Ingrida Kelpšienė
Biographic Data
| ID | 1151934 |
|---|---|
| NAME | Ingrida Kelpšienė |
| GIVEN NAMES | Ingrida |
| FAMILY NAME | Kelpšienė |
| SIGNATURE | KELPŠIENĖ I |
| AFFILIATIONS | Vilnius University |
| ORCID | 0000-0003-3741-9510 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Digital Archaeological Data in the Creative Industries
This paper explores how creative professionals—such as artists, writers, and architects—engage with digital archaeological and heritage data. Through a quality-in-use framework, the study examines the motivations, access methods, and barriers encountered by non-archaeology professionals' audiences. The research combined interviews, eye-tracking experiments, and post-experiment questionnaires. Findings reveal three levels of interest in archaeolog…
An Ontology of Semiotic Activity and Epistemic Figuration of Heritage, Memory and Identity Practices on Social Network Sites
This study presents the construction and validation of a formal conceptual model, or domain ontology, useful for the formal representation and analysis of conversations on heritage, memory and identity (HMI) on social network sites (SNS), of interviews with participants in such conversations, and of scholarly works engaging with such phenomena. The ontology provides for the first time a conceptual framework for HM interactions on SNS addressing t…
Battle or ballet? Metaphors archaeological Facebook administrators live by
The emergence of online social networks such as Facebook provide new opportunities for communication between archaeologists, and between archaeologists and communities. In this study, we used qualitative text analysis and conceptual metaphor analysis of conversations with eleven European archaeological Facebook site administrators to understand their motivations and ideas. We found that altruistic motivations coexist with emotional, career, and s…
Difficult heritage on social network sites
Social network sites (SNS) have recently become an active ground for interactions on contested and dissonant heritage, on the heritage of excluded and subaltern groups, and on the heritage of collective traumatic past events. Situated at the intersection between heritage studies, memory studies, Holocaust studies, social media studies and digital heritage studies, a growing body of scholarly literature has been emerging in the past 10 years, addr…
A Case Study Protocol for Meta-Research into Digital Practices in the Humanities
This paper presents a multicase study protocol for meta-research in Digital Humanities, prepared by Digital Methods and Practices Observatory (DiMPO) Working Group of the Digital Infrastructure for the Arts and Humanities in Europe (DARIAH). The protocol is intended to help researchers in conducting meta-research and adopting this methodology for different purposes, disciplines and approaches. As many of the issues raised here are already covered…
Exploring Archaeological Organizations’ Communication on Facebook
OVERVIEW MOLA (Museum of London Archaeology) is one of the leading archaeological companies in the UK. It provides professional archaeological services and implements award-winning community engagement programs with a high-profile online presence. Its Facebook page is an important communication channel, serving the organization in raising public awareness, reaching the widest audiences, and engaging with the community. MOLA has developed a strate…
Archaeological Knowledge Production and Global Communities
Archaeology and material cultural heritage enjoys a particular status as a form of heritage that, capturing the public imagination, has become the locus for the expression and negotiation of regional, national, and intra-national cultural identities. One important question is: why and how do contemporary people engage with archaeological heritage objects, artefacts, information or knowledge outside the realm of an professional, academically-based…
Archaeological Knowledge Production and Global Communities
Archaeology and material cultural heritage enjoys a particular status as a form of heritage that, capturing the public imagination, has become the locus for the expression and negotiation of regional, national, and intra-national cultural identities. One important question is: why and how do contemporary people engage with archaeological heritage objects, artefacts, information or knowledge outside the realm of an professional, academically-based…
Difficult heritage on social network sites
Social network sites (SNS) have recently become an active ground for interactions on contested and dissonant heritage, on the heritage of excluded and subaltern groups, and on the heritage of collective traumatic past events. Situated at the intersection between heritage studies, memory studies, Holocaust studies, social media studies and digital heritage studies, a growing body of scholarly literature has been emerging in the past 10 years, addr…
Archaeological Knowledge Production and Global Communities
Archaeology and material cultural heritage enjoys a particular status as a form of heritage that, capturing the public imagination, has become the locus for the expression and negotiation of regional, national, and intra-national cultural identities. One important question is: why and how do contemporary people engage with archaeological heritage objects, artefacts, information or knowledge outside the realm of an professional, academically-based…
Exploring Archaeological Organizations’ Communication on Facebook
OVERVIEW MOLA (Museum of London Archaeology) is one of the leading archaeological companies in the UK. It provides professional archaeological services and implements award-winning community engagement programs with a high-profile online presence. Its Facebook page is an important communication channel, serving the organization in raising public awareness, reaching the widest audiences, and engaging with the community. MOLA has developed a strate…
A Case Study Protocol for Meta-Research into Digital Practices in the Humanities
This paper presents a multicase study protocol for meta-research in Digital Humanities, prepared by Digital Methods and Practices Observatory (DiMPO) Working Group of the Digital Infrastructure for the Arts and Humanities in Europe (DARIAH). The protocol is intended to help researchers in conducting meta-research and adopting this methodology for different purposes, disciplines and approaches. As many of the issues raised here are already covered…
Difficult heritage on social network sites
Social network sites (SNS) have recently become an active ground for interactions on contested and dissonant heritage, on the heritage of excluded and subaltern groups, and on the heritage of collective traumatic past events. Situated at the intersection between heritage studies, memory studies, Holocaust studies, social media studies and digital heritage studies, a growing body of scholarly literature has been emerging in the past 10 years, addr…
An Ontology of Semiotic Activity and Epistemic Figuration of Heritage, Memory and Identity Practices on Social Network Sites
This study presents the construction and validation of a formal conceptual model, or domain ontology, useful for the formal representation and analysis of conversations on heritage, memory and identity (HMI) on social network sites (SNS), of interviews with participants in such conversations, and of scholarly works engaging with such phenomena. The ontology provides for the first time a conceptual framework for HM interactions on SNS addressing t…
Battle or ballet? Metaphors archaeological Facebook administrators live by
The emergence of online social networks such as Facebook provide new opportunities for communication between archaeologists, and between archaeologists and communities. In this study, we used qualitative text analysis and conceptual metaphor analysis of conversations with eleven European archaeological Facebook site administrators to understand their motivations and ideas. We found that altruistic motivations coexist with emotional, career, and s…
Digital Archaeological Data in the Creative Industries
This paper explores how creative professionals—such as artists, writers, and architects—engage with digital archaeological and heritage data. Through a quality-in-use framework, the study examines the motivations, access methods, and barriers encountered by non-archaeology professionals' audiences. The research combined interviews, eye-tracking experiments, and post-experiment questionnaires. Findings reveal three levels of interest in archaeolog…
Sociology (6 works) · Computer Science (4 works) · Archaeology (3 works) · Cultural Heritage Management and Preservation (3 works) · History (3 works) · Media studies (3 works) · Social media (3 works) · World Wide Web (3 works) · Art (2 works) · Engineering (2 works)