Schubert's unknown symphonies
A review article on the restorative work of Brian Newbould
Bibliographic Data
| ID | 14818110 |
|---|---|
| Authors | Roy Howat (corresponding author) |
| Year | 1995 |
| Volume | 18 |
| Issue | 1 |
| Pages | 52-59 |
| Publication date | 1995-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Musicology Australia (JOURNAL) |
| Journal identifiers | ISSN: 0814-5857 • E-ISSN: 1949-453X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/08145857.1995.10415263 |
| OpenAlex | W2044035359 |
| Language | EN |
Extract As distinguished a book as Charles Rosen's The Classical Style betrays the blind spot of its era by its subtitle, ‘Haydn, Mozart and Beethoven’. And Schubert? Few composers have remained so stubbornly misunderstood as this reputed café tunesmith whose intellect and technique supposedly didn't match his symphonic ambitions. Times are beginning to change. Among much else Newbould's new book observes that, had Beethoven died at the age at which Schubert composed his ‘Great’ and last completed symphony, there would be no Beethoven symphonies at all. Also quoted (p. 286) is Dvořák's admiration of Schubert as symphonist
Admiration · Art · Art history · Intellect · Literature · MOZART · Symphony · Theology · Diverse Musicological Studies · Musicology and Musical Analysis · Philosophy
| Highly cited | No |
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