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Robert M Isherwood

Biographic Data

ID1065035
NAMERobert M Isherwood
GIVEN NAMESRobert M
FAMILY NAMEIsherwood
SIGNATUREISHERWOOD R M
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS9
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2001
H-INDEX2
  • The Contested Parterre: Public Theater and French Political Culture, 1680-1791

    Robert M Isherwood, Jeffrey S Ravel•ARTICLE•The American Historical Review•2001

  • Music and the French Enlightenment: Reconstruction of a Dialogue, 1750- 1764

    Robert M Isherwood, Cynthia Verba•ARTICLE•The American Historical Review•1994

  • Public Drinking and Popular Culture in Eighteenth-Century Paris. Thomas Brennan

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1990

  • Farce and Fantasy: Popular Entertainment in Eighteenth-Century Paris

    Harry C Payne, Robert M Isherwood•ARTICLE•Eighteenth-Century Studies•1987•Cited by: 2

  • Boulevard Theater and Revolution in Eighteenth-Century Paris. Michele Root-Bernstein

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1987

  • Music in the French Royal Academy of Sciences: A Study in the Evolution of Musical Thought

    Robert M Isherwood, Albert Cohen•ARTICLE•The American Historical Review•1982•Cited by: 1

    This book describes a colorful period in French social and cultural history, during which music and science combined to provide the intellectual and aesthetic spirit of the Age of Enlightenment with an enormous vitality. Investigating the place assigned to music in France's preeminent scientific institution, the Paris Academy, the author shows the role played by the scientific movement in the evolution of musical thought prior to the Revolution.O…

  • Entertainment in the Parisian Fairs in the Eighteenth Century

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1981•Cited by: 5

  • A Muse for the Masses: Ritual and Music in an Age of Democratic Revolution . Conrad L. Donakowski

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1979

  • Popular Musical Entertainment in Eighteenth-Century Paris

    Robert M Isherwood•ARTICLE•International Review of the…•1978•Cited by: 1

  • Music in the Service of the King: France in the Seventeenth Century

    Orest Ranum, Robert M Isherwood•ARTICLE•The Journal of Interdisciplinary…•1976

  • Prelude to the Enlightenment: French Literature, 1690-1740

    Robert M Isherwood, Robert Isherwood et al.•ARTICLE•The American Historical Review•1972

  • The Centralization of Music in the Reign of Louis XIV

    Robert M Isherwood•ARTICLE•French Historical Studies•1969

    artistic activity through a group of royal academies. The king earnestly wanted his reign to be famous for its artistic brilliance, and he believed that musicians, poets, painters, sculptors, and architects could preserve his great deeds for posterity. Louis aspired not only to surpass the achievements of classical antiquity but to establish France's artistic supremacy in Europe. Attaining artistic self-sufficiency and preponderance was consisten…

  • Entertainment in the Parisian Fairs in the Eighteenth Century

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1981•Cited by: 5

  • Farce and Fantasy: Popular Entertainment in Eighteenth-Century Paris

    Harry C Payne, Robert M Isherwood•ARTICLE•Eighteenth-Century Studies•1987•Cited by: 2

  • Music in the French Royal Academy of Sciences: A Study in the Evolution of Musical Thought

    Robert M Isherwood, Albert Cohen•ARTICLE•The American Historical Review•1982•Cited by: 1

    This book describes a colorful period in French social and cultural history, during which music and science combined to provide the intellectual and aesthetic spirit of the Age of Enlightenment with an enormous vitality. Investigating the place assigned to music in France's preeminent scientific institution, the Paris Academy, the author shows the role played by the scientific movement in the evolution of musical thought prior to the Revolution.O…

  • Popular Musical Entertainment in Eighteenth-Century Paris

    Robert M Isherwood•ARTICLE•International Review of the…•1978•Cited by: 1

  • The Centralization of Music in the Reign of Louis XIV

    Robert M Isherwood•ARTICLE•French Historical Studies•1969

    artistic activity through a group of royal academies. The king earnestly wanted his reign to be famous for its artistic brilliance, and he believed that musicians, poets, painters, sculptors, and architects could preserve his great deeds for posterity. Louis aspired not only to surpass the achievements of classical antiquity but to establish France's artistic supremacy in Europe. Attaining artistic self-sufficiency and preponderance was consisten…

  • Prelude to the Enlightenment: French Literature, 1690-1740

    Robert M Isherwood, Robert Isherwood et al.•ARTICLE•The American Historical Review•1972

  • Music in the Service of the King: France in the Seventeenth Century

    Orest Ranum, Robert M Isherwood•ARTICLE•The Journal of Interdisciplinary…•1976

  • Popular Musical Entertainment in Eighteenth-Century Paris

    Robert M Isherwood•ARTICLE•International Review of the…•1978•Cited by: 1

  • A Muse for the Masses: Ritual and Music in an Age of Democratic Revolution . Conrad L. Donakowski

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1979

  • Entertainment in the Parisian Fairs in the Eighteenth Century

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1981•Cited by: 5

  • Music in the French Royal Academy of Sciences: A Study in the Evolution of Musical Thought

    Robert M Isherwood, Albert Cohen•ARTICLE•The American Historical Review•1982•Cited by: 1

    This book describes a colorful period in French social and cultural history, during which music and science combined to provide the intellectual and aesthetic spirit of the Age of Enlightenment with an enormous vitality. Investigating the place assigned to music in France's preeminent scientific institution, the Paris Academy, the author shows the role played by the scientific movement in the evolution of musical thought prior to the Revolution.O…

  • Farce and Fantasy: Popular Entertainment in Eighteenth-Century Paris

    Harry C Payne, Robert M Isherwood•ARTICLE•Eighteenth-Century Studies•1987•Cited by: 2

  • Boulevard Theater and Revolution in Eighteenth-Century Paris. Michele Root-Bernstein

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1987

  • Public Drinking and Popular Culture in Eighteenth-Century Paris. Thomas Brennan

    Robert M Isherwood•ARTICLE•The Journal of Modern History•1990

  • Music and the French Enlightenment: Reconstruction of a Dialogue, 1750- 1764

    Robert M Isherwood, Cynthia Verba•ARTICLE•The American Historical Review•1994

  • The Contested Parterre: Public Theater and French Political Culture, 1680-1791

    Robert M Isherwood, Jeffrey S Ravel•ARTICLE•The American Historical Review•2001

History (10 works) · Art (9 works) · Historical and Literary Studies (8 works) · Political science (7 works) · Art history (6 works) · History (6 works) · Historical Art and Culture Studies (5 works) · Law (5 works) · Literature (5 works) · Philosophy (5 works)

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