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Abby Zanger

Biographic Data

ID1194625
NAMEAbby Zanger
GIVEN NAMESAbby
FAMILY NAMEZanger
SIGNATUREZANGER A
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Men and Women Making Friends in Early Modern France

    Abby Zanger, Allyson M Poska et al.•BOOK•Men and Women Making Friends in…•2016

    Lewis C. Seifert, Rebecca M. Wilkin (ed.), Men and Women Making Friends in Early Modern France, Farnham, Surrey (Ashgate Publishing) 2015, X–305 p., 2 fig., 1 tabl. (Women and Gender in the Early Modern World), ISBN 978-1-4724-5409-6, GBP 70,00

  • Devout Laywomen in the Early Modern World

    Abby Zanger, Allyson M Poska et al.•BOOK•Devout Laywomen in the Early…•2016

  • On the threshold of print and performance

    Abby Zanger, Abby E Zanger•ARTICLE•Word & Image•2001•Cited by: 1

    This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of …

  • Making Sweat

    Abby Zanger, Abby E Zanger•ARTICLE•Yale French Studies•1994

    Abby Zanger, Making Sweat: Sex and the Gender of National Reproduction in the Marriage of Louis XIII, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 187-205

  • "Acting as Counteracting in Moliere's "The Impromptu of Versailles

    Abby Zanger, Abby E Zanger•ARTICLE•Theatre Journal•1986

    Molibre's Impromptu of Versailles was staged in 1663 as a final answer to the ongoing polemic known today as The Quarrel of School for Wives (La Querelle de L'Ecole des femmes). It is a remarkable source of insight into Moliere's theory of theatre because it is Molibre's staged portrait of himself and his troupe preparing a performance demanded by the king on very short notice. Actually, the play is about a rehearsal that never takes place. Becau…

  • Languages of the Stage, Essays in the Semiology of Theatre

    Abby Zanger, Patrice Pavis•ARTICLE•Modern Language Notes•1983

  • On the threshold of print and performance

    Abby Zanger, Abby E Zanger•ARTICLE•Word & Image•2001•Cited by: 1

    This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of …

  • Languages of the Stage, Essays in the Semiology of Theatre

    Abby Zanger, Patrice Pavis•ARTICLE•Modern Language Notes•1983

  • "Acting as Counteracting in Moliere's "The Impromptu of Versailles

    Abby Zanger, Abby E Zanger•ARTICLE•Theatre Journal•1986

    Molibre's Impromptu of Versailles was staged in 1663 as a final answer to the ongoing polemic known today as The Quarrel of School for Wives (La Querelle de L'Ecole des femmes). It is a remarkable source of insight into Moliere's theory of theatre because it is Molibre's staged portrait of himself and his troupe preparing a performance demanded by the king on very short notice. Actually, the play is about a rehearsal that never takes place. Becau…

  • Making Sweat

    Abby Zanger, Abby E Zanger•ARTICLE•Yale French Studies•1994

    Abby Zanger, Making Sweat: Sex and the Gender of National Reproduction in the Marriage of Louis XIII, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 187-205

  • On the threshold of print and performance

    Abby Zanger, Abby E Zanger•ARTICLE•Word & Image•2001•Cited by: 1

    This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of …

  • Men and Women Making Friends in Early Modern France

    Abby Zanger, Allyson M Poska et al.•BOOK•Men and Women Making Friends in…•2016

    Lewis C. Seifert, Rebecca M. Wilkin (ed.), Men and Women Making Friends in Early Modern France, Farnham, Surrey (Ashgate Publishing) 2015, X–305 p., 2 fig., 1 tabl. (Women and Gender in the Early Modern World), ISBN 978-1-4724-5409-6, GBP 70,00

  • Devout Laywomen in the Early Modern World

    Abby Zanger, Allyson M Poska et al.•BOOK•Devout Laywomen in the Early…•2016

Art (5 works) · History (4 works) · Computer Science (2 works) · Gender Studies (2 works) · Historical and Literary Analyses (2 works) · Historical and Literary Studies (2 works) · Historical Gender and Feminism Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · History (2 works) · History (2 works)

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