Indicting the Woman Artist
Diderot, Le Libertin, and Anna Dorothea Therbusch
Bibliographic Data
| ID | 11740994 |
|---|---|
| Authors | Bernadette Fort (Northwestern University, corresponding author) |
| Year | 2004 |
| Volume | 23 |
| Pages | 1-1 |
| Publication date | 2004-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies (JOURNAL) |
| Journal identifiers | ISSN: 1209-3696 • E-ISSN: 1927-8284 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/1012185ar |
| OpenAlex | W2089466472 |
| Language | EN |
| Citations received | 2 |
devoted a large-scale exhibition to the forgotten half of Western painting since the Renaissance, 'Women Artists: 1550-1950/ 2 Since then, a number of single-artist exhibitions, important catalogues and books have focused on the most prominent of these female painters, including three late eighteenth-century French artists, the still-life painter Anne Vallayer-Coster and the portraitists Adélaïde Labille-Guiard and Elisabeth Vigée-Lebrun. 3Among the many obstacles these three women had to overcome to secure their reception at the Royal Academy of Painting and the esteem of the critics and the public at the biennial Salons of the Academy were entrenched anxieties and prejudices that attached to their gender. 4 Their works, which rivaled in all respects the best paintings by
Art · Art history · Historical and Literary Analyses · Historical and Literary Studies · Rousseau and Enlightenment Thought
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,1 |
| Citation span | 2005 - 2024 (20) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |