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Oliver Grau

Biographic Data

ID1098495
NAMEOliver Grau
GIVEN NAMESOliver
FAMILY NAMEGrau
SIGNATUREGRAU O
AFFILIATIONSHumboldt University of Berlin, Dorotheenstraße 28, 10099 Berlin Germany.
ORCID0000-0002-1945-2838
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT2
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Documenting Media Art

    Oliver Grau, Sebastian Haller et al.•ARTICLE•Leonardo•2019

    While Media Art has evolved into a critical field at the intersection of art, science and technology, a significant loss threatens this art form due to rapid technological obsolescence and static documentation strategies. Addressing these challenges, the Interactive Archive and Meta-Thesaurus for Media Art Research was developed to advance an Archive of Digital Art. Through an innovative strategy of “collaborative archiving,” social Web 2.0 featu…

  • Museum and Archive on the Move

    Viola Rühse, Wendy Coones et al.•BOOK•Museum and Archive on the Move•2017

  • MediaArtHistories

    Douglas Kahn, Erkki Huhtamo et al.•BOOK•MediaArtHistories•2007

    Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, l…

  • Virtual Art

    Oliver Grau•BOOK•Virtual Art•2002

  • Leonardo Reviews

    Oliver Grau•ARTICLE•Leonardo•1999

    April 01 1999 The Panorama: History of a Mass Medium The Panorama: History of a Mass Medium by StephanOettermann. Zone Books, New York, N.Y., U.S.A., 1998. 497 pp. $37.50. ISBN: 0-942299-83-3. Oliver Grau Oliver Grau Gneisenaustrasse 43, 10961 Berlin, Germany. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Information Oliver Grau Gneisenaustrasse 43, 10961 Berlin, Germany. E-…

  • Into the Belly of the Image

    Oliver Grau•ARTICLE•Leonardo•1999•Cited by: 2•References: 6

    Virtual reality (VR) is a constant phenomenon in art history that can be traced back to antiquity. It can involve an area of ritual action, a private, artificial paradise, or a public sphere with politically suggestive power-in short, it encompasses a visual history that is characterized by totality. The concept of transposing viewers into an enclosed, illusionary visual space has been revived and expanded in the VR art of the current age. The mo…

  • Into the Belly of the Image

    Oliver Grau•ARTICLE•Leonardo•1999•Cited by: 2•References: 6

    Virtual reality (VR) is a constant phenomenon in art history that can be traced back to antiquity. It can involve an area of ritual action, a private, artificial paradise, or a public sphere with politically suggestive power-in short, it encompasses a visual history that is characterized by totality. The concept of transposing viewers into an enclosed, illusionary visual space has been revived and expanded in the VR art of the current age. The mo…

  • Leonardo Reviews

    Oliver Grau•ARTICLE•Leonardo•1999

    April 01 1999 The Panorama: History of a Mass Medium The Panorama: History of a Mass Medium by StephanOettermann. Zone Books, New York, N.Y., U.S.A., 1998. 497 pp. $37.50. ISBN: 0-942299-83-3. Oliver Grau Oliver Grau Gneisenaustrasse 43, 10961 Berlin, Germany. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Information Oliver Grau Gneisenaustrasse 43, 10961 Berlin, Germany. E-…

  • Into the Belly of the Image

    Oliver Grau•ARTICLE•Leonardo•1999•Cited by: 2•References: 6

    Virtual reality (VR) is a constant phenomenon in art history that can be traced back to antiquity. It can involve an area of ritual action, a private, artificial paradise, or a public sphere with politically suggestive power-in short, it encompasses a visual history that is characterized by totality. The concept of transposing viewers into an enclosed, illusionary visual space has been revived and expanded in the VR art of the current age. The mo…

  • Virtual Art

    Oliver Grau•BOOK•Virtual Art•2002

  • MediaArtHistories

    Douglas Kahn, Erkki Huhtamo et al.•BOOK•MediaArtHistories•2007

    Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, l…

  • Museum and Archive on the Move

    Viola Rühse, Wendy Coones et al.•BOOK•Museum and Archive on the Move•2017

  • Documenting Media Art

    Oliver Grau, Sebastian Haller et al.•ARTICLE•Leonardo•2019

    While Media Art has evolved into a critical field at the intersection of art, science and technology, a significant loss threatens this art form due to rapid technological obsolescence and static documentation strategies. Addressing these challenges, the Interactive Archive and Meta-Thesaurus for Media Art Research was developed to advance an Archive of Digital Art. Through an innovative strategy of “collaborative archiving,” social Web 2.0 featu…

Computer Science (6 works) · Art (4 works) · World Wide Web (3 works) · Art (2 works) · Artificial Intelligence (2 works) · Artificial Intelligence (2 works) · General (2 works) · Visual arts (2 works) · 751.7/4/01 (1 works) · Action (physics) (1 works)

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