Gretchen Schiller
Biographic Data
| ID | 1119870 |
|---|---|
| NAME | Gretchen Schiller |
| GIVEN NAMES | Gretchen |
| FAMILY NAME | Schiller |
| SIGNATURE | SCHILLER G |
| AFFILIATIONS | Gretchen Schiller (choreographer, video artist), School of Arts, Brunel University, Uxbridge, West London, Middlesex UB8 3PH UK.. |
| ORCID | 0009-0001-8837-7958 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Partitions performatives, variations autour de la main
Comment percevoir et décrire des gestes de mains situés, issus de contextes divers, qui ne relèvent pas nécessairement du domaine de la danse ou des arts ? Qu’apprend-on d’un geste ordinaire lorsque nous l’appréhendons depuis l’expérience du danseur ou du performeur ? À partir de ces questions, l’enjeu de cet article est d’analyser l’action gestuelle comme une partition performative, pour s’intéresser non seulement aux mouvements des corps, mais …
Grasping gestures. Practice-based research
International audience
Choreographic Dwellings
From the Kinesphere to the Kinesfield
This article describes the characteristics of three of the author's movement-based interactive installation projects: Shifting Ground, trajets and Raumspielpuzzle, completed between 1998 and 2003, and the kinesfield, a term developed by the author in the course of her doctoral research in interactive and choreographic art. The concept of the kinesfield is employed to describe the relational dynamic of movement interactions that traverse the body …
Body-screenographies, jumping back to leap forward
Awakening the 'dynamic index of the body'
Movement awareness methods seek to bring attention to one's kinaesthetic state through multi-modal mapping, action-response and psychophysical feedback interactions. In the same light, my artistic motivations in movement-based interactive art seek to ellicit such attention with stimulus-sensation psychophysical feedback with choreographed and mediated or choreomediated artistic installations. This paper discusses the ways in which movement-based …
The Men who Danced
Choreographic Dwellings
From the Kinesphere to the Kinesfield
This article describes the characteristics of three of the author's movement-based interactive installation projects: Shifting Ground, trajets and Raumspielpuzzle, completed between 1998 and 2003, and the kinesfield, a term developed by the author in the course of her doctoral research in interactive and choreographic art. The concept of the kinesfield is employed to describe the relational dynamic of movement interactions that traverse the body …
The Men who Danced
Body-screenographies, jumping back to leap forward
Awakening the 'dynamic index of the body'
Movement awareness methods seek to bring attention to one's kinaesthetic state through multi-modal mapping, action-response and psychophysical feedback interactions. In the same light, my artistic motivations in movement-based interactive art seek to ellicit such attention with stimulus-sensation psychophysical feedback with choreographed and mediated or choreomediated artistic installations. This paper discusses the ways in which movement-based …
From the Kinesphere to the Kinesfield
This article describes the characteristics of three of the author's movement-based interactive installation projects: Shifting Ground, trajets and Raumspielpuzzle, completed between 1998 and 2003, and the kinesfield, a term developed by the author in the course of her doctoral research in interactive and choreographic art. The concept of the kinesfield is employed to describe the relational dynamic of movement interactions that traverse the body …
Choreographic Dwellings
Grasping gestures. Practice-based research
International audience
Partitions performatives, variations autour de la main
Comment percevoir et décrire des gestes de mains situés, issus de contextes divers, qui ne relèvent pas nécessairement du domaine de la danse ou des arts ? Qu’apprend-on d’un geste ordinaire lorsque nous l’appréhendons depuis l’expérience du danseur ou du performeur ? À partir de ces questions, l’enjeu de cet article est d’analyser l’action gestuelle comme une partition performative, pour s’intéresser non seulement aux mouvements des corps, mais …
Art (4 works) · Computer Science (3 works) · Diversity and Impact of Dance (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Human–computer interaction (2 works) · Multimedia (2 works) · Adventure Sports and Sensation Seeking (1 work) · Art Education and Development (1 work) · Art history (1 work)