Technology Recapitulates Phylogeny
Artificial Life Art
Bibliographic Data
| ID | 3676668 |
|---|---|
| Authors | Kenneth E Rinaldo (corresponding author) |
| Year | 1998 |
| Volume | 31 |
| Issue | 5 |
| Pages | 371 |
| Publication date | 1998-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1576600 |
| OpenAlex | W2335263006 |
| Language | EN |
| Citations received | 2 |
| References cited | 4 |
The author discusses the notion of emergence, the result of a collapse of both scientific and artistic barriers that has contributed to the rise of artificial life art. A discussion of artists who use biology as model and computers as material will lead into a description of some current artificial life art works. The author finishes with conclusions about the work of art in relation to artificial life techniques and interactive art in particular
Aesthetics · Art · Art history · Artificial life · Relation (database) · Visual arts · Artificial Intelligence · Computer Science · Earth Systems and Cosmic Evolution · Space Science and Extraterrestrial Life · Whitehead's Philosophy and Applications
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 2001 - 2003 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |