James V Hatch
Biographic Data
| ID | 1094797 |
|---|---|
| NAME | James V Hatch |
| GIVEN NAMES | James V |
| FAMILY NAME | Hatch |
| SIGNATURE | HATCH J V |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 23 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Hatch-Billops Collection: Archives of Black American Cultural History
538 African American Review 50.4 (Winter 2017): 538-539© 2018 Johns Hopkins University Press and Saint Louis University Billops&Hatch_Billops&Hatch 2/14/2018 12:32 PM Page 538 CAMILLE BILLOPS & JAMES V. HATCH 539 Billops&Hatch_Billops&Hatch 2/14/2018 12:32 PM Page 539
Historical Dictionary of African American Theatre (review)
The Color of Art
The Color of Art James V. Hatch "Am I playing White? Is this a White play?" I have never heard these questions from a white actor. The dominant culture assumes that "white" is universal; hence its adjective is invisible. A black actor or critic might ask, "Is Lorraine Hansberry's The Sign in Sidney Brustein's Window, with only one black character, a black play? Is The Blacks,by Jean Genet, black because all the characters are?" For some if the ca…
A History of African American Theatre
Jump Jim Crow: Lost Plays, Lyrics and Street Prose of the First Atlantic Popular Culture
Preface List of Illustrations Introduction: An Extravagant and Wheeling Stranger Lateral Sufficiency Gumbo Cuff and the New York Desdemonas Change the Joke and Slip the Stereotype Phases of Crow's Runaway Stage Songs Coal Black Rose The Original Jim Crow, Still Alive!!! Dinah Jim (London) De Original Jim (Boston) All de Women Shout Loo! Clare de Kitchen Gombo Chaff Sich a Gitting Up Stairs Jim Crack Corn, or the Blue Tail Fly Settin' on a Rail, o…
Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
Barbara Ann Teer and the National Black Theatre: Transformational Forces in Harlem
Lost Plays of the Harlem Renaissance, 1920-1940
A valuable contribution to African American literary and theatrical scholarship, this volume is a compilation of sixteen plays written during the Harlem Renaissance, brought together for the first time and set in a historical context
Black Theatre USA: Plays by African Americans
Classic Plays from the Negro Ensemble Company
This anthology celebrates more than twenty-five years of the Negro Ensemble s significant contribution to American theater. Collected here are ten plays most representative of the eclectic nature of the Negro Ensemble repertoire.The Negro Ensemble (NEC) was formed in New York City in 1967 with support from the Ford Foundation to aid in the establishment of an independent African-American theater institution. Under the artistic directorship of Dou…
Digging the Africanist Presence in American Performance, Dance and Other Contexts
Sorrow Is the Only Faithful One: The Life of Owen Dodson
Journal Article Sorrow Is the Only Faithful One: the Life of Owen Dodson. James V. Hatch. Urbana and Chicago: University of Illinois Press, 1993. xvii + 363 pages. $34.95. Get access Sorrow Is the Only Faithful One: the Life of Owen Dodson. James V. Hatch. Urbana and Chicago: University of Illinois Press, 1993. xvii + 363 pages. $34.95. Margaret B. Wilkerson Margaret B. Wilkerson University of California, Berkeley Search for other works by this a…
Ira Aldridge: The Negro Tragedian
Sorrow is the Only Faithful One: The Life of Owen Dodson
Sorrow Is the Only Faithful One: The Life of Owen Dodson
A Remembrance of Owen Dodson
The Roots of African American Drama: An Anthology of Early Plays, 1858-1938
Journal Article The Roots of African American Drama: An Anthology of Early Plays, 1858-1938. Edited by Leo Hamalian and James V. Hatch. Foreword by George C. Wolfe. Detroit: Wayne State University Press, 1991. 454 pp. $29.95. Get access The Roots of African American Drama: An Anthology of Early Plays, 1858-1938. Edited by Leo Hamalian and James V. Hatch. Foreword by George C. WolfeDetroit: Wayne State University Press, 1991. 454 pp. $29.95. Freda…
"Introduction to "Freedom, the Banner
Retrieving Black Theatre History or Mouth to Mouth Resuscitation
Black Playwrights, 1823-1977: An Annotated Bibliography of Plays
Modern Jazz, 1945-70: The Essential Records. A Critical Selection
Black Musicians in Germany: Two Bibliographies
A White Folks Guide to 200 Years of Black & White Drama
Black folks have grown weary of trying to educate white folks about racism. Aside from those black people who consider it a waste of time, others are suspicious that Whitey is seeking power, which, in the motto of the military, is “Know your enemy.” As a member of that discredited class, the white liberals, I harbor the droll notion that a proper education may correct human error and, further, that it is the white man's burden to educate himself …
A White Folks Guide to 200 Years of Black & White Drama
Black folks have grown weary of trying to educate white folks about racism. Aside from those black people who consider it a waste of time, others are suspicious that Whitey is seeking power, which, in the motto of the military, is “Know your enemy.” As a member of that discredited class, the white liberals, I harbor the droll notion that a proper education may correct human error and, further, that it is the white man's burden to educate himself …
Black Musicians in Germany: Two Bibliographies
Modern Jazz, 1945-70: The Essential Records. A Critical Selection
Retrieving Black Theatre History or Mouth to Mouth Resuscitation
Black Playwrights, 1823-1977: An Annotated Bibliography of Plays
"Introduction to "Freedom, the Banner
The Roots of African American Drama: An Anthology of Early Plays, 1858-1938
Journal Article The Roots of African American Drama: An Anthology of Early Plays, 1858-1938. Edited by Leo Hamalian and James V. Hatch. Foreword by George C. Wolfe. Detroit: Wayne State University Press, 1991. 454 pp. $29.95. Get access The Roots of African American Drama: An Anthology of Early Plays, 1858-1938. Edited by Leo Hamalian and James V. Hatch. Foreword by George C. WolfeDetroit: Wayne State University Press, 1991. 454 pp. $29.95. Freda…
Sorrow Is the Only Faithful One: The Life of Owen Dodson
A Remembrance of Owen Dodson
Ira Aldridge: The Negro Tragedian
Sorrow is the Only Faithful One: The Life of Owen Dodson
Sorrow Is the Only Faithful One: The Life of Owen Dodson
Journal Article Sorrow Is the Only Faithful One: the Life of Owen Dodson. James V. Hatch. Urbana and Chicago: University of Illinois Press, 1993. xvii + 363 pages. $34.95. Get access Sorrow Is the Only Faithful One: the Life of Owen Dodson. James V. Hatch. Urbana and Chicago: University of Illinois Press, 1993. xvii + 363 pages. $34.95. Margaret B. Wilkerson Margaret B. Wilkerson University of California, Berkeley Search for other works by this a…
Black Theatre USA: Plays by African Americans
Classic Plays from the Negro Ensemble Company
This anthology celebrates more than twenty-five years of the Negro Ensemble s significant contribution to American theater. Collected here are ten plays most representative of the eclectic nature of the Negro Ensemble repertoire.The Negro Ensemble (NEC) was formed in New York City in 1967 with support from the Ford Foundation to aid in the establishment of an independent African-American theater institution. Under the artistic directorship of Dou…
Digging the Africanist Presence in American Performance, Dance and Other Contexts
Lost Plays of the Harlem Renaissance, 1920-1940
A valuable contribution to African American literary and theatrical scholarship, this volume is a compilation of sixteen plays written during the Harlem Renaissance, brought together for the first time and set in a historical context
Barbara Ann Teer and the National Black Theatre: Transformational Forces in Harlem
Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
A History of African American Theatre
Jump Jim Crow: Lost Plays, Lyrics and Street Prose of the First Atlantic Popular Culture
Preface List of Illustrations Introduction: An Extravagant and Wheeling Stranger Lateral Sufficiency Gumbo Cuff and the New York Desdemonas Change the Joke and Slip the Stereotype Phases of Crow's Runaway Stage Songs Coal Black Rose The Original Jim Crow, Still Alive!!! Dinah Jim (London) De Original Jim (Boston) All de Women Shout Loo! Clare de Kitchen Gombo Chaff Sich a Gitting Up Stairs Jim Crack Corn, or the Blue Tail Fly Settin' on a Rail, o…
The Color of Art
The Color of Art James V. Hatch "Am I playing White? Is this a White play?" I have never heard these questions from a white actor. The dominant culture assumes that "white" is universal; hence its adjective is invisible. A black actor or critic might ask, "Is Lorraine Hansberry's The Sign in Sidney Brustein's Window, with only one black character, a black play? Is The Blacks,by Jean Genet, black because all the characters are?" For some if the ca…
Historical Dictionary of African American Theatre (review)
Hatch-Billops Collection: Archives of Black American Cultural History
538 African American Review 50.4 (Winter 2017): 538-539© 2018 Johns Hopkins University Press and Saint Louis University Billops&Hatch_Billops&Hatch 2/14/2018 12:32 PM Page 538 CAMILLE BILLOPS & JAMES V. HATCH 539 Billops&Hatch_Billops&Hatch 2/14/2018 12:32 PM Page 539
Art (19 works) · History (16 works) · History (11 works) · Theater, Performance, and Music History (10 works) · Literature (9 works) · Race, History, and American Society (9 works) · Art history (8 works) · Sociology (4 works) · Academic and Historical Perspectives in Psychology (3 works) · Aesthetics (3 works)