Lewis Broad
Biographic Data
| ID | 1070862 |
|---|---|
| NAME | Lewis Broad |
| GIVEN NAMES | Lewis |
| FAMILY NAME | Broad |
| SIGNATURE | BROAD L |
| AFFILIATIONS | University of Oxford |
| ORCID | 0000-0003-1028-576X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1952 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Elizabeth Maconchy in Context
Elizabeth Maconchy was one of the most prominent and successful composers of the twentieth century, a champion of contemporary music who composed chamber operas, choral music, orchestral works, a range of compositions and operas for children, and a highly-regarded series of string quartets. This collection explores her life and work, her Irishness and her formative years at the Royal College of Music. It examines her intersections with musical an…
Approaching Incidental Music
Incidental music of the early twentieth-century has received little musicological attention, despite its widespread use during this period of history. Theatres were a popular means by which audiences could interact with new music, and composers could experiment with new ideas and build collaborative relationships. Using a 1926 Swedish production of August Strindberg’s Till Damaskus (III), directed by Per Lindberg with music by Ture Rangström, thi…
Scaramouche, Scaramouche
Sibelius’s only balletic pantomime, Scaramouche , composed in 1913, remains one of his least-known works, even though it is one of his longest dramatic scores and belongs to his period of compositional re-evaluation. This article explores the pantomime in the context of its first production, performed in 1922 in Denmark and 1924 in Sweden. It argues that the pantomime’s reception both illuminates the importance of dance as a formative ‘modern’ ge…
Clear, Happy, and Naïve
SWEDISH COMPOSERS ARE LARGELY ABSENT from musicological studies of the early twentieth century. Without a single figurehead like Carl Nielsen or Jean Sibelius, Sweden's musical climate in this period has remained relatively underexplored. Key personalities such as Wilhelm Stenhammar (1871^1927) have yet to receive the scholarly attention recently enjoyed by their Nordic colleagues. 1 Consequently little is known about Swedish musical modernism, d…
Winston Churchill. The Years of Preparation. A Biography
Winston Churchill, 1874-1951
Clear, Happy, and Naïve
SWEDISH COMPOSERS ARE LARGELY ABSENT from musicological studies of the early twentieth century. Without a single figurehead like Carl Nielsen or Jean Sibelius, Sweden's musical climate in this period has remained relatively underexplored. Key personalities such as Wilhelm Stenhammar (1871^1927) have yet to receive the scholarly attention recently enjoyed by their Nordic colleagues. 1 Consequently little is known about Swedish musical modernism, d…
Winston Churchill, 1874-1951
Winston Churchill. The Years of Preparation. A Biography
Clear, Happy, and Naïve
SWEDISH COMPOSERS ARE LARGELY ABSENT from musicological studies of the early twentieth century. Without a single figurehead like Carl Nielsen or Jean Sibelius, Sweden's musical climate in this period has remained relatively underexplored. Key personalities such as Wilhelm Stenhammar (1871^1927) have yet to receive the scholarly attention recently enjoyed by their Nordic colleagues. 1 Consequently little is known about Swedish musical modernism, d…
Scaramouche, Scaramouche
Sibelius’s only balletic pantomime, Scaramouche , composed in 1913, remains one of his least-known works, even though it is one of his longest dramatic scores and belongs to his period of compositional re-evaluation. This article explores the pantomime in the context of its first production, performed in 1922 in Denmark and 1924 in Sweden. It argues that the pantomime’s reception both illuminates the importance of dance as a formative ‘modern’ ge…
Approaching Incidental Music
Incidental music of the early twentieth-century has received little musicological attention, despite its widespread use during this period of history. Theatres were a popular means by which audiences could interact with new music, and composers could experiment with new ideas and build collaborative relationships. Using a 1926 Swedish production of August Strindberg’s Till Damaskus (III), directed by Per Lindberg with music by Ture Rangström, thi…
Elizabeth Maconchy in Context
Elizabeth Maconchy was one of the most prominent and successful composers of the twentieth century, a champion of contemporary music who composed chamber operas, choral music, orchestral works, a range of compositions and operas for children, and a highly-regarded series of string quartets. This collection explores her life and work, her Irishness and her formative years at the Royal College of Music. It examines her intersections with musical an…
Art (4 works) · Musicology and Musical Analysis (4 works) · Aesthetics (3 works) · History (3 works) · Literature (3 works) · Musical (3 works) · Sociology (3 works) · Epistemology (2 works) · Formative assessment (2 works) · History, Medicine, and Leadership (2 works)