The Salon and the Circle
Bibliographic Data
| ID | 23574236 |
|---|---|
| Authors | Ilya Vinitsky (corresponding author) |
| Year | 2024 |
| Pages | 258-276 |
| Publication date | 2024-12-12 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | New Cambridge History of Russian Literature (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781108655620.016 |
| OpenAlex | W4405922232 |
| ISBN | 9781108655620 |
| Language | EN |
| References cited | 5 |
The terms ‘salon’ and ‘circle’ refer to a particular type of literary group that has shaped Russian culture since the seventeenth century, with its influence peaking in the 1820s and 1830s. Unlike literary societies, these communities have rarely had any formal membership, written rules or programmatic documents. Instead, they have tended to favour friendly chats on various subjects, literary recitations, and discussions on certain days of week, sometimes accompanied by musical performances. These practices engender strong personal bonds and shared memories. Some of these communities have created their own ‘circle languages’ with recurrent motifs, inside jokes, and domestic mythologies, which in turn have framed their literary output. The chapter reconstructs their activities by examining that output alongside secret-police reports. Viewed from this perspective, the history of literary circles and salons can be seen as the history of the vanished ‘everyday life’ of their participants.
Art · Art history · Salon · Computer Science · Historical Art and Architecture Studies · Historical Art and Culture Studies · Renaissance and Early Modern Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |