Andy Bennett
Biographic Data
| ID | 119044 |
|---|---|
| NAME | Andy Bennett |
| GIVEN NAMES | Andy |
| FAMILY NAME | Bennett |
| SIGNATURE | BENNETT A |
| AFFILIATIONS | Griffith University |
| ORCID | 0000-0003-4194-9741 |
| VERIFIED | Yes |
| TOTAL WORKS | 94 |
| TOTAL CITATIONS | 609 |
| AUTHOR COUNT | 84 |
| EDITOR COUNT | 10 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 15 |
Migrant Youth and Hip-Hop Music Practices: Juggling Cultural Belonging, Creating Multicultural Spaces in Australia's Regional Cities
This article focuses on migrant youth in regional areas of Australia who write and perform hip-hop. Hip-hop music serves as a means of ‘juggling’ the contradictions in the sense of belonging experienced by these young people, who identify as both ‘Australians’ and ‘migrants’, while also addressing regional inequalities that affect a young generation. The article examines the regional cultural context in which migrant youth create and engage in cu…
The legacy of Resistance Through Rituals
Since its initial publication in 1976, Resistance Through Rituals has become one of the most influential – and criticised – texts in the academic study of youth culture. Criticisms fall into two broad camps: the perceived shortcomings of the study itself, notably its lack of attention to issues of gender and ethnicity, its Anglo-centric focus and the absence of empirical data to support its central claims vis a vis the significance of subculture …
Australia’s hidden musicians: Education and training in rural and regional areas
This article examines the fortunes of music education programs in rural and regional Australia. It argues that the two key national reports on music education across the nation undertaken in 2005 and 2019 have tended to focus on metropolitan and urban settings and formalised school education at the pre-tertiary level at the expense of music education programs in rural and regional areas. In this article, we argue that a more complete picture of m…
Ageing in DIY and alternative cultures: Exploring forms of masculinity and adult play in Jackass forever
This article explores ageing in alternative cultures and co-existing forms of hyper and alternative masculinity in the US film Jackass Forever released in 2022. The film is a continuation of the original Jackass show launched in 2000. Although a highly profitable franchise, we argue Jackass is part of an alternative culture through its playfulness and pranks that are also dangerous and revel in self-humiliation. Most of the stunts and skits also …
Do-it-yourself lifestyle movements in grassroots activist communities: A case study of Brisbane, Australia
In this article, we draw on the concepts of lifestyle movements and Do-It-Yourself culture to explore activist identity and practice among grassroots activist groups in Brisbane, Australia. Although Do-It-Yourself ethos is often conceptualised in terms of countercultural ideology linking music, politics and aesthetics, we examine it here as a core characteristic of creative resistance and grassroots organising. We present the case study of an act…
It’s like a hug: Examining the role of music-making for the well-being of youth during the Covid-19 pandemic
This article presents findings from a cross-disciplinary, international project that seeks to understand the importance of music-making for young people (aged 18–35 years) as a source of well-being during the COVID-19 crisis. A key objective of the project is to evaluate whether music-making has contributed in palpable ways to young people’s individual well-being and their sense of connection with others. For the purposes of the project, well-bei…
DIY Cultures and the Global South
DIY, Alternative Cultures and Society
How does materiality ‘bite back’? Investigating cassette tapes in local, translocal and virtual music scenes
Despite its status as an analogue sound carrier, the cassette has shown remarkable resilience in the digital era. Drawing on qualitative data gathered in three significant markets for cassettes, Japan, Australia and the USA, during 2018 and 2019, this article explores how the cassette tape’s material significance in the 21st century manifests itself in a complex network of interrelated local, translocal and virtual practices of music creation, di…
Is there an Indian way of raving? Reading the cultural negotiations of Indian youth in the trans-local EDM scene
In India, the past two decades have been crucial for the growing popularity of Electronic Dance Music (EDM). This is largely due to the burgeoning presence and significance of EDM festivals as a performative site of a contemporary Indian youth culture. A salient feature capturing the zeitgeist of twenty-first century, urban, modern Indian youth is EDM’s gradual permeation into the cultural fabric of India through crucial collaborations with cultu…
Searching for “Australia’s Woodstock”: The Forgotten Australian Rock Festivals of 1970 – 1975
Between 1970 and 1975, at least 18 rock festivals took place in Australia, often near regional towns. These have gone largely undocumented. By focusing on these “forgotten” festivals, this article contributes to our understanding of the festival’s role in Australian music culture, mapping the Australian context over the international rock music trends of the time. These festivals highlight the contribution of regional and rural settings to the de…
A New Paradigm of Engagement for the Socially Distanced Artist
COVID-19 has presented many challenges to the music industry and to artists who rely on live music not only as a source of revenue but also as an integral part of their release strategy and audience engagement. It is important to examine the modalities of artistic expression when faced with a new “socially distant” paradigm. This article describes how, while many of the platforms used by independent artists have been in place for years, the COVID…
Punk Portugal, 1977–2012: A preliminary genealogy
In this article, we discuss the emergence and development of punk in Portugal since the final years of the 1970s, its relationship to the social structure of Portugal over the last four decades and to the cultural and symbolic manifestations of Portuguese urban popular cultures. It is a preliminary genealogy that situates the Portuguese punk scene in a broader, global context, without overlooking the specificities that originated through its appr…
It’s Turned Me from a Professional to a “Bedroom DJ” Once Again’: Covid-19 and New Forms of Inequality for Young Music-Makers
Given the unprecedented circumstances of the COVID-19 pandemic and increasingly uncertain socio-economic conditions, cultural practice remains a stable canvas upon which young people draw the most agency and exercise a sense of freedom. This article reports on an international research collaboration, drawing on the voices of 77 young musicians from three countries—Australia, England and Portugal—who were interviewed about their music-making pract…
Mimicking the mimics: Problematizing cover performance of Filipino local music on social media
The performance of cover songs in popular music has long been a subject of critical discussion and debate due to the artistic, social, cultural, and commercial issues that covers raise. In non-Western societies, most popular songs covered by artists are Anglo-American, a situation which implicitly privileges Western music and reinforces both the “west and the rest” trope and the cultural imperialism thesis. Taking American amateur artists and the…
Ageing and Youth Culture: Music, Style and Identity
‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s
British popular music television series The Old Grey Whistle Test (OGWT) was a regular feature on BBC2 between 1971 and 1987. The show enjoyed its greatest popularity during the early 1970s when, as a programme synonymous with the term album-orientated rock (AOR), it was responsible for introducing British popular music audiences to a different range of music than was generally featured on national television and radio at the time. Despite its ic…
Urban vibes in a rural setting: A study of the bush doof scene in Byron Shire
The purpose of this article is to consider the politico-cultural significance of the Australian ‘bush-doof’ for contemporary youth. The bush-doof is a localised form of Electronic Dance Music (EDM) party held in a bushland setting. It is argued that the bush doof provides a space for young people to reject forms of commoditised and over-regulated night-time leisure associated with (semi)urban environments. Associated with this is an expression of…
Music Consumption and Technological Eclecticism: Investigating Generation Y’s Adoption and Uses of Music Technologies
This article is interested in a techno-cultural moment usually summarized by the phrase ‘digital age’. We explore how people who belong to Generation Y and were young at the time of the development of digital music technologies have adopted and used those new technological possibilities while maintaining a relationship with other media and technologies, such as the compact disc (CD), the vinyl disc and, eventually, the cassette tape. We situate o…
Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue
Research on regional and rural popular music scenes focuses on a number of issues and challenges confronting such scenes. These include venues, work and employment, regional sensitivity to boom-and-bust scenarios in local heavy industries, tourism and leisure, and out-migration. To date, however, there has been very little critical examination of what precisely is meant by the terms “regional” or “rural” in relation to music scenes. This article …
The felt value of reading zines
Gateways and corridors: Cultural and spatial challenges and opportunities for live music on Australia's Gold Coast
Young people and alcohol abstention: Youth cultural practices and being a non-drinker in Finland and Australia
Internationally, there has been a significant increase in the numbers of young people choosing not to drink alcohol. This is counter to the weight of opinion that positions young people as irresponsible and as engaging in ‘risky’ behaviour. In this context, our article seeks to understand why young people choose not to drink alcohol. Drawing on original data from interviews conducted with young people between the ages of 18 and 29 in Finland and …
Woodstock 2019: The Spirit of Woodstock in the Post-risk Era
What continues to connect the Woodstock generation and the post-risk generations are the threats – political, economic, environmental, epidemic – of an increasingly precarious world. In the wake of plans for a 50th anniversary Woodstock event being abandoned due to the failure of the organizers to secure a site, this article considers the impact of Woodstock’s legacy on contemporary music festivals and whether a 50th anniversary Woodstock event m…
Skateboarding and the 'Tired Generation: Ageing in Youth Cultures and Lifestyle Sports
This article extends current discussions of ageing through a study of the continuing involvement in skateboarding of individuals who are no longer young adults. We qualitatively examine The Tired Video which features older and mostly middle-aged male skaters as our case study. This is done in light of discourses of ageing and a lack of studies examining how older participants remain involved in lifestyle sports typically associated with youth and…
Consolidating the music scenes perspective
Subcultures or Neo-tribes? Rethinking the Relationship Between Youth, Style and Musical Taste
Despite the criticisms of subcultural theory as a framework for the sociological study of the relationship between youth, music, style and identity, the term `subculture' continues to be widely used in such work. It is a central contention of this article that, as with subcultural theory, the concept of `subculture' is unworkable as an objective analytical tool in sociological work on youth, music and style - that the musical tastes and stylistic…
The post-subcultural turn: Some reflections 10 years on
This article investigates and evaluates the key tenets of the post-subcultural turn as this has informed discussion and debate among youth culture researchers during the last 10 years. While the post-subcultural turn has produced a wealth of new analytical tools and conceptual approaches, as well as providing a basis for several anthologies, it has also given rise to a series of critical concerns regarding the viability of post-subculture as an a…
Researching youth culture and popular music: A Methodological Critique
In this article I argue the need for critical evaluation of qualitative research methodology in sociological studies of the relationship between youth culture and popular music. As the article illustrates, there is currently an absence of critical debate concerning methodological issues in this field of sociological research. In the first part of the article I begin to account for this absence by illustrating how early research on youth and music…
Punk's Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans
This article examines how older fans of punk rock articulate their continuing attachment to the music and its associated visual style.While sociological research on popular music audiences is well established, little attention has been paid to the articulation and management of fan practices of individuals beyond the age of 30. Based on ethnographic interviews conducted with older punk fans in East Kent, England, the article begins to redress thi…
Popular Music Scenes and Cultural Memory
This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avo…
Rappin' on the Tyne: White Hip Hop Culture in Northeast England - An Ethnographic Study
This article offers an ethnographic account of the significance of rap music and hip hop culture for white youth in the city of Newcastle upon Tyne in north-east England. Although white appropriations of black music in Britain have been well documented in sociological work, there is currently very little research on white responses to rap and hip hop. During the course of this article I identify two distinct responses on the part of white Newcast…
Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview
The purpose of this article is to explore how creative competencies acquired through involvement in music and style-based youth cultures are being converted by young people into DIY (do-it-yourself) careers. This term, as applied here, covers a range of alternative and do-it-yourself modes of work and employment not governed by the acquisition of formal qualifications and training, but, rather, grounded in knowledge and practical know-how acquire…
Heritage rock: Rock music, representation and heritage discourse
Hip hop am Main: The localization of rap music and hip hop culture
This article examines the way in which rap music and hip hop culture have been appropriated and reworked by the youth of Turkish and Moroccan communities in Frankfurt am Main, Germany. I begin by considering how, via the incorporation of German and Turkish lyrics into self-composed rap songs, Frankfurt rap groups have been able to turn the genre into a highly localized mode of expression. More specifically, such a reworking of the rap genre has e…
In Defence of Neo-tribes: A Response to Blackman and Hesmondhalgh
Since the late 1990s, a number of sociologists and cultural theorists have been engaged in an attempt to rethink subculture using a range of concepts drawn from contemporary sociological theory. Am
Towards a cultural sociology of popular music
This article provides a series of critical reflections on the development of sociological studies in relation to popular music and the development of a cultural sociology of popular music. The piece begins by mapping the origins of popular music as a focus for academic study and the indebtedness of this body of work to Centre for Contemporary Cultural Studies-style cultural studies analyses of popular music audiences and their reception of popula…
Popular Music and Materiality: Memorabilia and Memory Traces
The material objects of popular music have featured significantly in studies of popular music. In particular, there are established literatures on physical playback media (including the re-emergence of vinyl albums) and playback devices, from the Walkman to the iPod. Recently, as popular music scholars have begun to explore the everyday use of music and music technologies by casual listeners, music has increasingly been described as sound and as …
Going down the pub: The pub rock scene as a resource for the consumption of popular music
In this article I want to consider the importance of the pub rock scene as a resource for the consumption of popular music. Considering its role as one of the primary sites for the production and consumption of live music, very little has been written about pub rock. Moreover, in those studies that have made reference to pub rock, emphasis has often been placed upon its role as a training ground for musicians and songwriters (see, for example, La…
The felt value of reading zines
MyTribe: Post-subcultural Manifestations of Belonging on Social Network Sites
Since the early 2000s, sociologists of youth have been engaged in a debate concerning the relevance of 'subculture' as a theoretical framework in the light of more recent postmodern-influenced interpretations of youth identities as fluid, dynamic and reflexively constructed. Utilizing ethnographic data collected on the Gold Coast in Queensland, Australia, this article considers such debates in relation to social network sites such as MySpace and …
Popular Music, Cultural Memory, and Heritage
The purpose of this special edition of Popular Music and Society is to bring together a series of articles from an international group of scholars who consider, in particular and locally specific ways, how popular music has become an object of memory and, in turn, a focus for contemporary renditions of history and cultural heritage. Popular music’s links to and evocation of the past have been evident for many years. Frith has highlighted popular …
Music, media and urban mythscapes: A study of the ‘Canterbury Sound’
The purpose of this article is twofold. First, to illustrate how recently developed technologies are giving rise to new ways of conceptualizing the relationship between music and place. Applying the concept of mythscapes, developed from Appadurai’s work, to the ‘Canterbury Sound’, a term recently revived and adapted by a website-centred fanbase to describe a loosely defined back-catalogue of albums, songs and home-recorded musical experiments, th…
Skateboarding and the 'Tired Generation: Ageing in Youth Cultures and Lifestyle Sports
This article extends current discussions of ageing through a study of the continuing involvement in skateboarding of individuals who are no longer young adults. We qualitatively examine The Tired Video which features older and mostly middle-aged male skaters as our case study. This is done in light of discourses of ageing and a lack of studies examining how older participants remain involved in lifestyle sports typically associated with youth and…
It’s Turned Me from a Professional to a “Bedroom DJ” Once Again’: Covid-19 and New Forms of Inequality for Young Music-Makers
Given the unprecedented circumstances of the COVID-19 pandemic and increasingly uncertain socio-economic conditions, cultural practice remains a stable canvas upon which young people draw the most agency and exercise a sense of freedom. This article reports on an international research collaboration, drawing on the voices of 77 young musicians from three countries—Australia, England and Portugal—who were interviewed about their music-making pract…
Popular music and the aesthetics of ageing
The cultural turn in sociology and related fields of study has brought with it new understandings of the various ways social identities are formed. In a post-structural landscape, social identities must increasingly be regarded as reflexively derived 'performative assemblages' that incorporate elements of the local vernacular and global popular cultures. Building on the above reinterpretation of social identity, this paper takes as its central pr…
Cultural Precincts, Creative Spaces: Giving the Local a Musical Spin
This article examines the role of three community-based music projects—in Newcastle (Australia), Thanet (United Kingdom), and the City of Playford (Australia)—in engendering notions of regionalism, locality, and identity. Through their involvement in these projects, young people are placed at the intersection of music program management, city mythologies, and national policy. Each of the three projects examined attempts to facilitate urban regene…
Never Mind the Pistols? The Legacy and Authenticity of the Sex Pistols in Portugal
The impact, influence, and legacy of the Sex Pistols have inspired a considerable number of works, with those of Jon Savage being perhaps the most paradigmatic. However, these studies are generally centered on Anglo perceptions of the Sex Pistols and of punk more broadly. We believe that it is important to understand the Sex Pistols cultural and economic impact globally, and thus to realize the influence of English or Anglo-Saxon culture in non-E…
Music Scenes, Space and the Body
The concept of scene is now a primary conceptual framework for studying the production and consumption of popular music. In a formative essay, Straw (1991) offered the important observation that scene could be theorized as both a local and trans-local phenomenon. Peterson and Bennett (2004) have added a new dimension to this conceptualization of music scenes through positing virtuality as a further medium for scene involvement. Missing from each …
Britpop and the English Music Tradition
Contents: Introduction, Andy Bennett and Jon Stratton Section 1 History and Context: Music hall and the commercialization of English popular music, Dave Laing Skiffle, variety and Englishness, Jon Stratton Englishing popular music in the 1960s, Jon Stratton Trainspotting: the gendered history of Britpop, Sheila Whiteley Missing links: Britpop traces, 1970a 1980, Andy Bennett. Section 2 Britpop: Labouring the point? The politics of Britpop in 'New…
Bhangra in Newcastle: Music, ethnic identity and the role of local knowledge
Originally a traditional form of Punjabi folk musk, bhangra has been radically transformed by British‐Asian musicians into a fusion style, which, in addition to retaining characteristic aspects of its folk heritage also incorporates elements of western popular music. There is currently very little research which deals with this adaptation of the bhangra style and which attempts to ascertain its cultural significance for Asians living in Britain. …
Village greens and terraced streets: Britpop and representations of 'Britishness
Going down the pub: The pub rock scene as a resource for the consumption of popular music
In this article I want to consider the importance of the pub rock scene as a resource for the consumption of popular music. Considering its role as one of the primary sites for the production and consumption of live music, very little has been written about pub rock. Moreover, in those studies that have made reference to pub rock, emphasis has often been placed upon its role as a training ground for musicians and songwriters (see, for example, La…
Hip hop am Main: The localization of rap music and hip hop culture
This article examines the way in which rap music and hip hop culture have been appropriated and reworked by the youth of Turkish and Moroccan communities in Frankfurt am Main, Germany. I begin by considering how, via the incorporation of German and Turkish lyrics into self-composed rap songs, Frankfurt rap groups have been able to turn the genre into a highly localized mode of expression. More specifically, such a reworking of the rap genre has e…
Rappin' on the Tyne: White Hip Hop Culture in Northeast England - An Ethnographic Study
This article offers an ethnographic account of the significance of rap music and hip hop culture for white youth in the city of Newcastle upon Tyne in north-east England. Although white appropriations of black music in Britain have been well documented in sociological work, there is currently very little research on white responses to rap and hip hop. During the course of this article I identify two distinct responses on the part of white Newcast…
Subcultures or Neo-tribes? Rethinking the Relationship Between Youth, Style and Musical Taste
Despite the criticisms of subcultural theory as a framework for the sociological study of the relationship between youth, music, style and identity, the term `subculture' continues to be widely used in such work. It is a central contention of this article that, as with subcultural theory, the concept of `subculture' is unworkable as an objective analytical tool in sociological work on youth, music and style - that the musical tastes and stylistic…
Popular music and youth culture: Music, Identity and Place
"Music-and style-centred youth cultures are now a familiar aspect of everyday life in countries as far apart as Nepal and Jamaica, Hong Kong and Israel, Denmark and Australia. This text provides wide-ranging account of the relationship between popular music and youth culture within the context to debates about the spatial dimensions of identity.". "With its comprehensive coverage of youth and music studies and its important new insights, Popular …
Theorizing Music and the Social: New Approaches to Understanding Musical Meaning in Everyday Life
Cet article propose une lecture critique de trois ouvrages consacres a la dimension sociale de la musique populaire : Music and cultural theory de John Shepherd et Peter Wicke, Mapping the beat: popular music and contemporary theory sous la direction de Thomas Swiss, John Sloop et Andrew Herman et Spectacular vernaculars : hip-hop and the politics of postmodernism de Russel A. Potter. Tandis que le premier privilegie une approche musicologique, l…
Popular Music and Youth Culture. Music, Identity and Place
Cultures of Popular Music
Series editor's foreword - Introduction - Post-war youth and rock 'n' roll - Sixties rock, politics and the counter culture - Heavy metal - Punk and punk rock - Reggae and Rasta culture - Rap music and hip hop culture - Bhangra and contemporary Asian dance music - Contemporary dance music and club culture - Youth and music-making - Whose generation? Youth, music and nostalgia - References - Glossary - Index
Music, media and urban mythscapes: A study of the ‘Canterbury Sound’
The purpose of this article is twofold. First, to illustrate how recently developed technologies are giving rise to new ways of conceptualizing the relationship between music and place. Applying the concept of mythscapes, developed from Appadurai’s work, to the ‘Canterbury Sound’, a term recently revived and adapted by a website-centred fanbase to describe a loosely defined back-catalogue of albums, songs and home-recorded musical experiments, th…
Researching youth culture and popular music: A Methodological Critique
In this article I argue the need for critical evaluation of qualitative research methodology in sociological studies of the relationship between youth culture and popular music. As the article illustrates, there is currently an absence of critical debate concerning methodological issues in this field of sociological research. In the first part of the article I begin to account for this absence by illustrating how early research on youth and music…
HipHop am Main: Die Lokalisierung von Rap-Musik und HipHop-Kultur
In this chapter, I examine the cultural significance of rap music and hip hop culture for the youth of certain ethnic minority groups in Frankfurt am Main, Germany. I will consider how groups of youth associated with immigrant populations originating mainly from Turkey and parts of Northern Africa, in particular Morocco, have appropriated aspects of Afro-American hip hop culture and, moving beyond a point of straightforward imitation, are now beg…
Researching Youth
Written in a clear and accessible style, this book presents a broad ranging enquiry into various methodological issues associated with contemporary youth research. Chapters cover a variety of topical
Music Scenes: Local, Translocal, and Virtual
After Subculture
Introducing Music Scenes
After subculture: Critical studies in contemporary youth culture
Bringing together key theoretical statements with analyses of particular aspects of youth culture - music, clubbing, body modification and the Internet - this text offers a wide-ranging account of developments in youth culture research that reject, refine or reinvent the concept of subculture
Consolidating the music scenes perspective
Culture and Everyday Life
Culture and Everyday Life provides students with a comprehensive overview of theoretical models, issues and examples of contemporary cultural practice. Andy Bennett begins by summarising and situating - in everyday settings - the key theoretical models applied in the study of existing cultural practices. This entails a systematic study of how academic thinking about mass culture has changed, from critical accounts of early mass cultural theorists…
In Defence of Neo-tribes: A Response to Blackman and Hesmondhalgh
Since the late 1990s, a number of sociologists and cultural theorists have been engaged in an attempt to rethink subculture using a range of concepts drawn from contemporary sociological theory. Am
Culture and Everyday Life
Punk's Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans
This article examines how older fans of punk rock articulate their continuing attachment to the music and its associated visual style.While sociological research on popular music audiences is well established, little attention has been paid to the articulation and management of fan practices of individuals beyond the age of 30. Based on ethnographic interviews conducted with older punk fans in East Kent, England, the article begins to redress thi…
Cultural Precincts, Creative Spaces: Giving the Local a Musical Spin
This article examines the role of three community-based music projects—in Newcastle (Australia), Thanet (United Kingdom), and the City of Playford (Australia)—in engendering notions of regionalism, locality, and identity. Through their involvement in these projects, young people are placed at the intersection of music program management, city mythologies, and national policy. Each of the three projects examined attempts to facilitate urban regene…
The scenes perspective and the Australian context: Introduction
Music History and Culture (67 works) · Sociology (67 works) · Art (56 works) · Visual arts (44 works) · Political science (37 works) · Aesthetics (34 works) · Cultural Industries and Urban Development (31 works) · History (29 works) · Media studies (27 works) · Popular music (24 works)