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Neil C M Brown

Biographic Data

ID1187282
NAMENeil C M Brown
GIVEN NAMESNeil C M
FAMILY NAMEBrown
SIGNATUREBROWN N C M
AFFILIATIONSa The University of New South Wales, Australia
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2011
H-INDEX1
  • Performing Digital Aesthetics

    Neil C M Brown, Timothy Barker et al.•ARTICLE•Leonardo•2011•References: 1

    Interactive narratives are inextricable from the way that we understand our encounters with digital technology. This is based upon the way that these encounters are processually formed into a narrative of episodic events, arranged and re-arranged by various levels of agency. After describing past research conducted at the iCinema Research Centre at the University of New South Wales, this paper sets out a framework within which to build a relation…

  • The Paradox of Virtuosity in the Practical Arts

    Neil C M Brown•ARTICLE•Educational Philosophy and Theory•2004•References: 7

  • The Imputation of Authenticity in the Assessment of Student Performances in Art

    Neil C M Brown•ARTICLE•Educational Philosophy and Theory•2001•Cited by: 2

  • The Imputation of Authenticity in the Assessment of Student Performances in Art

    Neil C M Brown•ARTICLE•Educational Philosophy and Theory•2001•Cited by: 2

  • The Imputation of Authenticity in the Assessment of Student Performances in Art

    Neil C M Brown•ARTICLE•Educational Philosophy and Theory•2001•Cited by: 2

  • The Paradox of Virtuosity in the Practical Arts

    Neil C M Brown•ARTICLE•Educational Philosophy and Theory•2004•References: 7

  • Performing Digital Aesthetics

    Neil C M Brown, Timothy Barker et al.•ARTICLE•Leonardo•2011•References: 1

    Interactive narratives are inextricable from the way that we understand our encounters with digital technology. This is based upon the way that these encounters are processually formed into a narrative of episodic events, arranged and re-arranged by various levels of agency. After describing past research conducted at the iCinema Research Centre at the University of New South Wales, this paper sets out a framework within which to build a relation…

Aesthetics (3 works) · Epistemology (3 works) · Philosophy (3 works) · Sociology (3 works) · Art (2 works) · Pedagogy (2 works) · Philosophy (2 works) · Visual arts (2 works) · Agency (philosophy) (1 work) · Art Education and Development (1 work)

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