Jeremy Wallach
Biographic Data
| ID | 111355 |
|---|---|
| NAME | Jeremy Wallach |
| GIVEN NAMES | Jeremy |
| FAMILY NAME | Wallach |
| SIGNATURE | WALLACH J |
| AFFILIATIONS | Bowling Green State University |
| ORCID | 0009-0007-6391-4853 |
| VERIFIED | Yes |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 26 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Eggheadbanger classic
A reflection on Keith Kahn-Harris’s Extreme Metal: Music and Culture on the Edge (2007)
Global metal, digital media and scenic consciousness
This brief assessment of the current state of global metal focuses on the Thai metal scene and explores how world metal culture has been transformed by digital media and the emergence of new hybrid subgenera in the twenty-first century. Digital communication technologies have not only facilitated the dissemination of metal music from the centre to the periphery but also increased contacts between national scenes within peripheral regions, leading…
Leisure Activities in Southeast Asia, from Pre-colonial Times to the Present
This chapter examines leisure activities practised in Southeast Asia, a region consisting of 11 countries. We have structured the chapter into five main sections. First, we examine the varied influences on pre-colonial Southeast Asian leisure and patterns that demonstrate the regional spread of particular activities. Second, we examine how leisure pursuits shifted during the colonial era as European administrators sought to ‘civilise’ colonial su…
Indieglobalization and the Triumph of Punk in Indonesia
‘Punk to me means, it’s a way of life’, says Dolly, a 22-year-old Jakarta punk, to a Canadian film-maker. ‘It’s like a place where I can get freedom and happiness and love’ (Crawford, 2006). One would think that by now, after more than 20 years, the novelty would have worn off. Nonetheless, the no-longer-unusual sight of South-east Asian youths clad in studded black leather jackets, combat boots, and sporting multicoloured mohawks amid palm trees…
Indieglobalization and the Triumph of Punk in Indonesia
History, Modernity, and Music Genre in Indonesia
Esai pengantar ini membahas genre sebagai akar dari musik populer Indonesia. Hal ini menyarankan bahwa keberadaan beberapa hibridisasi kreatif liar yang dibuat oleh para musisi populer Indonesia ternyata dilatarbelakangi oleh sistem genre tripartit yang makro, yang terdiri dari musik dangdut/daerah, pop, serta underground/indie. Artikel-artikel dalam edisi khusus ini, yang menangani beragam jenis musik seperti dangdut koplo, campursari, indie, ke…
Dance to Your Roots
Artikel ini, berdasarkan wawancara dan interaksi selama 15 tahun dengan anggota Group Band Krakatau-suatu fusi group band jazz/etnik yang unik di Jawa Barat, Indonesia-meneliti karir dan pengembangan musik mereka. Kami menyoroti secara khusus pernyataan-pernyataan tentang falsafah musik dan pendekatan mereka dari pemimpinnya, Dwiki Dharmawan dan pemain bas Pra Budidharma, salah seorang pendiri group band itu. Suatu analisa dari dua buah komposisi…
From the Guest Editors
Metal Rules the Globe
Female Authority and Dominion
From its inception, both outsiders and insiders have associated heavy metal with men and masculinity. Some have even maintained that metal culture is hostile territory for women. Despite this, a significant proportion of writers who have documented, analysed, and indeed celebrated heavy metal has been women, from the groundbreaking sociological studies of Deena Weinstein and Donna Gaines, to the recent ethnographic work of Emma Baulch. This artic…
Black Mirror
Book Review| January 01 2009 Black Mirror: Reflections in Global Musics Black Mirror: Reflections in Global Musics, Ian Nagoski. Jeremy Wallach Jeremy Wallach Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (1): 176–178. https://doi.org/10.2307/25653058 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jeremy Wallach; Black Mirror: Reflections in Global Musics. E…
Making Scenes
Modern Noise, Fluid Genres
What happens to 'local' sound when globalization exposes musicians and audiences to cultural influences from around the world? Jeremy Wallach explores this question as it plays out in the eclectic, evolving world of Indonesian music after the fall of the repressive Soeharto regime. Against the backdrop of Indonesia's chaotic and momentous transition to democracy, Wallach takes us to recording studios, music stores, concert venues, university camp…
Living the Punk Lifestyle in Jakarta
Research Article| January 01 2008 Living the Punk Lifestyle in Jakarta Jeremy Wallach Jeremy Wallach Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 98–116. https://doi.org/10.2307/20174568 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jeremy Wallach; Living the Punk Lifestyle in Jakarta. Ethnomusicology 1 January 2008; 52 (1): 98–116. doi: https://doi.o…
Songs and Gifts at the Frontier
Reviewed by: Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines Jeremy Wallach (bio) Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines (Current Research in Ethnomusicology, Outstanding Dissertations, vol. 4), by José S. Buenconsejo. New York: Routledge, 2002. Xix, 424 pp., ill., maps. This ethnographic study focuses on performance genres o…
The Poetics of Electrosonic Presence
Exploring Class, Nation, and Xenocentrism in Indonesian Cassette Retail Outlets
Like their fellow scholars in the humanities and social sciences, many ethnomusicologists over the last decade have grown preoccupied with the question of how expressive forms are used to construct national cultures.Their findings have been consistent for the most part with those of researchers in other fields: namely that social agents manufacture "national" musics by strategically domesticating signs of the global modern and selectively appropr…
Prison Songs
Exploring Class, Nation, and Xenocentrism in Indonesian Cassette Retail Outlets
Like their fellow scholars in the humanities and social sciences, many ethnomusicologists over the last decade have grown preoccupied with the question of how expressive forms are used to construct national cultures.Their findings have been consistent for the most part with those of researchers in other fields: namely that social agents manufacture "national" musics by strategically domesticating signs of the global modern and selectively appropr…
Living the Punk Lifestyle in Jakarta
Research Article| January 01 2008 Living the Punk Lifestyle in Jakarta Jeremy Wallach Jeremy Wallach Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 98–116. https://doi.org/10.2307/20174568 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jeremy Wallach; Living the Punk Lifestyle in Jakarta. Ethnomusicology 1 January 2008; 52 (1): 98–116. doi: https://doi.o…
History, Modernity, and Music Genre in Indonesia
Esai pengantar ini membahas genre sebagai akar dari musik populer Indonesia. Hal ini menyarankan bahwa keberadaan beberapa hibridisasi kreatif liar yang dibuat oleh para musisi populer Indonesia ternyata dilatarbelakangi oleh sistem genre tripartit yang makro, yang terdiri dari musik dangdut/daerah, pop, serta underground/indie. Artikel-artikel dalam edisi khusus ini, yang menangani beragam jenis musik seperti dangdut koplo, campursari, indie, ke…
Dance to Your Roots
Artikel ini, berdasarkan wawancara dan interaksi selama 15 tahun dengan anggota Group Band Krakatau-suatu fusi group band jazz/etnik yang unik di Jawa Barat, Indonesia-meneliti karir dan pengembangan musik mereka. Kami menyoroti secara khusus pernyataan-pernyataan tentang falsafah musik dan pendekatan mereka dari pemimpinnya, Dwiki Dharmawan dan pemain bas Pra Budidharma, salah seorang pendiri group band itu. Suatu analisa dari dua buah komposisi…
Prison Songs
Exploring Class, Nation, and Xenocentrism in Indonesian Cassette Retail Outlets
Like their fellow scholars in the humanities and social sciences, many ethnomusicologists over the last decade have grown preoccupied with the question of how expressive forms are used to construct national cultures.Their findings have been consistent for the most part with those of researchers in other fields: namely that social agents manufacture "national" musics by strategically domesticating signs of the global modern and selectively appropr…
The Poetics of Electrosonic Presence
Songs and Gifts at the Frontier
Reviewed by: Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines Jeremy Wallach (bio) Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines (Current Research in Ethnomusicology, Outstanding Dissertations, vol. 4), by José S. Buenconsejo. New York: Routledge, 2002. Xix, 424 pp., ill., maps. This ethnographic study focuses on performance genres o…
Modern Noise, Fluid Genres
What happens to 'local' sound when globalization exposes musicians and audiences to cultural influences from around the world? Jeremy Wallach explores this question as it plays out in the eclectic, evolving world of Indonesian music after the fall of the repressive Soeharto regime. Against the backdrop of Indonesia's chaotic and momentous transition to democracy, Wallach takes us to recording studios, music stores, concert venues, university camp…
Living the Punk Lifestyle in Jakarta
Research Article| January 01 2008 Living the Punk Lifestyle in Jakarta Jeremy Wallach Jeremy Wallach Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 98–116. https://doi.org/10.2307/20174568 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jeremy Wallach; Living the Punk Lifestyle in Jakarta. Ethnomusicology 1 January 2008; 52 (1): 98–116. doi: https://doi.o…
Black Mirror
Book Review| January 01 2009 Black Mirror: Reflections in Global Musics Black Mirror: Reflections in Global Musics, Ian Nagoski. Jeremy Wallach Jeremy Wallach Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (1): 176–178. https://doi.org/10.2307/25653058 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jeremy Wallach; Black Mirror: Reflections in Global Musics. E…
Making Scenes
Metal Rules the Globe
Female Authority and Dominion
From its inception, both outsiders and insiders have associated heavy metal with men and masculinity. Some have even maintained that metal culture is hostile territory for women. Despite this, a significant proportion of writers who have documented, analysed, and indeed celebrated heavy metal has been women, from the groundbreaking sociological studies of Deena Weinstein and Donna Gaines, to the recent ethnographic work of Emma Baulch. This artic…
History, Modernity, and Music Genre in Indonesia
Esai pengantar ini membahas genre sebagai akar dari musik populer Indonesia. Hal ini menyarankan bahwa keberadaan beberapa hibridisasi kreatif liar yang dibuat oleh para musisi populer Indonesia ternyata dilatarbelakangi oleh sistem genre tripartit yang makro, yang terdiri dari musik dangdut/daerah, pop, serta underground/indie. Artikel-artikel dalam edisi khusus ini, yang menangani beragam jenis musik seperti dangdut koplo, campursari, indie, ke…
Dance to Your Roots
Artikel ini, berdasarkan wawancara dan interaksi selama 15 tahun dengan anggota Group Band Krakatau-suatu fusi group band jazz/etnik yang unik di Jawa Barat, Indonesia-meneliti karir dan pengembangan musik mereka. Kami menyoroti secara khusus pernyataan-pernyataan tentang falsafah musik dan pendekatan mereka dari pemimpinnya, Dwiki Dharmawan dan pemain bas Pra Budidharma, salah seorang pendiri group band itu. Suatu analisa dari dua buah komposisi…
From the Guest Editors
Indieglobalization and the Triumph of Punk in Indonesia
‘Punk to me means, it’s a way of life’, says Dolly, a 22-year-old Jakarta punk, to a Canadian film-maker. ‘It’s like a place where I can get freedom and happiness and love’ (Crawford, 2006). One would think that by now, after more than 20 years, the novelty would have worn off. Nonetheless, the no-longer-unusual sight of South-east Asian youths clad in studded black leather jackets, combat boots, and sporting multicoloured mohawks amid palm trees…
Indieglobalization and the Triumph of Punk in Indonesia
Leisure Activities in Southeast Asia, from Pre-colonial Times to the Present
This chapter examines leisure activities practised in Southeast Asia, a region consisting of 11 countries. We have structured the chapter into five main sections. First, we examine the varied influences on pre-colonial Southeast Asian leisure and patterns that demonstrate the regional spread of particular activities. Second, we examine how leisure pursuits shifted during the colonial era as European administrators sought to ‘civilise’ colonial su…
Eggheadbanger classic
A reflection on Keith Kahn-Harris’s Extreme Metal: Music and Culture on the Edge (2007)
Global metal, digital media and scenic consciousness
This brief assessment of the current state of global metal focuses on the Thai metal scene and explores how world metal culture has been transformed by digital media and the emergence of new hybrid subgenera in the twenty-first century. Digital communication technologies have not only facilitated the dissemination of metal music from the centre to the periphery but also increased contacts between national scenes within peripheral regions, leading…
Art (12 works) · Music History and Culture (12 works) · Art history (8 works) · History (8 works) · Asian Studies and History (7 works) · Computer Science (6 works) · Diverse Musicological Studies (6 works) · Literature (6 works) · Sociology (6 works) · Political science (5 works)