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Steve Fore

Biographic Data

ID119250
NAMESteve Fore
GIVEN NAMESSteve
FAMILY NAMEFore
SIGNATUREFORE S
AFFILIATIONSUniversity of North Texas
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS7
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Jackie Chan and the Cultural Dynamics of Global Entertainment

    Steve Fore•CHAPTER•Transnational Chinese Cinemas•2017

  • Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV

    Steve Fore•ARTICLE•The Chinese Historical Review•2008•Cited by: 4

  • Chapter 15. Making Do And Making meaning: Cultural and technological hybridity in recent asian animation

    Steve Fore•CHAPTER•East-West Identities (International…•2007

    This chapter appropriates aspects of a still-evolving theoretical framework that revisits the concept of realism in moving image media, and to use some of these ideas to inform a more narrowly aesthetic analysis and appreciation of certain technologically hybrid forms of Asian animation that exist today. It implicitly observes that the entire field of animation is in the midst of technical and aesthetic transition, driven most obviously by the in…

  • Beyond Virtual Carnival and Masquerade: In-Game Marriage on the Chinese Internet

    Open Access•Weihua Wu, Steve Fore et al.•ARTICLE•Games and Culture•2007•Cited by: 3•References: 9

    This article documents the brief history of cyber marriage on the Chinese Internet and shows how in-game marriage, with its game codes and marriage regulations, turns out to be the most visualized, institutionalized, and heteronormative form of cyber marriage, by exploring the game players' gender performativity, especially the gender swapping of male gamers. This study sheds light on Chinese youth subculture under the influence of new media and …

  • Facing the Challenge: Chinese Television in the New Media Era

    Open Access•Zhenzi Wang, Zhiqiang Liu et al.•ARTICLE•Media International Australia•2005•References: 7

    In this paper we examine current developments in new media and Chinese television. In particular, we present a case study of the Spring Festival Eve Gala 2002, sponsored by China Central Television Station (CCTV). Despite the rapid development of digital technology and new media in recent years, Chinese television is unlikely to be transformed quickly. We propose that coevolution and convergence with new media offer the most effective strategy fo…

  • America, America This Is You: The Curious Case of America's Funniest Home Videos

    Steve Fore•ARTICLE•Journal of Popular Film and…•1993•References: 5

    (1993). America, America This Is You: The Curious Case of America's Funniest Home Videos. Journal of Popular Film and Television: Vol. 21, No. 1, pp. 37-45

  • Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV

    Steve Fore•ARTICLE•The Chinese Historical Review•2008•Cited by: 4

  • Beyond Virtual Carnival and Masquerade: In-Game Marriage on the Chinese Internet

    Open Access•Weihua Wu, Steve Fore et al.•ARTICLE•Games and Culture•2007•Cited by: 3•References: 9

    This article documents the brief history of cyber marriage on the Chinese Internet and shows how in-game marriage, with its game codes and marriage regulations, turns out to be the most visualized, institutionalized, and heteronormative form of cyber marriage, by exploring the game players' gender performativity, especially the gender swapping of male gamers. This study sheds light on Chinese youth subculture under the influence of new media and …

  • America, America This Is You: The Curious Case of America's Funniest Home Videos

    Steve Fore•ARTICLE•Journal of Popular Film and…•1993•References: 5

    (1993). America, America This Is You: The Curious Case of America's Funniest Home Videos. Journal of Popular Film and Television: Vol. 21, No. 1, pp. 37-45

  • Facing the Challenge: Chinese Television in the New Media Era

    Open Access•Zhenzi Wang, Zhiqiang Liu et al.•ARTICLE•Media International Australia•2005•References: 7

    In this paper we examine current developments in new media and Chinese television. In particular, we present a case study of the Spring Festival Eve Gala 2002, sponsored by China Central Television Station (CCTV). Despite the rapid development of digital technology and new media in recent years, Chinese television is unlikely to be transformed quickly. We propose that coevolution and convergence with new media offer the most effective strategy fo…

  • Chapter 15. Making Do And Making meaning: Cultural and technological hybridity in recent asian animation

    Steve Fore•CHAPTER•East-West Identities (International…•2007

    This chapter appropriates aspects of a still-evolving theoretical framework that revisits the concept of realism in moving image media, and to use some of these ideas to inform a more narrowly aesthetic analysis and appreciation of certain technologically hybrid forms of Asian animation that exist today. It implicitly observes that the entire field of animation is in the midst of technical and aesthetic transition, driven most obviously by the in…

  • Beyond Virtual Carnival and Masquerade: In-Game Marriage on the Chinese Internet

    Open Access•Weihua Wu, Steve Fore et al.•ARTICLE•Games and Culture•2007•Cited by: 3•References: 9

    This article documents the brief history of cyber marriage on the Chinese Internet and shows how in-game marriage, with its game codes and marriage regulations, turns out to be the most visualized, institutionalized, and heteronormative form of cyber marriage, by exploring the game players' gender performativity, especially the gender swapping of male gamers. This study sheds light on Chinese youth subculture under the influence of new media and …

  • Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV

    Steve Fore•ARTICLE•The Chinese Historical Review•2008•Cited by: 4

  • Jackie Chan and the Cultural Dynamics of Global Entertainment

    Steve Fore•CHAPTER•Transnational Chinese Cinemas•2017

Sociology (5 works) · Art (4 works) · Asian Culture and Media Studies (4 works) · Media studies (4 works) · Computer Science (3 works) · Political science (3 works) · Advertising (2 works) · Aesthetics (2 works) · Business (2 works) · China (2 works)

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