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On the threshold of print and performance

How prints mattered to bodies of/at work in Molière's published corpus

Bibliographic Data

ID9392837
AuthorsAbby Zanger, Abby E Zanger (corresponding author)
Year2001
Volume17
Issue1-2
Pages25-41
Publication date2001-01-01
Open AccessNo
TypeARTICLE
VenueWord & Image (JOURNAL)
Journal identifiersISSN: 0266-6286 • E-ISSN: 1943-2178
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/02666286.2001.10435700
OpenAlexW2061519317
LanguageEN
Citations received3
References cited4

This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of a work as well as rubrication, marginalia and various forms of illustration).1 These include vignettes, lettres grises, title pages, frontispieces and other engraved plates. Despite their shared characteristic of being visual phenomena, print and theatre seem to be otherwise quite dissimilar forms. For theatre is most often thought of as a performance art, an ephemeral event that occurs in a specific instance and in which a group of people (actors and audience) are drawn into a shared experience. Print, on the other hand, is often characterized as invariable, identically reproducible over time and across space for individuals reading in private or in small groups.2

Art · Ephemeral key · Event (particle physics · Linguistics · Literature · Marginalia · Print culture · Reading (process · Visual arts · Computer Science · Historical and Literary Analyses · Historical and Literary Studies · History · Philosophy · Renaissance Literature and Culture

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    Jack Canfield, J Douglas Canfield et al.•Eighteenth-Century Studies•1991

Citations per year0.33
Citation span2017 - 2018 (2)
Highly citedNo

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