Bernadette Fort
Biographic Data
| ID | 1104877 |
|---|---|
| NAME | Bernadette Fort |
| GIVEN NAMES | Bernadette |
| FAMILY NAME | Fort |
| SIGNATURE | FORT B |
| AFFILIATIONS | Northwestern University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 1 |
Indicting the Woman Artist: Diderot, Le Libertin, and Anna Dorothea Therbusch
devoted a large-scale exhibition to the forgotten half of Western painting since the Renaissance, 'Women Artists: 1550-1950/ 2 Since then, a number of single-artist exhibitions, important catalogues and books have focused on the most prominent of these female painters, including three late eighteenth-century French artists, the still-life painter Anne Vallayer-Coster and the portraitists Adélaïde Labille-Guiard and Elisabeth Vigée-Lebrun. 3Among …
Accessories of Desire: On Indecency in a Few Paintings by Jean-Baptiste Greuze
Theater, History, Ethics: An Interview with Hélène Cixous onThe Perjured City, or the Awakening of the Furies
New Literary History - Volume 28, Number 3, Summer 1997
Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe”
An Academician in the Underground: Charles-Nicolas Cochin and Art Criticism in Eighteenth-Century France
AnAcademicianintheUnderground: Charles-NicolasCochinandArt CriticisminEighteenth-CenturyFrance BERNADETTEFORT Inthelasttwenty-fiveyears,RobertDarnton'sresearchontheliterary undergroundoftheOldRegimehasradicallychangedthewaywethink ofthetransitionbetweentheEnlightenmentandtheFrenchRevolution. DarntoncontendsthatthephilosophicalwritingsofVoltaireandRous- seauprobablycontributedlesstobringingabouttherevolutionary upheavalthandidtheundergroundworkofa…
Fictions of the French Revolution
Fragonard: Art and Eroticism
Voice of the Public: The Carnivalization of Salon Art in Prerevolutionary Pamphlets
Bernadette Fort, Voice of the Public: The Carnivalization of Salon Art in Prerevolutionary Pamphlets, Eighteenth-Century Studies, Vol. 22, No. 3, Special Issue: The French Revolution in Culture (Spring, 1989), pp. 368-394
Le Langage de l'ambiguite dans l'oeuvre de Crebillon fils
Theater, History, Ethics: An Interview with Hélène Cixous onThe Perjured City, or the Awakening of the Furies
New Literary History - Volume 28, Number 3, Summer 1997
Indicting the Woman Artist: Diderot, Le Libertin, and Anna Dorothea Therbusch
devoted a large-scale exhibition to the forgotten half of Western painting since the Renaissance, 'Women Artists: 1550-1950/ 2 Since then, a number of single-artist exhibitions, important catalogues and books have focused on the most prominent of these female painters, including three late eighteenth-century French artists, the still-life painter Anne Vallayer-Coster and the portraitists Adélaïde Labille-Guiard and Elisabeth Vigée-Lebrun. 3Among …
Le Langage de l'ambiguite dans l'oeuvre de Crebillon fils
Voice of the Public: The Carnivalization of Salon Art in Prerevolutionary Pamphlets
Bernadette Fort, Voice of the Public: The Carnivalization of Salon Art in Prerevolutionary Pamphlets, Eighteenth-Century Studies, Vol. 22, No. 3, Special Issue: The French Revolution in Culture (Spring, 1989), pp. 368-394
Fragonard: Art and Eroticism
Fictions of the French Revolution
An Academician in the Underground: Charles-Nicolas Cochin and Art Criticism in Eighteenth-Century France
AnAcademicianintheUnderground: Charles-NicolasCochinandArt CriticisminEighteenth-CenturyFrance BERNADETTEFORT Inthelasttwenty-fiveyears,RobertDarnton'sresearchontheliterary undergroundoftheOldRegimehasradicallychangedthewaywethink ofthetransitionbetweentheEnlightenmentandtheFrenchRevolution. DarntoncontendsthatthephilosophicalwritingsofVoltaireandRous- seauprobablycontributedlesstobringingabouttherevolutionary upheavalthandidtheundergroundworkofa…
Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe”
Theater, History, Ethics: An Interview with Hélène Cixous onThe Perjured City, or the Awakening of the Furies
New Literary History - Volume 28, Number 3, Summer 1997
Accessories of Desire: On Indecency in a Few Paintings by Jean-Baptiste Greuze
Indicting the Woman Artist: Diderot, Le Libertin, and Anna Dorothea Therbusch
devoted a large-scale exhibition to the forgotten half of Western painting since the Renaissance, 'Women Artists: 1550-1950/ 2 Since then, a number of single-artist exhibitions, important catalogues and books have focused on the most prominent of these female painters, including three late eighteenth-century French artists, the still-life painter Anne Vallayer-Coster and the portraitists Adélaïde Labille-Guiard and Elisabeth Vigée-Lebrun. 3Among …
Art (9 works) · Art history (6 works) · Historical and Literary Studies (5 works) · Historical Studies and Socio-cultural Analysis (5 works) · History (3 works) · Gender Studies (2 works) · Historical and Literary Analyses (2 works) · Historical Art and Culture Studies (2 works) · History (2 works) · Literature (2 works)