Philippe Pasquier

Biographic Data

ID1115588
NAMEPhilippe Pasquier
GIVEN NAMESPhilippe
FAMILY NAMEPasquier
SIGNATUREPASQUIER P
AFFILIATIONSSimon Fraser University
ORCID0000-0001-8675-3561
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS3
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2022
H-INDEX1

  • Integration of standing column wells in urban context

    Open AccessVincent Laroche, Philippe Pasquier et al.ARTICLESustainable Cities and Society2022

  • Respire

    Kivanç Tatar, Mirjana Prpa et al.ARTICLELeonardo Music Journal2019

    Respire is an immersive art piece that brings together three components: an immersive virtual reality (VR) environment, embodied interaction (via a breathing sensor) and a musical agent system to generate unique experiences of augmented breathing. The breathing sensor controls the user’s vertical elevation of the point of view under and over the virtual ocean. The frequency and patterns of breathing data guide the arousal of the musical agent, an…

  • A framework for computer-assisted sound design systems supported by modelling affective and perceptual properties of soundscape

    Miles Thorogood, Jianyu Fan et al.ARTICLEJournal of New Music Research2019

    Autonomously generating artificial soundscapes for video games, virtual reality, and sound art presents several non-trivial challenges. We outline a system called Audio Metaphor that is built upon the notion that sound design for soundscape compositions is emotionally informed. We first define the problem space of generating soundscape compositions referencing the sound design and soundscape literature. Next, we survey the state-of-the-art sounds…

  • Musical agents

    Kivanç Tatar, Philippe PasquierARTICLEJournal of New Music Research2019Cited by: 2References: 68

    Musical agents are artificial agents that tackle musical creative tasks, partially or completely. This review of musical agents combines the terminology of Generative Arts (artistic practice) and the scientific literature of Computational Creativity, Multi-Agent Systems (MAS), and Artificial Intelligence. We define Musical Metacreation as a field that studies the partial or complete automation of musical tasks. We survey seventy-eight musical age…

  • Automatic Synthesizer Preset Generation with PresetGen

    Kivanç Tatar, Kıvanç Tatar et al.ARTICLEJournal of New Music Research2016Cited by: 1References: 15

    We refer the task of finding preset(s) (i.e. set(s) of synthesizer parameters) that approximates a target sound best, as the preset generation problem. PresetGen addresses this problem regarding the real world synthesizer, OP-1. The OP-1 consists of several synthesis blocks, and it is not fully deterministic. We propose and evaluate a solution to preset generation using a multi-objective Non-dominated Sorting-Genetic-Algorithm-II. PresetGen handl…

  • Movingstories, Simon Fraser University

    Open AccessThecla Schiphorst, Philippe PasquierARTICLEinteractions2015

    opinion Free Access Share on movingstories, Simon Fraser University Authors: Thecla Schiphorst View Profile , Philippe Pasquier View Profile Authors Info & Claims InteractionsVolume 22Issue 1January + February 2015 pp 16–19https://doi.org/10.1145/2697097Published:08 January 2015Publication History 2citation3,096DownloadsMetricsTotal Citations2Total Downloads3,096Last 12 Months117Last 6 weeks10 Get Citation AlertsNew Citation Alert added!This aler…

  • Context Machines

    Benjamin David Robert Bogart, Philippe PasquierARTICLELeonardo2013References: 3

    The authors discuss the development of self-organizing artworks. Context Machines are a family of site-specific, conceptual and generative artworks that capture photographic images from their environment in the construction of creative compositions. Resurfacing produces interactive temporal landscapes from images captured over time. Memory Association Machine's free-associative process, modeled after Gabora's theory of creativity, traverses a sel…

  • Auditory Tactics

    Philippe-Aubert Gauthier, Philippe PasquierARTICLELeonardo2010

    The term “auditory tactics” refers to the contextual listening attitudes and competencies adapted to various private and public auditory contexts, spheres and aural architectures. Auditory Tactics, created for the Pure-Data Convention 2007 in Montréal, is a spatial sound installation designed to interfere and play with the auditory tactics of passersby in a public space by projecting sounds from more private spheres. The novelty of the authors' w…