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Kurt W Forster

Biographic Data

ID1080370
NAMEKurt W Forster
GIVEN NAMESKurt W
FAMILY NAMEForster
SIGNATUREFORSTER K W
AFFILIATIONSStanford University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS7
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1965
LATEST PUBLICATION YEAR2019
H-INDEX1
  • L’appartement d’Ismaïl Kadaré à Tirana: Un site pour écrire à l’abri des regards

    Open Access•Elisabetta Terragni, Kurt W Forster et al.•ARTICLE•Culture & Musées•2019

    Les maisons et les appartements jadis occupés par des écrivains et des artistes sont des piliers de la mémoire culturelle de maints pays, où leur visite constitue un atout fondamental du tourisme. On connaît les plaques en céramique bleu Wedgwood posées sur les façades de certains édifices londoniens pour rappeler aux passants que tel romancier ou tel scientifique y a vécu pendant le nombre d’années indiqué, qu’il est né ou mort dans un bâtiment …

  • Aby Warburg: His Study of Ritual and Art on Two Continents

    Kurt W Forster, David Britt•ARTICLE•October•1996•Cited by: 6

    As young man, intensely concerned in the first few years after his doctorate with the anthropological basis of the art history of his time, Aby Warburg returned from year's military service to the study of Renaissance civilization in Florence. In his thesis, he had described one pronouncement of Jacob Burckhardt's as infallibly correct; namely, that Italian festive pageantry in its more elevated cultural forms is a true transition from life into …

  • Four Unpublished Drawings by Mies van der Rohe: A Commentary

    Open Access•Kurt W Forster•ARTICLE•Res: Anthropology and Aesthetics•1988

  • Critical History of Art, or Transfiguration of Values

    Kurt W Forster•ARTICLE•New Literary History•1972•Cited by: 1

    economic significance. Art historians may therefore be distracted by this institutional and public success of their discipline from a critical examination of its scholarly foundations. From time to time during the past decades, there have been resolute attempts to redirect scholarly practice. Some came from a socio-historical point of view, others from psychological and philosophical vantage.' Independent of their relative merit, however, these c…

  • A Failure of Nerve, Italian Painting 1520-1535

    Open Access•Kurt W Forster•ARTICLE•Renaissance Quarterly•1970

    Sir Kenneth Clark. A Failure of Nerve, Italian Painting 1520-1535. (The H. R. Bickley Memorial Lecture.) Oxford: Clarendon Press, 1967. 28 pp. $.90. - John Shearman. Mannerism. (Style and Civilization Series.) Baltimore, Md.: Penguin Books, 1967. 216 pp. $2.95. - Volume 23 Issue 3

  • The Image of Freedom: An Inquiry into the Aesthetics of Schiller and Sartre

    Kurt W Forster•ARTICLE•The British Journal of Aesthetics•1965

    THE IMAGE OF FREEDOM: An Inquiry into the Aesthetics of Schiller and Sartre Get access Kurt W. Forster Kurt W. Forster Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 5, Issue 1, January 1965, Pages 46–52, https://doi.org/10.1093/bjaesthetics/5.1.46 Published: 01 January 1965

  • Aby Warburg: His Study of Ritual and Art on Two Continents

    Kurt W Forster, David Britt•ARTICLE•October•1996•Cited by: 6

    As young man, intensely concerned in the first few years after his doctorate with the anthropological basis of the art history of his time, Aby Warburg returned from year's military service to the study of Renaissance civilization in Florence. In his thesis, he had described one pronouncement of Jacob Burckhardt's as infallibly correct; namely, that Italian festive pageantry in its more elevated cultural forms is a true transition from life into …

  • Critical History of Art, or Transfiguration of Values

    Kurt W Forster•ARTICLE•New Literary History•1972•Cited by: 1

    economic significance. Art historians may therefore be distracted by this institutional and public success of their discipline from a critical examination of its scholarly foundations. From time to time during the past decades, there have been resolute attempts to redirect scholarly practice. Some came from a socio-historical point of view, others from psychological and philosophical vantage.' Independent of their relative merit, however, these c…

  • The Image of Freedom: An Inquiry into the Aesthetics of Schiller and Sartre

    Kurt W Forster•ARTICLE•The British Journal of Aesthetics•1965

    THE IMAGE OF FREEDOM: An Inquiry into the Aesthetics of Schiller and Sartre Get access Kurt W. Forster Kurt W. Forster Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 5, Issue 1, January 1965, Pages 46–52, https://doi.org/10.1093/bjaesthetics/5.1.46 Published: 01 January 1965

  • A Failure of Nerve, Italian Painting 1520-1535

    Open Access•Kurt W Forster•ARTICLE•Renaissance Quarterly•1970

    Sir Kenneth Clark. A Failure of Nerve, Italian Painting 1520-1535. (The H. R. Bickley Memorial Lecture.) Oxford: Clarendon Press, 1967. 28 pp. $.90. - John Shearman. Mannerism. (Style and Civilization Series.) Baltimore, Md.: Penguin Books, 1967. 216 pp. $2.95. - Volume 23 Issue 3

  • Critical History of Art, or Transfiguration of Values

    Kurt W Forster•ARTICLE•New Literary History•1972•Cited by: 1

    economic significance. Art historians may therefore be distracted by this institutional and public success of their discipline from a critical examination of its scholarly foundations. From time to time during the past decades, there have been resolute attempts to redirect scholarly practice. Some came from a socio-historical point of view, others from psychological and philosophical vantage.' Independent of their relative merit, however, these c…

  • Four Unpublished Drawings by Mies van der Rohe: A Commentary

    Open Access•Kurt W Forster•ARTICLE•Res: Anthropology and Aesthetics•1988

  • Aby Warburg: His Study of Ritual and Art on Two Continents

    Kurt W Forster, David Britt•ARTICLE•October•1996•Cited by: 6

    As young man, intensely concerned in the first few years after his doctorate with the anthropological basis of the art history of his time, Aby Warburg returned from year's military service to the study of Renaissance civilization in Florence. In his thesis, he had described one pronouncement of Jacob Burckhardt's as infallibly correct; namely, that Italian festive pageantry in its more elevated cultural forms is a true transition from life into …

  • L’appartement d’Ismaïl Kadaré à Tirana: Un site pour écrire à l’abri des regards

    Open Access•Elisabetta Terragni, Kurt W Forster et al.•ARTICLE•Culture & Musées•2019

    Les maisons et les appartements jadis occupés par des écrivains et des artistes sont des piliers de la mémoire culturelle de maints pays, où leur visite constitue un atout fondamental du tourisme. On connaît les plaques en céramique bleu Wedgwood posées sur les façades de certains édifices londoniens pour rappeler aux passants que tel romancier ou tel scientifique y a vécu pendant le nombre d’années indiqué, qu’il est né ou mort dans un bâtiment …

Art (5 works) · Art history (4 works) · History (3 works) · History (3 works) · Aesthetics (2 works) · Architecture and Art History Studies (2 works) · Computer Science (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 works) · African history and culture analysis (1 works)

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