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Stevie Smith's serious comedy

Bibliographic Data

ID12196370
AuthorsMark Halliday (Ohio University, corresponding author)
Year2009
Volume22
Issue3
Publication date2009-01-01
Open AccessNo
TypeARTICLE
VenueHumor - International Journal of Humor Research (JOURNAL)
Journal identifiersISSN: 0933-1719 • E-ISSN: 1613-3722
PublisherDe Gruyter Mouton (PUBLISHER • DE)
DOI10.1515/humr.2009.015
OpenAlexW2017359215
LanguageEN
Citations received1

Stevie Smith was a deeply original and serious poet who masqueraded as a poet of eccentric light verse, as if tempting her less perceptive readers to expose their own conventionality by dismissing her as an entertainer. Her poetic voice often imitates the voice of an impatient bright child, or the voice of an impetuous or irritable person amateurishly imitating classic poetry; but these imitations turn out to be strategies employed by Stevie Smith to achieve startling effects as what seems at first to be naïve then comes to seem strangely ironic and penetrating. As in all great comic writers, Smith's humor can be felt as an unsettling possibility always vibrating in her voice. Some of her most comic poems arise from her drastic skepticism about romantic love and marriage. She finds many ways to expose and satirize the arrogance of men, while also pointing out ways in which women cooperate with that arrogance. She implies that romantic passion is an illusion from which people need to escape so as to find another, less melodramatic center of value

Aesthetics · Art · Comedy · Comics · Entertainment · Illusion · Literature · Passion · Poetry · Romance · Skepticism · Theology · Visual arts · Contemporary Literature and Criticism · Narrative Theory and Analysis · Philosophy · Poetry Analysis and Criticism · Psychology · Social Psychology

  • A Good Many Facts’

    Noreen Masud, Frances White•Women a Cultural Review•2018

Citations per year0.13
Citation span2018 - 2018 (1)
Highly citedNo

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