Digging the Africanist Presence in American Performance, Dance and Other Contexts
Bibliographic Data
| ID | 4546367 |
|---|---|
| Authors | James V Hatch (corresponding author), Brenda Dixon Gottschild |
| Year | 1997 |
| Volume | 31 |
| Issue | 3 |
| Pages | 539 |
| Publication date | 1997-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African American Review (JOURNAL) |
| Journal identifiers | ISSN: 1062-4783 • E-ISSN: 1945-6182 |
| Publisher | Penn State Press (Project Muse) (PUBLISHER) |
| DOI | 10.2307/3042594 |
| OpenAlex | W4302404414 |
| Language | EN |
| Citations received | 34 |
Aesthetics · Archaeology · Art · Dance · Digging · Sociology · Visual arts · Diversity and Impact of Dance · History · Race, History, and American Society · Theater, Performance, and Music History
Disability Studies
Separated At “Birth”
Identity for Sale
IJSD Volume 11 2020 Expanded Screendance
Animating the Real
‘I Have the Need to Never Arrive’
African Approaches to Intellectual Property
Choreographing Time Travel
Black Women's Liberatory Pedagogies
Dancing Postcolonialism
Critical Postcolonial Dance Pedagogy
The Swan Brand
Ballerinas on the Dole
Improvisation in African-American Vernacular Dancing
Bodies on the Line
The Muse of Virtuosity
Tulle as Tool
III. Dance Theory, Sociology, and Aesthetics
The Pilates Pelvis
Brownface
Inevitable Designs
An Impossible Form”
New Orleans bounce music, sexuality, and affect
Work that
Danzas de la diáspora
Oceans, cities, islands
Performing an Afro-Brazilian archetype
Words to choreograph
Extravagant and Wheeling Strangers
The living record
Ownership, ontology, and the contemporary dance commons
Blessed Beats
What Teacher Education Can Learn From Blackface Minstrelsy
The Clave Comes Home
| Unique citing works | 34 |
|---|---|
| Citations per year | 1,31 |
| Citation span | 2000 - 2025 (26) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 34 |