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William Noll

Biographic Data

ID119442
NAMEWilliam Noll
GIVEN NAMESWilliam
FAMILY NAMENoll
SIGNATURENOLL W
AFFILIATIONSUkrainian National Tchaikovsky Academy of Music
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR1997
H-INDEX1
  • Social Structure and State Patronage of Music in Eastern Europe

    William Noll•ARTICLE•The European Legacy•1997

    (1997). Social Structure and State Patronage of Music in Eastern Europe. The European Legacy: Vol. 2, Fourth International Conference of the International Society for the Study of European Ideas, pp. 149-154

  • A Reply to Anna Czekanowska

    William Noll•ARTICLE•Ethnomusicology•1997

    Professor Czekanowska suggests in her reply to my review that unfavorable criticism, or disagreement over issues, is sui generis pathology of academia. Although I see no reason to view such a feature as unique to scholarship, it is certainly a vital part of any academic life that is vibrant. Of some significance is her extraordinary and perhaps ominous suggestion that disagreement over issues indicates a pathology. I can only wonder if this state…

  • Selecting Partners: Questions of Personal Choice and Problems of History in Fieldwork and Its Interpretation

    William Noll•CHAPTER•Shadows in the Field•1996

    An enormous ethnographic literature exists from Eastern Europe consisting of literally thousands of monographs and articles in the multiple languages of the area, with fieldwork and its interpretation beginning in the early nineteenth century. In my definition of fieldwork, I include gathering, reading, and interpreting historic and contemporary ethnographic literature produced by others working in the same region where I am conducting fieldwork.…

  • Polish Folk Music: Slavonic Heritage, Polish Tradition, Contemporary Trends

    William Noll, Anna Czekanowska•ARTICLE•Ethnomusicology•1994

    List of illustrations and maps Preface Part I. Introduction: 1. Basic concepts and notions 2. Poland's diverse background Part II. Topics and Trends: 3. The Slavonic world 4. Polish tradition 5. Transformation of Polish folk culture and music Part III. Analysis and Description: 6. Vocal transmission 7. Instrumental transmission 8. Musical structure Part IV. Towards a Concept of Polish Folk Music: Polish and Non-Polish Music in Poland: 9. The func…

  • Economics of Music Patronage among Polish and Ukrainian Peasants to 1939

    William Noll•ARTICLE•Ethnomusicology•1991•Cited by: 1

    Dans les pays d'Europe de l'Est, notamment en Pologne et en Ukraine, les musiciens ( « muzykanty ») etaient des fermiers qui obtenaient ainsi un revenu supplementaire. S'ils n'etaient pas toujours bien consideres, ils se devaient cependant de jouer gratuitement lors des ceremonies de mariage car il s'agissait de leurs obligations (patronage musical). Les groupes de musiciens etaient le plus souvent composes des membres d'une meme famille. Mais a …

  • "Wesele kurpiowskie ["The Wedding Sequence in the Region Kurpie]

    William Noll, Grazyna Dabrowska et al.•ARTICLE•Ethnomusicology•1988

  • "Songs to Seven Strings (Russian Guitar Poetry and Soviet "Mass Song)

    William Noll, Gerald Stanton Smith•ARTICLE•Ethnomusicology•1987

  • Economics of Music Patronage among Polish and Ukrainian Peasants to 1939

    William Noll•ARTICLE•Ethnomusicology•1991•Cited by: 1

    Dans les pays d'Europe de l'Est, notamment en Pologne et en Ukraine, les musiciens ( « muzykanty ») etaient des fermiers qui obtenaient ainsi un revenu supplementaire. S'ils n'etaient pas toujours bien consideres, ils se devaient cependant de jouer gratuitement lors des ceremonies de mariage car il s'agissait de leurs obligations (patronage musical). Les groupes de musiciens etaient le plus souvent composes des membres d'une meme famille. Mais a …

  • "Songs to Seven Strings (Russian Guitar Poetry and Soviet "Mass Song)

    William Noll, Gerald Stanton Smith•ARTICLE•Ethnomusicology•1987

  • "Wesele kurpiowskie ["The Wedding Sequence in the Region Kurpie]

    William Noll, Grazyna Dabrowska et al.•ARTICLE•Ethnomusicology•1988

  • Economics of Music Patronage among Polish and Ukrainian Peasants to 1939

    William Noll•ARTICLE•Ethnomusicology•1991•Cited by: 1

    Dans les pays d'Europe de l'Est, notamment en Pologne et en Ukraine, les musiciens ( « muzykanty ») etaient des fermiers qui obtenaient ainsi un revenu supplementaire. S'ils n'etaient pas toujours bien consideres, ils se devaient cependant de jouer gratuitement lors des ceremonies de mariage car il s'agissait de leurs obligations (patronage musical). Les groupes de musiciens etaient le plus souvent composes des membres d'une meme famille. Mais a …

  • Polish Folk Music: Slavonic Heritage, Polish Tradition, Contemporary Trends

    William Noll, Anna Czekanowska•ARTICLE•Ethnomusicology•1994

    List of illustrations and maps Preface Part I. Introduction: 1. Basic concepts and notions 2. Poland's diverse background Part II. Topics and Trends: 3. The Slavonic world 4. Polish tradition 5. Transformation of Polish folk culture and music Part III. Analysis and Description: 6. Vocal transmission 7. Instrumental transmission 8. Musical structure Part IV. Towards a Concept of Polish Folk Music: Polish and Non-Polish Music in Poland: 9. The func…

  • Selecting Partners: Questions of Personal Choice and Problems of History in Fieldwork and Its Interpretation

    William Noll•CHAPTER•Shadows in the Field•1996

    An enormous ethnographic literature exists from Eastern Europe consisting of literally thousands of monographs and articles in the multiple languages of the area, with fieldwork and its interpretation beginning in the early nineteenth century. In my definition of fieldwork, I include gathering, reading, and interpreting historic and contemporary ethnographic literature produced by others working in the same region where I am conducting fieldwork.…

  • Social Structure and State Patronage of Music in Eastern Europe

    William Noll•ARTICLE•The European Legacy•1997

    (1997). Social Structure and State Patronage of Music in Eastern Europe. The European Legacy: Vol. 2, Fourth International Conference of the International Society for the Study of European Ideas, pp. 149-154

  • A Reply to Anna Czekanowska

    William Noll•ARTICLE•Ethnomusicology•1997

    Professor Czekanowska suggests in her reply to my review that unfavorable criticism, or disagreement over issues, is sui generis pathology of academia. Although I see no reason to view such a feature as unique to scholarship, it is certainly a vital part of any academic life that is vibrant. Of some significance is her extraordinary and perhaps ominous suggestion that disagreement over issues indicates a pathology. I can only wonder if this state…

Art (5 works) · Polish Historical and Cultural Studies (4 works) · Sociology (4 works) · Historical and Cultural Studies of Poland (3 works) · Political science (3 works) · Anthropology (2 works) · European Cultural and National Identity (2 works) · History (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works)

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