Introducing Music Scenes
Bibliographic Data
| ID | 20084891 |
|---|---|
| Authors | R A Peterson (0000-0002-0431-6913), Andy Bennett (0000-0003-4194-9741) |
| Year | 2004 |
| Pages | 1-16 |
| Publication date | 2004-06-11 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | Music Scenes (SOURCE_BOOK) |
| Publisher | Vanderbilt University Press (PUBLISHER) |
| DOI | 10.2307/j.ctv17vf74v.5 |
| OpenAlex | W4245123417 |
| ISBN | 9780826591814 |
| Language | EN |
| Citations received | 61 |
Urbanismo Musical en América
Towards a definition of the concept of scene
Sounding Jewish in Berlin
Music, Memory, Space and Place
Virtuality
Scenes, Memory and the Spaces of Music Consumption
Roots radical – place, power and practice in punk entrepreneurship
Los públicos de las escenas musicales migrantes
Music and Identity Crisis
Co-consuming a “fun addiction”
A New Paradigm of Engagement for the Socially Distanced Artist
Penser la construction sonore des territoires depuis la programmation des salles de musique ? Une étude des Smac en Occitanie
Journalists’ authority and its bounded trade; Twitter, journalists, and boundary work in contemporary France’s music scene
Questions liées au genre dans la scène berlinoise de l’electronic dance music
Halk Müziği ve Medyatik Dolayım İlişkisinde Sanatçıların Bilgi Kaynaklarının Genişlemesi
Nach der Migration
India and the Translocal Modern Dance Scene, 1890s–1950s
Scenes of entanglement
Cultural Spaces as Political Spaces
Fyre Fraud (Jenner Furst & Julia Willoughby Nason, dirs.) & Fyre
Popular Viennese Electronic Music, 1990-2015
The DIY Careers of Techno and Drum 'n' Bass DJs in Vienna
Raving Iran (Susanne Regina Meures, dir)
Sweet Harmony
Living and Labouring as a Music Writer
Eso es tradicional? Contexto, geografías y trayectorias musicales en la construcción de una noción sobre lo “tradicional”. El caso del Trío Los Cholos en Lima Metropolitana
Crossing Borders. Russian Stand-up
Popular Music Heritage, Grass-Roots Activism and Web 2.0
The Concept of Cultural Scene as Theoretical Perspective and the Tool of Urban Communities Analysis
Who are the terminally online? Authenticity, subculture, and scenes of remediation
How does materiality ‘bite back’? Investigating cassette tapes in local, translocal and virtual music scenes
Sifting signal from noise
The participation and decision making of ‘at risk’ youth in community music projects
Collective and material embeddedness
The biographical approach in (post-) subcultural studies
Berlin–Frankfurt–Istanbul
In the Scattered Fields of Memory
Cultural Precincts, Creative Spaces
De-Westernizing Punk
We love the bands and we want to keep them on the walls’
Hip hop as decoration
The power of local networking
Babel sikuri
Urban Myths and Rural Legends
Researching Regional and Rural Music Scenes
Supermodel of the World
Translocal art worlds. Mobilities, routes, and conventions
Translocal social capital as a resource for community-based responses to coastal flooding – Evidence from urban and rural areas on Java, Indonesia
The Relentless Pursuit of Tone
A Cognitive-Structural Sociological Account of the Emergence of Novel Worlds
Punk's Not Dead
The dataset as Rhizomatic Heritage
Artistic Prosumption
Consolidating the music scenes perspective
De la scène musicale aux réseaux musicalisés
Distribution Matters
Creativity, Precarity and Illusio
Social Spaces of Music
Music Scenes, Space and the Body
For a While They Live a Few Feet Off the Ground
Authentic Identities
| Unique citing works | 61 |
|---|---|
| Citations per year | 2,77 |
| Citation span | 2004 - 2026 (23) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 59 |