John Creaser
Biographic Data
| ID | 1065182 |
|---|---|
| NAME | John Creaser |
| GIVEN NAMES | John |
| FAMILY NAME | Creaser |
| SIGNATURE | CREASER J |
| AFFILIATIONS | Mansfield University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Milton and the Resources of the Line
Whereas prose is written in sentences, poetry is written in lines, lines that may or may not coincide with the syntax of the sentence. Lines add an aural and visual mode of punctuation through bringing some degree of pause and sense of weight at the line-turn. So lineation, the division of poetry into lines, opens a repertoire of possibilities to the poet. Notably, it encourages an enhanced concentration on meaning, rhythm, and sound. It makes me…
The Line inParadise Lost
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
“Times trans‐shifting
The universal assumption that very few of the 1400 poems collected by Robert Herrick in Hesperides and Noble Numbers (1648) can be dated has since the nineteenth century perversely encouraged editors and scholars to impose a diversity of shapes on his poetic career. The most powerful and recent versions of this wishful thinking have led to assertions that Herrick was primarily a poet of the 1630s and ’40s, and moreover a polemical partisan of ext…
Prosody and Liberty in Milton and Marvell
Milton and the Terms of Liberty
Milton's Comus
MILTON'S COMUS : THE IRRELEVANCE OF THE CASTLEHAVEN SCANDAL Get access JOHN CREASER JOHN CREASER Mansfield CollegeOxford Search for other works by this author on: Oxford Academic Google Scholar Notes and Queries, Volume 31, Issue 3, September 1984, Pages 307–317, https://doi.org/10.1093/nq/31-3-307 Published: 01 September 1984
A vindication of sir politic would‐be
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A vindication of sir politic would‐be
Milton's Comus
MILTON'S COMUS : THE IRRELEVANCE OF THE CASTLEHAVEN SCANDAL Get access JOHN CREASER JOHN CREASER Mansfield CollegeOxford Search for other works by this author on: Oxford Academic Google Scholar Notes and Queries, Volume 31, Issue 3, September 1984, Pages 307–317, https://doi.org/10.1093/nq/31-3-307 Published: 01 September 1984
Prosody and Liberty in Milton and Marvell
Milton and the Terms of Liberty
“Times trans‐shifting
The universal assumption that very few of the 1400 poems collected by Robert Herrick in Hesperides and Noble Numbers (1648) can be dated has since the nineteenth century perversely encouraged editors and scholars to impose a diversity of shapes on his poetic career. The most powerful and recent versions of this wishful thinking have led to assertions that Herrick was primarily a poet of the 1630s and ’40s, and moreover a polemical partisan of ext…
The Line inParadise Lost
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Milton and the Resources of the Line
Whereas prose is written in sentences, poetry is written in lines, lines that may or may not coincide with the syntax of the sentence. Lines add an aural and visual mode of punctuation through bringing some degree of pause and sense of weight at the line-turn. So lineation, the division of poetry into lines, opens a repertoire of possibilities to the poet. Notably, it encourages an enhanced concentration on meaning, rhythm, and sound. It makes me…
Art (5 works) · Philosophy (5 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Politics (3 works) · Classical Antiquity Studies (2 works) · Historical Linguistics and Language Studies (2 works) · History (2 works) · Law (2 works)