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Ana Vivaldi

Biographic Data

ID110527
NAMEAna Vivaldi
GIVEN NAMESAna
FAMILY NAMEVivaldi
SIGNATUREVIVALDI A
AFFILIATIONSUniversity of British Columbia
ORCID0000-0002-7850-5768
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS6
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2026
H-INDEX1
  • César González's Anti‐Racist Aesthetic Praxis at the Intersection of Race, Class and Space in Argentina

    Open Access•Ignacio Aguiló, Ana Vivaldi•ARTICLE•Bulletin of Latin American Research•2026

    This article examines the aesthetic praxis of Argentine author and filmmaker César González as an example of anti‐racist art that challenges the often‐sidelined racism faced by residents of poor neighbourhoods (known as villeros ), who are frequently presented as Argentina's Other. By looking at a selection of his theoretical writings and interviews, alongside close readings of selected extracts from his novels and films, we show how González's a…

  • Race and the shantytown in a race-less country

    Open Access•Ignacio Aguiló, Ana Vivaldi•ARTICLE•Latin American and Caribbean…•2023

    In this article, we look at the racialization of the people living in precarious and informal urbanizations known as villas in Argentina. In a country traditionally defined by narratives of whiteness and Europeanness, villeros have functioned as a central figure of racial otherness. Though some studies acknowledge the racism suffered by villeros, how this racialization has unfolded and transformed over time remains a question rarely examined. Her…

  • Stuck on a Muddy Road

    Ana Vivaldi•ARTICLE•Identities•2011•Cited by: 6•References: 17

    This article explores how the Toba, an indigenous group in the North of Argentina, shape places and an urban subjectivity in the frictions of their mobility between villages, the urban barrio (neighborhood), and the periurban bush. I argue that the experience of Toba moving to the city is better understood as frictions between the Toba desire to progress in the city, the organization of difference in space, and their multiple movements "back" to …

  • Stuck on a Muddy Road

    Ana Vivaldi•ARTICLE•Identities•2011•Cited by: 6•References: 17

    This article explores how the Toba, an indigenous group in the North of Argentina, shape places and an urban subjectivity in the frictions of their mobility between villages, the urban barrio (neighborhood), and the periurban bush. I argue that the experience of Toba moving to the city is better understood as frictions between the Toba desire to progress in the city, the organization of difference in space, and their multiple movements "back" to …

  • Stuck on a Muddy Road

    Ana Vivaldi•ARTICLE•Identities•2011•Cited by: 6•References: 17

    This article explores how the Toba, an indigenous group in the North of Argentina, shape places and an urban subjectivity in the frictions of their mobility between villages, the urban barrio (neighborhood), and the periurban bush. I argue that the experience of Toba moving to the city is better understood as frictions between the Toba desire to progress in the city, the organization of difference in space, and their multiple movements "back" to …

  • Race and the shantytown in a race-less country

    Open Access•Ignacio Aguiló, Ana Vivaldi•ARTICLE•Latin American and Caribbean…•2023

    In this article, we look at the racialization of the people living in precarious and informal urbanizations known as villas in Argentina. In a country traditionally defined by narratives of whiteness and Europeanness, villeros have functioned as a central figure of racial otherness. Though some studies acknowledge the racism suffered by villeros, how this racialization has unfolded and transformed over time remains a question rarely examined. Her…

  • César González's Anti‐Racist Aesthetic Praxis at the Intersection of Race, Class and Space in Argentina

    Open Access•Ignacio Aguiló, Ana Vivaldi•ARTICLE•Bulletin of Latin American Research•2026

    This article examines the aesthetic praxis of Argentine author and filmmaker César González as an example of anti‐racist art that challenges the often‐sidelined racism faced by residents of poor neighbourhoods (known as villeros ), who are frequently presented as Argentina's Other. By looking at a selection of his theoretical writings and interviews, alongside close readings of selected extracts from his novels and films, we show how González's a…

Indigenous Cultures and History (2 works) · Racism (2 works) · affective solidarity (1 work) · Afro-Latin American Studies (1 work) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Anti-racism (1 work) · Argentine cinema (1 work) · Argentine literature (1 work) · Cartography (1 work)

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