Anna Paparcone
Biographic Data
| ID | 1089567 |
|---|---|
| NAME | Anna Paparcone |
| GIVEN NAMES | Anna |
| FAMILY NAME | Paparcone |
| SIGNATURE | PAPARCONE A |
| AFFILIATIONS | Bucknell University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Contemporary Italian Women Artists of African Descent
This article considers the life and work of Afrodescendant Italian artists Iris Peynado, Nadia Kibout and Nadia Ali. Through my interviews with them and a critical analysis of their films, I underline the cultural value of their achievements and emphasize the discriminations that black women face in contemporary society and in the cinema industry. Racial, class and gender biases often are subjects of their filmmaking, and offer a critical site to…
Between Cities and Mountains
Starting with a brief overview of the ecofeminist movement and ecocinema, this article provides some theoretical coordinates to contextualise contemporary Italian ecofeminist cinema. Films such as Quatriglio’s Con il fiato sospeso (2013), Mangini and Barbanente’s In viaggio con Cecilia (2013), and Kauber’s In questo mondo (2018) exemplify some features of ecofeminist cinema. They intervene in local realities whose history and geopolitical specifi…
Cinema e televisione, da conflitto a sinergia
Il rapporto della televisione con il cinema è stato spesso considerato in termini di opposizione. Questo saggio analizza La mafia uccide solo d’estate (2013), opera prima di Pier Francesco Diliberto, con un occhio a entrambi i mezzi e senza gerarchie di valore precostituito, e si prefigge di illustrare come il film punti a un superamento della dicotomia cinema–TV. Esso infatti si presenta come un prodotto artistico originale, creato a partire da …
Matteo Garrone’s Reality
In Garrone’s film, Reality, the protagonist Luciano Ciotola becomes obsessed with his participation in the reality TV show Big Brother to the point that his whole life turns into a spectacle. In Italian cinema studies no other scholar had yet analyzed this film, despite its success and the very engaging and up-to-date topic. In my article, at the diegetic level, I show that the spectator experiences an overlap and a (con)fusion between Luciano’s …
No prominent works on this page.
Matteo Garrone’s Reality
In Garrone’s film, Reality, the protagonist Luciano Ciotola becomes obsessed with his participation in the reality TV show Big Brother to the point that his whole life turns into a spectacle. In Italian cinema studies no other scholar had yet analyzed this film, despite its success and the very engaging and up-to-date topic. In my article, at the diegetic level, I show that the spectator experiences an overlap and a (con)fusion between Luciano’s …
Cinema e televisione, da conflitto a sinergia
Il rapporto della televisione con il cinema è stato spesso considerato in termini di opposizione. Questo saggio analizza La mafia uccide solo d’estate (2013), opera prima di Pier Francesco Diliberto, con un occhio a entrambi i mezzi e senza gerarchie di valore precostituito, e si prefigge di illustrare come il film punti a un superamento della dicotomia cinema–TV. Esso infatti si presenta come un prodotto artistico originale, creato a partire da …
Between Cities and Mountains
Starting with a brief overview of the ecofeminist movement and ecocinema, this article provides some theoretical coordinates to contextualise contemporary Italian ecofeminist cinema. Films such as Quatriglio’s Con il fiato sospeso (2013), Mangini and Barbanente’s In viaggio con Cecilia (2013), and Kauber’s In questo mondo (2018) exemplify some features of ecofeminist cinema. They intervene in local realities whose history and geopolitical specifi…
Contemporary Italian Women Artists of African Descent
This article considers the life and work of Afrodescendant Italian artists Iris Peynado, Nadia Kibout and Nadia Ali. Through my interviews with them and a critical analysis of their films, I underline the cultural value of their achievements and emphasize the discriminations that black women face in contemporary society and in the cinema industry. Racial, class and gender biases often are subjects of their filmmaking, and offer a critical site to…
Art (4 works) · Italian Fascism and Post-war Society (4 works) · Political science (3 works) · Aesthetics (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Italian Literature and Culture (2 works) · Law (2 works) · Movie theater (2 works) · Politics (2 works)