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Roy Howat

Biographic Data

ID1077275
NAMERoy Howat
GIVEN NAMESRoy
FAMILY NAMEHowat
SIGNATUREHOWAT R
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS1
WORKS AS AUTHOR17
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Symmetries overt and hidden in musical form

    Roy Howat•ARTICLE•Symmetry: Culture and Science•2018

  • Gabriel Fauré

    Roy Howat•ARTICLE•Music and Letters•2002

    Journal Article Gabriel Fauré: A Guide to Research. Edward R. Phillips Get access Roy Howat Roy Howat Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 83, Issue 1, February 2002, Pages 135–137, https://doi.org/10.1093/ml/83.1.135 Published: 01 February 2002

  • Debussy, (Achille-)Claude

    François Lesure, Roy Howat•CHAPTER•The new Grove dictionary of music…•2001

  • Schubert's unknown symphonies

    Roy Howat•ARTICLE•Musicology Australia•1995

    Extract As distinguished a book as Charles Rosen's The Classical Style betrays the blind spot of its era by its subtitle, ‘Haydn, Mozart and Beethoven’. And Schubert? Few composers have remained so stubbornly misunderstood as this reputed café tunesmith whose intellect and technique supposedly didn't match his symphonic ambitions. Times are beginning to change. Among much else Newbould's new book observes that, had Beethoven died at the age at wh…

  • Ravel, rhythm and form

    Roy Howat•ARTICLE•Musicology Australia•1993•References: 1

    Ravel's interest in the Malay pantun poetic form, as used by Baudelaire, has previously been demonstrated by Brian Newbould in relation to one piece of music, the ‘Pantoum’ of Ravel's Piano Trio. Pantun, however, has several musical resonances, and study of Ravel's music in general reveals that various of the characteristics of pantun can be found more widely in Ravel's music, in ways that relate small-scale rhythmic devices to large-scale forms.…

  • Perlemuter & Ravel

    Roy Howat, Vlado Perlemuter et al.•ARTICLE•The Musical Times•1989

  • Debussy, masques, l'isle joyeuse and a lost sarabande

    Roy Howat•ARTICLE•Musicology Australia•1987•Cited by: 1

    Debussy's piano pieces Masques and L'isle joyeuse were initially intended to surround a “2c Sarabande” in a triptych entitled Suite bergamasque — a title eventually given instead to four pieces dating from 1890 and published in 1905. The change of plan resulted partly from financial exigencies, and also had to do with Debussy's elopement to Jersey in mid-1904 with Emma Bardac. This background suggests that the pieces, having begun in 1903 as a re…

  • Debussy

    James Methuen-Campbell, Debussy Debussy et al.•ARTICLE•The Musical Times•1987

  • Chopin Surveyed

    Roy Howat, Jim Samson•ARTICLE•The Musical Times•1987

  • [Letter from Roy Howat]

    Roy Howat•ARTICLE•Music Analysis•1985

  • Claude Debussy and Twentieth-Century Music

    Craig Ayrey, Arthur B Wenk et al.•ARTICLE•Music Analysis•1984

  • [Letter from Roy Howat]

    Roy Howat•ARTICLE•Music Analysis•1983

  • Bartok, Lendvai and the Principles of Proportional Analysis

    Roy Howat•ARTICLE•Music Analysis•1983

  • Long, Faure and Ghosts

    Roy Howat•ARTICLE•The Musical Times•1982

  • Chopin Romances

    Roy Howat, Ruth Jordan•ARTICLE•The Musical Times•1979

  • Debussy Re-Edited

    Roy Howat, Debussy Debussy et al.•ARTICLE•The Musical Times•1978

  • Debussy, Ravel and Bartók

    Roy Howat•ARTICLE•Music and Letters•1977

    Journal Article DEBUSSY, RAVEL AND BARTÓK: TOWARDS SOME NEW CONCEPTS OF FORM Get access ROY HOWAT ROY HOWAT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 3, July 1977, Pages 285–293, https://doi.org/10.1093/ml/58.3.285 Published: 01 July 1977

  • Debussy, masques, l'isle joyeuse and a lost sarabande

    Roy Howat•ARTICLE•Musicology Australia•1987•Cited by: 1

    Debussy's piano pieces Masques and L'isle joyeuse were initially intended to surround a “2c Sarabande” in a triptych entitled Suite bergamasque — a title eventually given instead to four pieces dating from 1890 and published in 1905. The change of plan resulted partly from financial exigencies, and also had to do with Debussy's elopement to Jersey in mid-1904 with Emma Bardac. This background suggests that the pieces, having begun in 1903 as a re…

  • Debussy, Ravel and Bartók

    Roy Howat•ARTICLE•Music and Letters•1977

    Journal Article DEBUSSY, RAVEL AND BARTÓK: TOWARDS SOME NEW CONCEPTS OF FORM Get access ROY HOWAT ROY HOWAT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 3, July 1977, Pages 285–293, https://doi.org/10.1093/ml/58.3.285 Published: 01 July 1977

  • Debussy Re-Edited

    Roy Howat, Debussy Debussy et al.•ARTICLE•The Musical Times•1978

  • Chopin Romances

    Roy Howat, Ruth Jordan•ARTICLE•The Musical Times•1979

  • Long, Faure and Ghosts

    Roy Howat•ARTICLE•The Musical Times•1982

  • [Letter from Roy Howat]

    Roy Howat•ARTICLE•Music Analysis•1983

  • Bartok, Lendvai and the Principles of Proportional Analysis

    Roy Howat•ARTICLE•Music Analysis•1983

  • Claude Debussy and Twentieth-Century Music

    Craig Ayrey, Arthur B Wenk et al.•ARTICLE•Music Analysis•1984

  • [Letter from Roy Howat]

    Roy Howat•ARTICLE•Music Analysis•1985

  • Debussy, masques, l'isle joyeuse and a lost sarabande

    Roy Howat•ARTICLE•Musicology Australia•1987•Cited by: 1

    Debussy's piano pieces Masques and L'isle joyeuse were initially intended to surround a “2c Sarabande” in a triptych entitled Suite bergamasque — a title eventually given instead to four pieces dating from 1890 and published in 1905. The change of plan resulted partly from financial exigencies, and also had to do with Debussy's elopement to Jersey in mid-1904 with Emma Bardac. This background suggests that the pieces, having begun in 1903 as a re…

  • Debussy

    James Methuen-Campbell, Debussy Debussy et al.•ARTICLE•The Musical Times•1987

  • Chopin Surveyed

    Roy Howat, Jim Samson•ARTICLE•The Musical Times•1987

  • Perlemuter & Ravel

    Roy Howat, Vlado Perlemuter et al.•ARTICLE•The Musical Times•1989

  • Ravel, rhythm and form

    Roy Howat•ARTICLE•Musicology Australia•1993•References: 1

    Ravel's interest in the Malay pantun poetic form, as used by Baudelaire, has previously been demonstrated by Brian Newbould in relation to one piece of music, the ‘Pantoum’ of Ravel's Piano Trio. Pantun, however, has several musical resonances, and study of Ravel's music in general reveals that various of the characteristics of pantun can be found more widely in Ravel's music, in ways that relate small-scale rhythmic devices to large-scale forms.…

  • Schubert's unknown symphonies

    Roy Howat•ARTICLE•Musicology Australia•1995

    Extract As distinguished a book as Charles Rosen's The Classical Style betrays the blind spot of its era by its subtitle, ‘Haydn, Mozart and Beethoven’. And Schubert? Few composers have remained so stubbornly misunderstood as this reputed café tunesmith whose intellect and technique supposedly didn't match his symphonic ambitions. Times are beginning to change. Among much else Newbould's new book observes that, had Beethoven died at the age at wh…

  • Debussy, (Achille-)Claude

    François Lesure, Roy Howat•CHAPTER•The new Grove dictionary of music…•2001

  • Gabriel Fauré

    Roy Howat•ARTICLE•Music and Letters•2002

    Journal Article Gabriel Fauré: A Guide to Research. Edward R. Phillips Get access Roy Howat Roy Howat Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 83, Issue 1, February 2002, Pages 135–137, https://doi.org/10.1093/ml/83.1.135 Published: 01 February 2002

  • Symmetries overt and hidden in musical form

    Roy Howat•ARTICLE•Symmetry: Culture and Science•2018

Art (17 works) · Musicology and Musical Analysis (9 works) · Literature (6 works) · Art history (5 works) · Computer Science (4 works) · Diverse Musicological Studies (3 works) · Musical (3 works) · Philosophy (3 works) · Psychology (3 works) · Archaeology (2 works)

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