with conclusions about the work of art in relation to artificial life techniques and interactive art in particular
Integrated Hemispheres: Woman Art and Technology
Technology Recapitulates Phylogeny: Artificial Life Art
The author discusses the notion of emergence, the result of a collapse of both scientific and artistic barriers that has contributed to the rise of artificial life art. A discussion of artists who use biology as model and computers as material will lead into a description of some current artificial life art works. The author finishes with conclusions about the work of art in relation to artificial life techniques and interactive art in particular
Integrated Hemispheres: Woman Art and Technology
The Flock
Technology Recapitulates Phylogeny: Artificial Life Art
The author discusses the notion of emergence, the result of a collapse of both scientific and artistic barriers that has contributed to the rise of artificial life art. A discussion of artists who use biology as model and computers as material will lead into a description of some current artificial life art works. The author finishes with conclusions about the work of art in relation to artificial life techniques and interactive art in particular
In: Formation: The Aesthetic Use of Machinic Beings
August 01 2000 in::FORMATION: The Aesthetic Use of Machinic Beings James R. Hugunin, James R. Hugunin 454 Iowa Street, Oak Park, IL 60302, U.S.A., E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Stephen Boyer, Stephen Boyer Search for other works by this author on: This Site Google Scholar Kym Olsen, Kym Olsen Search for other works by this author on: This Site Google Scholar Trevor Martin, Trevor Marti…
Art (3 works) · Computer Science (3 works) · Art history (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Architecture and Art History Studies (1 works) · Art, Politics, and Modernism (1 works) · Art, Technology, and Culture (1 works) · Artificial Intelligence (1 works) · Artificial Intelligence (1 works)