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Ilya Vinitsky

Biographic Data

ID1078871
NAMEIlya Vinitsky
GIVEN NAMESIlya
FAMILY NAMEVinitsky
SIGNATUREVINITSKY I
AFFILIATIONSPrinceton University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX0
  • The Donkey’s Song

    Open Access•Ilya Vinitsky•ARTICLE•Studi Slavistici•2025

    Parodies, caricatures, mockery, and scathing remarks by critics often serve as provocative invitations to explore the reception and interpretation of literary experiments within their respective cultural contexts. This kind of literary interpretation “by means of contradiction” might be termed boo-criticism. This article examines a vivid example of such criticism, introducing a characteristic mythopoetic figure that emerged from the heated litera…

  • Sentimentalism and Romanticism

    Open Access•Ilya Vinitsky•CHAPTER•New Cambridge History of Russian…•2024

    This chapter covers the period from the late 1780s through the late 1840s, and introduces two closely intertwined cultural movements: Russian Sentimentalism (or the age of sensibility) and Russian Romanticism (also known as the Golden Age of Russian poetry). Departing from debates on the paradoxes of Russian Romanticism, the chapter considers the genealogy and basic features of the movement by assessing the oeuvre and literary impact of the ‘fath…

  • The New Cambridge History of Russian Literature

    Open Access•Marcus C Levitt, Ilya Vinitsky et al.•BOOK•New Cambridge History of Russian…•2024

    This is the essential new guide to Russian literature, combining authority and innovation in coverage ranging from medieval manuscripts to the internet and social media. With contributions from thirty-four world-leading scholars, it offers a fresh approach to literary history, not as one integral narrative but as multiple parallel histories. Each of its four strands tells a story of Russian literature according to a defined criterion: Movements, …

  • The Salon and the Circle

    Open Access•Ilya Vinitsky•CHAPTER•New Cambridge History of Russian…•2024

    The terms ‘salon’ and ‘circle’ refer to a particular type of literary group that has shaped Russian culture since the seventeenth century, with its influence peaking in the 1820s and 1830s. Unlike literary societies, these communities have rarely had any formal membership, written rules or programmatic documents. Instead, they have tended to favour friendly chats on various subjects, literary recitations, and discussions on certain days of week, …

  • The First Serbian Female Writer

    Open Access•Ilya Vinitsky•ARTICLE•Slovene•2019

    At the end of the nineteenth century the Romantic image of Eustahija Arsić (1776–1843) was introduced to the Serbian national pantheon as the first Serbian woman writer and philosopher of the modern age. This image was based first and foremost on her book “Useful Thoughts on the Four Seasons” which appeared in Budim in 1816 under that author’s name. In the second half of the twentieth century several scholarly studies and a biography were devoted…

  • Table Talks

    Open Access•Ilya Vinitsky•ARTICLE•The Russian Review•2008

  • Where Bobok Is Buried

    Open Access•Ilya Vinitsky•ARTICLE•Slavic Review•2006•References: 3

    In addition to examining the ideological and artistic origins of Fedor Dostoevskii's portrayal of the underworld in his short "cemetery story" "Bobok" (1873), Ilya Vinitsky probes the theosophical context of Dostoevskii's "fantastic realism." Vinitsky considers this story a programmatic "theosophical menippea" that artistically "voices" and "tests" Emanuel Swedenborgs doctrine of posthumous self-exposure of the wicked souls who are no longer rest…

No prominent works on this page.

  • Where Bobok Is Buried

    Open Access•Ilya Vinitsky•ARTICLE•Slavic Review•2006•References: 3

    In addition to examining the ideological and artistic origins of Fedor Dostoevskii's portrayal of the underworld in his short "cemetery story" "Bobok" (1873), Ilya Vinitsky probes the theosophical context of Dostoevskii's "fantastic realism." Vinitsky considers this story a programmatic "theosophical menippea" that artistically "voices" and "tests" Emanuel Swedenborgs doctrine of posthumous self-exposure of the wicked souls who are no longer rest…

  • Table Talks

    Open Access•Ilya Vinitsky•ARTICLE•The Russian Review•2008

  • The First Serbian Female Writer

    Open Access•Ilya Vinitsky•ARTICLE•Slovene•2019

    At the end of the nineteenth century the Romantic image of Eustahija Arsić (1776–1843) was introduced to the Serbian national pantheon as the first Serbian woman writer and philosopher of the modern age. This image was based first and foremost on her book “Useful Thoughts on the Four Seasons” which appeared in Budim in 1816 under that author’s name. In the second half of the twentieth century several scholarly studies and a biography were devoted…

  • Sentimentalism and Romanticism

    Open Access•Ilya Vinitsky•CHAPTER•New Cambridge History of Russian…•2024

    This chapter covers the period from the late 1780s through the late 1840s, and introduces two closely intertwined cultural movements: Russian Sentimentalism (or the age of sensibility) and Russian Romanticism (also known as the Golden Age of Russian poetry). Departing from debates on the paradoxes of Russian Romanticism, the chapter considers the genealogy and basic features of the movement by assessing the oeuvre and literary impact of the ‘fath…

  • The New Cambridge History of Russian Literature

    Open Access•Marcus C Levitt, Ilya Vinitsky et al.•BOOK•New Cambridge History of Russian…•2024

    This is the essential new guide to Russian literature, combining authority and innovation in coverage ranging from medieval manuscripts to the internet and social media. With contributions from thirty-four world-leading scholars, it offers a fresh approach to literary history, not as one integral narrative but as multiple parallel histories. Each of its four strands tells a story of Russian literature according to a defined criterion: Movements, …

  • The Salon and the Circle

    Open Access•Ilya Vinitsky•CHAPTER•New Cambridge History of Russian…•2024

    The terms ‘salon’ and ‘circle’ refer to a particular type of literary group that has shaped Russian culture since the seventeenth century, with its influence peaking in the 1820s and 1830s. Unlike literary societies, these communities have rarely had any formal membership, written rules or programmatic documents. Instead, they have tended to favour friendly chats on various subjects, literary recitations, and discussions on certain days of week, …

  • The Donkey’s Song

    Open Access•Ilya Vinitsky•ARTICLE•Studi Slavistici•2025

    Parodies, caricatures, mockery, and scathing remarks by critics often serve as provocative invitations to explore the reception and interpretation of literary experiments within their respective cultural contexts. This kind of literary interpretation “by means of contradiction” might be termed boo-criticism. This article examines a vivid example of such criticism, introducing a characteristic mythopoetic figure that emerged from the heated litera…

Art (4 works) · History (4 works) · Russian Literature and Bakhtin Studies (4 works) · Literature (3 works) · Art history (2 works) · Classics (2 works) · Computer Science (2 works) · History (2 works) · Philosophy (2 works) · Religious, Philosophical, and Educational Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae