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Mark Halliday

Biographic Data

ID1142788
NAMEMark Halliday
GIVEN NAMESMark
FAMILY NAMEHalliday
SIGNATUREHALLIDAY M
AFFILIATIONSOhio University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS14
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2009
H-INDEX2
  • Referees

    Open Access•Douglas Allchin, Kay Alston et al.•ARTICLE•Studies in Philosophy and Education•2009

  • Stevie Smith's serious comedy

    Mark Halliday•ARTICLE•Humor - International Journal of…•2009•Cited by: 1

    Stevie Smith was a deeply original and serious poet who masqueraded as a poet of eccentric light verse, as if tempting her less perceptive readers to expose their own conventionality by dismissing her as an entertainer. Her poetic voice often imitates the voice of an impatient bright child, or the voice of an impetuous or irritable person amateurishly imitating classic poetry; but these imitations turn out to be strategies employed by Stevie Smit…

  • Options and Functions in the English Clause (1969)

    Open Access•Mark Halliday•OTHER•Studies in English Language•2005•Cited by: 6

    In his excellent summary of the work of the Prague school, Josef Vachek draws attention to the development by Czechoslovak linguists of the 'functionalist' view of linguistic structure. One of the characteristics of this approach has been the recognition of several components in the organization of the grammar of a language, a conception which Vachek shows to be derivable from the work of Mathesius and of Biihler. The importance of this conceptio…

  • Song Link

    Open Access•Mark Halliday•ARTICLE•Journal of Popular Music Studies•2003

  • Trumpet Player, 1963

    Open Access•Mark Halliday•ARTICLE•Journal of Popular Music Studies•2001

  • Trumpet Player, 1963

    Open Access•Mark Halliday•ARTICLE•Journal of Popular Music Studies•2001

  • Orchestrating Digital Micromovies

    Glorianna Davenport, Ryan Evans et al.•ARTICLE•Leonardo•1993

    The authors describe how computers can be used to build narrative structures that create simple cinematic sequences from a large database of shots. The Digital Micromovie Orchestrator (DMO) does this by allowing the maker to attach sketchy descriptions to video clips in the database and to build narrative abstractions in the form of layered filter structures. These structures orchestrate shot selection in real time to create a flowing video exper…

  • Stevens and the Interpersonal

    Marcie Frank, Mark Halliday•ARTICLE•American Literature•1992

  • Introduction to Functional Grammar

    Mark Halliday•REVIEW•Language•1989•Cited by: 7

    This third edition of An Introduction to Functional Grammar has been extensively revised. While retaining the organization and coverage of the earlier editions, it incorporates a considerable amount of new material. This includes strengthening the grammar through the use of data from a large-scale corpus, upgrading the description throughout, and giving greater emphasis to the systemic perspective, in which grammaticalization is understood in the…

  • Introduction to Functional Grammar

    Mark Halliday•REVIEW•Language•1989•Cited by: 7

    This third edition of An Introduction to Functional Grammar has been extensively revised. While retaining the organization and coverage of the earlier editions, it incorporates a considerable amount of new material. This includes strengthening the grammar through the use of data from a large-scale corpus, upgrading the description throughout, and giving greater emphasis to the systemic perspective, in which grammaticalization is understood in the…

  • Options and Functions in the English Clause (1969)

    Open Access•Mark Halliday•OTHER•Studies in English Language•2005•Cited by: 6

    In his excellent summary of the work of the Prague school, Josef Vachek draws attention to the development by Czechoslovak linguists of the 'functionalist' view of linguistic structure. One of the characteristics of this approach has been the recognition of several components in the organization of the grammar of a language, a conception which Vachek shows to be derivable from the work of Mathesius and of Biihler. The importance of this conceptio…

  • Stevie Smith's serious comedy

    Mark Halliday•ARTICLE•Humor - International Journal of…•2009•Cited by: 1

    Stevie Smith was a deeply original and serious poet who masqueraded as a poet of eccentric light verse, as if tempting her less perceptive readers to expose their own conventionality by dismissing her as an entertainer. Her poetic voice often imitates the voice of an impatient bright child, or the voice of an impetuous or irritable person amateurishly imitating classic poetry; but these imitations turn out to be strategies employed by Stevie Smit…

  • Introduction to Functional Grammar

    Mark Halliday•REVIEW•Language•1989•Cited by: 7

    This third edition of An Introduction to Functional Grammar has been extensively revised. While retaining the organization and coverage of the earlier editions, it incorporates a considerable amount of new material. This includes strengthening the grammar through the use of data from a large-scale corpus, upgrading the description throughout, and giving greater emphasis to the systemic perspective, in which grammaticalization is understood in the…

  • Stevens and the Interpersonal

    Marcie Frank, Mark Halliday•ARTICLE•American Literature•1992

  • Orchestrating Digital Micromovies

    Glorianna Davenport, Ryan Evans et al.•ARTICLE•Leonardo•1993

    The authors describe how computers can be used to build narrative structures that create simple cinematic sequences from a large database of shots. The Digital Micromovie Orchestrator (DMO) does this by allowing the maker to attach sketchy descriptions to video clips in the database and to build narrative abstractions in the form of layered filter structures. These structures orchestrate shot selection in real time to create a flowing video exper…

  • Trumpet Player, 1963

    Open Access•Mark Halliday•ARTICLE•Journal of Popular Music Studies•2001

  • Trumpet Player, 1963

    Open Access•Mark Halliday•ARTICLE•Journal of Popular Music Studies•2001

  • Song Link

    Open Access•Mark Halliday•ARTICLE•Journal of Popular Music Studies•2003

  • Options and Functions in the English Clause (1969)

    Open Access•Mark Halliday•OTHER•Studies in English Language•2005•Cited by: 6

    In his excellent summary of the work of the Prague school, Josef Vachek draws attention to the development by Czechoslovak linguists of the 'functionalist' view of linguistic structure. One of the characteristics of this approach has been the recognition of several components in the organization of the grammar of a language, a conception which Vachek shows to be derivable from the work of Mathesius and of Biihler. The importance of this conceptio…

  • Referees

    Open Access•Douglas Allchin, Kay Alston et al.•ARTICLE•Studies in Philosophy and Education•2009

  • Stevie Smith's serious comedy

    Mark Halliday•ARTICLE•Humor - International Journal of…•2009•Cited by: 1

    Stevie Smith was a deeply original and serious poet who masqueraded as a poet of eccentric light verse, as if tempting her less perceptive readers to expose their own conventionality by dismissing her as an entertainer. Her poetic voice often imitates the voice of an impatient bright child, or the voice of an impetuous or irritable person amateurishly imitating classic poetry; but these imitations turn out to be strategies employed by Stevie Smit…

Computer Science (4 works) · Citation (3 works) · Library science (3 works) · Psychology (3 works) · Music History and Culture (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Philosophy (2 works) · Poetry Analysis and Criticism (2 works) · Social Psychology (2 works)

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