Roy Howat
Biographic Data
| ID | 1077275 |
|---|---|
| NAME | Roy Howat |
| GIVEN NAMES | Roy |
| FAMILY NAME | Howat |
| SIGNATURE | HOWAT R |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Symmetries overt and hidden in musical form
Gabriel Fauré
Journal Article Gabriel Fauré: A Guide to Research. Edward R. Phillips Get access Roy Howat Roy Howat Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 83, Issue 1, February 2002, Pages 135–137, https://doi.org/10.1093/ml/83.1.135 Published: 01 February 2002
Debussy, (Achille-)Claude
Schubert's unknown symphonies
Extract As distinguished a book as Charles Rosen's The Classical Style betrays the blind spot of its era by its subtitle, ‘Haydn, Mozart and Beethoven’. And Schubert? Few composers have remained so stubbornly misunderstood as this reputed café tunesmith whose intellect and technique supposedly didn't match his symphonic ambitions. Times are beginning to change. Among much else Newbould's new book observes that, had Beethoven died at the age at wh…
Ravel, rhythm and form
Ravel's interest in the Malay pantun poetic form, as used by Baudelaire, has previously been demonstrated by Brian Newbould in relation to one piece of music, the ‘Pantoum’ of Ravel's Piano Trio. Pantun, however, has several musical resonances, and study of Ravel's music in general reveals that various of the characteristics of pantun can be found more widely in Ravel's music, in ways that relate small-scale rhythmic devices to large-scale forms.…
Perlemuter & Ravel
Debussy, masques, l'isle joyeuse and a lost sarabande
Debussy's piano pieces Masques and L'isle joyeuse were initially intended to surround a “2c Sarabande” in a triptych entitled Suite bergamasque — a title eventually given instead to four pieces dating from 1890 and published in 1905. The change of plan resulted partly from financial exigencies, and also had to do with Debussy's elopement to Jersey in mid-1904 with Emma Bardac. This background suggests that the pieces, having begun in 1903 as a re…
Debussy
Chopin Surveyed
[Letter from Roy Howat]
Claude Debussy and Twentieth-Century Music
[Letter from Roy Howat]
Bartok, Lendvai and the Principles of Proportional Analysis
Long, Faure and Ghosts
Chopin Romances
Debussy Re-Edited
Debussy, Ravel and Bartók
Journal Article DEBUSSY, RAVEL AND BARTÓK: TOWARDS SOME NEW CONCEPTS OF FORM Get access ROY HOWAT ROY HOWAT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 3, July 1977, Pages 285–293, https://doi.org/10.1093/ml/58.3.285 Published: 01 July 1977
Debussy, masques, l'isle joyeuse and a lost sarabande
Debussy's piano pieces Masques and L'isle joyeuse were initially intended to surround a “2c Sarabande” in a triptych entitled Suite bergamasque — a title eventually given instead to four pieces dating from 1890 and published in 1905. The change of plan resulted partly from financial exigencies, and also had to do with Debussy's elopement to Jersey in mid-1904 with Emma Bardac. This background suggests that the pieces, having begun in 1903 as a re…
Debussy, Ravel and Bartók
Journal Article DEBUSSY, RAVEL AND BARTÓK: TOWARDS SOME NEW CONCEPTS OF FORM Get access ROY HOWAT ROY HOWAT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 3, July 1977, Pages 285–293, https://doi.org/10.1093/ml/58.3.285 Published: 01 July 1977
Debussy Re-Edited
Chopin Romances
Long, Faure and Ghosts
[Letter from Roy Howat]
Bartok, Lendvai and the Principles of Proportional Analysis
Claude Debussy and Twentieth-Century Music
[Letter from Roy Howat]
Debussy, masques, l'isle joyeuse and a lost sarabande
Debussy's piano pieces Masques and L'isle joyeuse were initially intended to surround a “2c Sarabande” in a triptych entitled Suite bergamasque — a title eventually given instead to four pieces dating from 1890 and published in 1905. The change of plan resulted partly from financial exigencies, and also had to do with Debussy's elopement to Jersey in mid-1904 with Emma Bardac. This background suggests that the pieces, having begun in 1903 as a re…
Debussy
Chopin Surveyed
Perlemuter & Ravel
Ravel, rhythm and form
Ravel's interest in the Malay pantun poetic form, as used by Baudelaire, has previously been demonstrated by Brian Newbould in relation to one piece of music, the ‘Pantoum’ of Ravel's Piano Trio. Pantun, however, has several musical resonances, and study of Ravel's music in general reveals that various of the characteristics of pantun can be found more widely in Ravel's music, in ways that relate small-scale rhythmic devices to large-scale forms.…
Schubert's unknown symphonies
Extract As distinguished a book as Charles Rosen's The Classical Style betrays the blind spot of its era by its subtitle, ‘Haydn, Mozart and Beethoven’. And Schubert? Few composers have remained so stubbornly misunderstood as this reputed café tunesmith whose intellect and technique supposedly didn't match his symphonic ambitions. Times are beginning to change. Among much else Newbould's new book observes that, had Beethoven died at the age at wh…
Debussy, (Achille-)Claude
Gabriel Fauré
Journal Article Gabriel Fauré: A Guide to Research. Edward R. Phillips Get access Roy Howat Roy Howat Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 83, Issue 1, February 2002, Pages 135–137, https://doi.org/10.1093/ml/83.1.135 Published: 01 February 2002
Symmetries overt and hidden in musical form
Art (17 works) · Musicology and Musical Analysis (9 works) · Literature (6 works) · Art history (5 works) · Computer Science (4 works) · Diverse Musicological Studies (3 works) · Musical (3 works) · Philosophy (3 works) · Psychology (3 works) · Archaeology (2 works)