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Robert W Gaston

Biographic Data

ID1205331
NAMERobert W Gaston
GIVEN NAMESRobert W
FAMILY NAMEGaston
SIGNATUREGASTON R W
AFFILIATIONSThe University of Melbourne
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS5
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Rethinking the Dialogue between the Verbal and the Visual

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2024

    Rethinking the Dialogue between the Verbal and the Visual: Methodological Approaches to the Relationship between Religious Art and Literature (1400–1700). Ingrid Falque and Agnès Guiderdoni, eds. Brill’s Studies on Art, Art History, and Intellectual History. Leiden: Brill, 2023. xvii + 300 pp. $155. - Volume 77 Issue 3

  • Touching the Passion

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2020

    Touching the Passion: Seeing Late Medieval Altarpieces through the Eyes of Faith. Donna L. Sadler. Brill's Studies in Intellectual History 279; Brill's Studies in Art, Art History, and Intellectual History 26. Leiden: Brill, 2018. xvi + 256 pp. $140. - Volume 73 Issue 1

  • Our befores and our afters

    Open Access•Robert W Gaston•ARTICLE•Thesis Eleven•2020•References: 4

    Much has been published on the career and scholarly achievements of Bernard Smith (1916-2011) since his retirement from teaching in 1977 and has predictably gathered pace after his death. It is clear that the reception of his very substantial body of writings, addressing so many fields within the humanities, critical thought and art history in particular, is only just beginning. The present study focuses on a large recent collection of Smith's st…

  • Sprezzatura

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2019

    Sprezzatura: Concealing the Effort of Art from Aristotle to Duchamp. Paolo D'Angelo. Columbia Themes in Philosophy, Social Criticism, and the Arts. New York: Columbia University Press, 2018. xvi + 170 pp. $30. - Volume 72 Issue 3

  • Transformations of Time and Temporality in Medieval and Renaissance Art

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2015

    Transformations of Time and Temporality in Medieval and Renaissance Art. Simona Cohen. Brill’s Studies in Intellectual History 228; Brill’s Studies on Art, Art History, and Intellectual History 6. Leiden: Brill, 2014. xx + 356 pp. + 16 color pls. $180. - Volume 68 Issue 2

  • On Antique Painting

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2014

    Francisco de Hollanda. On Antique Painting. Trans. Alice Sedgwick Wohl. University Park: Pennsylvania State University Press, 2013. xviii + 294 pp. $89.95. ISBN: 978-0-271-05965-5. - Giovanni Paolo Lomazzo. Idea of the Temple of Painting. Ed. Jean Julia Chai. University Park: Pennsylvania State University Press, 2013. xvi + 258 pp. $74.95. ISBN: 978-0-271-05953-2. - Volume 67 Issue 3

  • Pliny and the Artistic Culture of the Italian Renaissance

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2014

    Sarah Blake McHam. Pliny and the Artistic Culture of the Italian Renaissance: The Legacy of the Natural History. New Haven: Yale University Press, 2013. xiii + 450 pp. $75. ISBN: 978-0-300-18603-1. - Volume 67 Issue 1

  • Pirro Ligorio and two columna caelata drawings at Windsor Castle

    Open Access•Ian Campbell, Robert W Gaston•ARTICLE•Papers of the British School at…•2010•References: 4

    Sommarii: L'articolo mette insieme le evidenze grafiche e testuali di Pirro Ligorio e altri su un esempio straordinario di una columna caelata romana. Esso stabilisce senza ombra di dubbio che la colonna esisteva e che fu scavata dal fondo marino vicino a Misenum da Ludovico Montalto intorno al 1520. La colonna fu portata a Napoli ma langui sulla riva o sulla banchina al Castello dell'Ovo probabilmente fino alia metà del XVI secolo, da quando fu …

  • Anachronic Renaissance

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • La politica delle immagini nell' età della Controriforma

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2009

    Ilaria Bianchi. La politica delle immagini nell' età della Controriforma: Gabriele Paleotti teorico e committente. Biblioteca dell storia dell'arte. Bologna: Editrice Compositori, 2008. 253pp. append. illus. bibl. €40. ISBN: 978–88–7794–625–6. - Volume 62 Issue 3

  • Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2009

    Pamela M. Jones. Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni. Visual Culture in Early Modernity. Aldershot: Ashgate Publishing Company, 2008. xiv + 360 pp. index. illus. bibl. $99.95. ISBN: 978–0–7546–6179–5. - Volume 62 Issue 1

  • Images, Relics, and Devotional Practices in Medieval and Renaissance Italy

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2007

    Sally J. Cornelison and Scott B. Montgomery. eds, Images, Relics, and Devotional Practices in Medieval and Renaissance Italy. Medieval and Renaissance Texts and Studies 296. Tempe: Medieval & Renaissance Texts & Studies, 2005. x + 274 pp. illus. bibl. $45. ISBN: 0-86698-340-6. - Volume 60 Issue 1

  • Creating the “Divine” Artist

    Robert W Gaston•ARTICLE•Renaissance Quarterly•2005

    Patricia A. Emison. Creating the “Divine” Artist: From Dante to Michelangelo. Cultures, Beliefs and Traditions: Medieval and Early Modern Peoples 19. Leiden and Boston: Brill Academic Publishers 2004. xiv + 388 pp. + 71 b/w pls. index. append. illus. bibl. $133. ISBN: 90-04-13709-2. - Volume 58 Issue 1

  • Decorum

    Robert W Gaston•CHAPTER•2003

  • Nicolas Poussin

    Robert W Gaston•ARTICLE•Sixteenth Century Journal•1997•Cited by: 4

    By investigating the important cultural figures who were close to the painter Nicholas Poussin (1594-1665), Elizabeth Cropper and Charles Dempsey allow the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct. authors argue that Poussin's works were structured by his friendships, as well as by his study of ancient history and early Christian archaeology, his exploration of the …

  • Love's Sweet Poison

    Robert W Gaston•ARTICLE•I Tatti Studies•1991•Cited by: 1

  • Nicolas Poussin

    Robert W Gaston•ARTICLE•Sixteenth Century Journal•1997•Cited by: 4

    By investigating the important cultural figures who were close to the painter Nicholas Poussin (1594-1665), Elizabeth Cropper and Charles Dempsey allow the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct. authors argue that Poussin's works were structured by his friendships, as well as by his study of ancient history and early Christian archaeology, his exploration of the …

  • Love's Sweet Poison

    Robert W Gaston•ARTICLE•I Tatti Studies•1991•Cited by: 1

  • Love's Sweet Poison

    Robert W Gaston•ARTICLE•I Tatti Studies•1991•Cited by: 1

  • Nicolas Poussin

    Robert W Gaston•ARTICLE•Sixteenth Century Journal•1997•Cited by: 4

    By investigating the important cultural figures who were close to the painter Nicholas Poussin (1594-1665), Elizabeth Cropper and Charles Dempsey allow the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct. authors argue that Poussin's works were structured by his friendships, as well as by his study of ancient history and early Christian archaeology, his exploration of the …

  • Decorum

    Robert W Gaston•CHAPTER•2003

  • Creating the “Divine” Artist

    Robert W Gaston•ARTICLE•Renaissance Quarterly•2005

    Patricia A. Emison. Creating the “Divine” Artist: From Dante to Michelangelo. Cultures, Beliefs and Traditions: Medieval and Early Modern Peoples 19. Leiden and Boston: Brill Academic Publishers 2004. xiv + 388 pp. + 71 b/w pls. index. append. illus. bibl. $133. ISBN: 90-04-13709-2. - Volume 58 Issue 1

  • Images, Relics, and Devotional Practices in Medieval and Renaissance Italy

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2007

    Sally J. Cornelison and Scott B. Montgomery. eds, Images, Relics, and Devotional Practices in Medieval and Renaissance Italy. Medieval and Renaissance Texts and Studies 296. Tempe: Medieval & Renaissance Texts & Studies, 2005. x + 274 pp. illus. bibl. $45. ISBN: 0-86698-340-6. - Volume 60 Issue 1

  • La politica delle immagini nell' età della Controriforma

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2009

    Ilaria Bianchi. La politica delle immagini nell' età della Controriforma: Gabriele Paleotti teorico e committente. Biblioteca dell storia dell'arte. Bologna: Editrice Compositori, 2008. 253pp. append. illus. bibl. €40. ISBN: 978–88–7794–625–6. - Volume 62 Issue 3

  • Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2009

    Pamela M. Jones. Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni. Visual Culture in Early Modernity. Aldershot: Ashgate Publishing Company, 2008. xiv + 360 pp. index. illus. bibl. $99.95. ISBN: 978–0–7546–6179–5. - Volume 62 Issue 1

  • Pirro Ligorio and two columna caelata drawings at Windsor Castle

    Open Access•Ian Campbell, Robert W Gaston•ARTICLE•Papers of the British School at…•2010•References: 4

    Sommarii: L'articolo mette insieme le evidenze grafiche e testuali di Pirro Ligorio e altri su un esempio straordinario di una columna caelata romana. Esso stabilisce senza ombra di dubbio che la colonna esisteva e che fu scavata dal fondo marino vicino a Misenum da Ludovico Montalto intorno al 1520. La colonna fu portata a Napoli ma langui sulla riva o sulla banchina al Castello dell'Ovo probabilmente fino alia metà del XVI secolo, da quando fu …

  • Anachronic Renaissance

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • On Antique Painting

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2014

    Francisco de Hollanda. On Antique Painting. Trans. Alice Sedgwick Wohl. University Park: Pennsylvania State University Press, 2013. xviii + 294 pp. $89.95. ISBN: 978-0-271-05965-5. - Giovanni Paolo Lomazzo. Idea of the Temple of Painting. Ed. Jean Julia Chai. University Park: Pennsylvania State University Press, 2013. xvi + 258 pp. $74.95. ISBN: 978-0-271-05953-2. - Volume 67 Issue 3

  • Pliny and the Artistic Culture of the Italian Renaissance

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2014

    Sarah Blake McHam. Pliny and the Artistic Culture of the Italian Renaissance: The Legacy of the Natural History. New Haven: Yale University Press, 2013. xiii + 450 pp. $75. ISBN: 978-0-300-18603-1. - Volume 67 Issue 1

  • Transformations of Time and Temporality in Medieval and Renaissance Art

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2015

    Transformations of Time and Temporality in Medieval and Renaissance Art. Simona Cohen. Brill’s Studies in Intellectual History 228; Brill’s Studies on Art, Art History, and Intellectual History 6. Leiden: Brill, 2014. xx + 356 pp. + 16 color pls. $180. - Volume 68 Issue 2

  • Sprezzatura

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2019

    Sprezzatura: Concealing the Effort of Art from Aristotle to Duchamp. Paolo D'Angelo. Columbia Themes in Philosophy, Social Criticism, and the Arts. New York: Columbia University Press, 2018. xvi + 170 pp. $30. - Volume 72 Issue 3

  • Touching the Passion

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2020

    Touching the Passion: Seeing Late Medieval Altarpieces through the Eyes of Faith. Donna L. Sadler. Brill's Studies in Intellectual History 279; Brill's Studies in Art, Art History, and Intellectual History 26. Leiden: Brill, 2018. xvi + 256 pp. $140. - Volume 73 Issue 1

  • Our befores and our afters

    Open Access•Robert W Gaston•ARTICLE•Thesis Eleven•2020•References: 4

    Much has been published on the career and scholarly achievements of Bernard Smith (1916-2011) since his retirement from teaching in 1977 and has predictably gathered pace after his death. It is clear that the reception of his very substantial body of writings, addressing so many fields within the humanities, critical thought and art history in particular, is only just beginning. The present study focuses on a large recent collection of Smith's st…

  • Rethinking the Dialogue between the Verbal and the Visual

    Open Access•Robert W Gaston•ARTICLE•Renaissance Quarterly•2024

    Rethinking the Dialogue between the Verbal and the Visual: Methodological Approaches to the Relationship between Religious Art and Literature (1400–1700). Ingrid Falque and Agnès Guiderdoni, eds. Brill’s Studies on Art, Art History, and Intellectual History. Leiden: Brill, 2023. xvii + 300 pp. $155. - Volume 77 Issue 3

Art (16 works) · Art history (12 works) · History (8 works) · History (8 works) · Classics (7 works) · Classics (7 works) · Historical and Religious Studies of Rome (5 works) · Philosophy (5 works) · Renaissance and Early Modern Studies (5 works) · The Renaissance (5 works)

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