Exploring Class, Nation, and Xenocentrism in Indonesian Cassette Retail Outlets

Bibliographic Data

ID7296738
AuthorsJeremy Wallach (0009-0007-6391-4853, corresponding author)
Year2002
Volume74
Pages79-79
Publication date2002-10-01
Open AccessNo
TypeARTICLE
VenueIndonesia (JOURNAL)
Journal identifiersISSN: 0019-7289 • E-ISSN: 2164-8654
PublisherJSTOR (PUBLISHER)
DOI10.2307/3351527
OpenAlexW2317365173
LanguageEN
Citations received19

Like their fellow scholars in the humanities and social sciences, many ethnomusicologists over the last decade have grown preoccupied with the question of how expressive forms are used to construct national cultures.Their findings have been consistent for the most part with those of researchers in other fields: namely that social agents manufacture "national" musics by strategically domesticating signs of the global modern and selectively appropriating signs of the subnational local.These two simultaneous processes result in a more or less persuasive but always unstable synthesis, the meanings of which are always subject to contestation.2Indonesian popular music, of course, provides us with many examples of nationalized hybrid 1 1 am grateful to the Indonesian performers, producers, proprietors, music industry personnel, and fans who helped me with this project

Advertising · Business · Class (philosophy · Indonesian · Linguistics · Artificial Intelligence · Asian Studies and History · Computer Science · Migration, Ethnicity, and Economy · Socioeconomic Development in Asia

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