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Abby E Zanger

Biographic Data

ID1222657
NAMEAbby E Zanger
GIVEN NAMESAbby E
FAMILY NAMEZanger
SIGNATUREZANGER A E
AFFILIATIONSTufts University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS2
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Making Books to Form Readers

    Abby E Zanger•ARTICLE•French Historical Studies•2018•Cited by: 1•References: 9

    This essay examines the prolific use of woodcut images by Denis Janot, a well-known and successful sixteenth-century printer-publisher. It argues that the repetition and reuse of images both within and among books on Janot's list served as a form of branding that connected the reader not to one individual work but to the larger corpus of works produced by this industrious and skilled libraire. In this period, the book was not yet a familiar objec…

  • Against Marriage

    Open Access•Abby E Zanger•ARTICLE•Renaissance Quarterly•2004

    Anne-Marie-Louise D'Orléans, Duchesse de Montpensier. Against Marriage: The Correspondence of La Grande Mademoiselle by Anne-Marie-Louise D'Orleans, Duchesse de Montpensier. Ed. and trans. Joan Dejean. The Other Voice in Early Modern Europe. Chicago and London: The University of Chicago Press, 2002. xxix + 86 pp. index, bibl. 14 (pbk). ISBN: 0-226-53490-1 (cl), 0-226-53492-8 (pbk). - Volume 57 Issue 3

  • On the threshold of print and performance

    Abby Zanger, Abby E Zanger•ARTICLE•Word & Image•2001•Cited by: 1

    This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of …

  • Scenes from the Marriage of Louis XIV

    Elizabeth C Goldsmith, Abby E Zanger•ARTICLE•SubStance•1999

  • Making Sweat

    Abby Zanger, Abby E Zanger•ARTICLE•Yale French Studies•1994

    Abby Zanger, Making Sweat: Sex and the Gender of National Reproduction in the Marriage of Louis XIII, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 187-205

  • The King and the City in the Parisian Royal Entry Ceremony

    Abby E Zanger•ARTICLE•Sixteenth Century Journal•1989

  • "Acting as Counteracting in Moliere's "The Impromptu of Versailles

    Abby Zanger, Abby E Zanger•ARTICLE•Theatre Journal•1986

    Molibre's Impromptu of Versailles was staged in 1663 as a final answer to the ongoing polemic known today as The Quarrel of School for Wives (La Querelle de L'Ecole des femmes). It is a remarkable source of insight into Moliere's theory of theatre because it is Molibre's staged portrait of himself and his troupe preparing a performance demanded by the king on very short notice. Actually, the play is about a rehearsal that never takes place. Becau…

  • Mimesis

    Abby E Zanger, John D Lyons et al.•ARTICLE•Modern Language Notes•1985

  • Making Books to Form Readers

    Abby E Zanger•ARTICLE•French Historical Studies•2018•Cited by: 1•References: 9

    This essay examines the prolific use of woodcut images by Denis Janot, a well-known and successful sixteenth-century printer-publisher. It argues that the repetition and reuse of images both within and among books on Janot's list served as a form of branding that connected the reader not to one individual work but to the larger corpus of works produced by this industrious and skilled libraire. In this period, the book was not yet a familiar objec…

  • On the threshold of print and performance

    Abby Zanger, Abby E Zanger•ARTICLE•Word & Image•2001•Cited by: 1

    This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of …

  • Mimesis

    Abby E Zanger, John D Lyons et al.•ARTICLE•Modern Language Notes•1985

  • "Acting as Counteracting in Moliere's "The Impromptu of Versailles

    Abby Zanger, Abby E Zanger•ARTICLE•Theatre Journal•1986

    Molibre's Impromptu of Versailles was staged in 1663 as a final answer to the ongoing polemic known today as The Quarrel of School for Wives (La Querelle de L'Ecole des femmes). It is a remarkable source of insight into Moliere's theory of theatre because it is Molibre's staged portrait of himself and his troupe preparing a performance demanded by the king on very short notice. Actually, the play is about a rehearsal that never takes place. Becau…

  • The King and the City in the Parisian Royal Entry Ceremony

    Abby E Zanger•ARTICLE•Sixteenth Century Journal•1989

  • Making Sweat

    Abby Zanger, Abby E Zanger•ARTICLE•Yale French Studies•1994

    Abby Zanger, Making Sweat: Sex and the Gender of National Reproduction in the Marriage of Louis XIII, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 187-205

  • Scenes from the Marriage of Louis XIV

    Elizabeth C Goldsmith, Abby E Zanger•ARTICLE•SubStance•1999

  • On the threshold of print and performance

    Abby Zanger, Abby E Zanger•ARTICLE•Word & Image•2001•Cited by: 1

    This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of …

  • Against Marriage

    Open Access•Abby E Zanger•ARTICLE•Renaissance Quarterly•2004

    Anne-Marie-Louise D'Orléans, Duchesse de Montpensier. Against Marriage: The Correspondence of La Grande Mademoiselle by Anne-Marie-Louise D'Orleans, Duchesse de Montpensier. Ed. and trans. Joan Dejean. The Other Voice in Early Modern Europe. Chicago and London: The University of Chicago Press, 2002. xxix + 86 pp. index, bibl. 14 (pbk). ISBN: 0-226-53490-1 (cl), 0-226-53492-8 (pbk). - Volume 57 Issue 3

  • Making Books to Form Readers

    Abby E Zanger•ARTICLE•French Historical Studies•2018•Cited by: 1•References: 9

    This essay examines the prolific use of woodcut images by Denis Janot, a well-known and successful sixteenth-century printer-publisher. It argues that the repetition and reuse of images both within and among books on Janot's list served as a form of branding that connected the reader not to one individual work but to the larger corpus of works produced by this industrious and skilled libraire. In this period, the book was not yet a familiar objec…

Art (7 works) · History (5 works) · Historical Art and Culture Studies (4 works) · History (4 works) · Philosophy (4 works) · Art history (3 works) · Computer Science (3 works) · Historical and Literary Studies (3 works) · Literature (3 works) · Visual arts (3 works)

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