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The Centralization of Music in the Reign of Louis XIV

Bibliographic Data

ID8939846
AuthorsRobert M Isherwood (corresponding author)
Year1969
Volume6
Issue2
Pages156-156
Publication date1969-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFrench Historical Studies (JOURNAL)
Journal identifiersISSN: 0016-1071 • E-ISSN: 1527-5493
PublisherJSTOR (PUBLISHER)
DOI10.2307/286163
OpenAlexW2331956222
LanguageEN

artistic activity through a group of royal academies. The king earnestly wanted his reign to be famous for its artistic brilliance, and he believed that musicians, poets, painters, sculptors, and architects could preserve his great deeds for posterity. Louis aspired not only to surpass the achievements of classical antiquity but to establish France's artistic supremacy in Europe. Attaining artistic self-sufficiency and preponderance was consistent with the underlying assumptions of Colbertian mercantilism and with Louis' ambitions to dominate Europe. The

Ancient history · Political science · Reign · European Political History Analysis · Historical Art and Culture Studies · Historical Studies and Socio-cultural Analysis · History · Law

Citation velocityhistorical
Highly citedNo

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