From the Kinesphere to the Kinesfield
Three Choreographic Interactive Artworks
Bibliographic Data
| ID | 3336833 |
|---|---|
| Authors | Gretchen Schiller (0009-0001-8837-7958, Gretchen Schiller (choreographer, video artist), School of Arts, Brunel University, Uxbridge, West London, Middlesex UB8 3PH UK.., corresponding author) |
| Year | 2008 |
| Volume | 41 |
| Issue | 5 |
| Pages | 431-437 |
| Publication date | 2008-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon.2008.41.5.431 |
| OpenAlex | W2124956003 |
| Language | EN |
| Citations received | 4 |
| References cited | 4 |
This article describes the characteristics of three of the author's movement-based interactive installation projects: Shifting Ground, trajets and Raumspielpuzzle, completed between 1998 and 2003, and the kinesfield, a term developed by the author in the course of her doctoral research in interactive and choreographic art. The concept of the kinesfield is employed to describe the relational dynamic of movement interactions that traverse the body and material forms in unbounded space
Aesthetics · Art · Cartography · Geography · Human–computer interaction · Movement (music) · Multimedia · Space (punctuation) · Traverse · Visual arts · Art, Technology, and Culture · Computer Science · Human Motion and Animation · Theatre and Performance Studies
| Citations per year | 0.67 |
|---|---|
| Citation span | 2020 - 2024 (5) |
| Highly cited | No |