David Pattison
Biographic Data
| ID | 1234207 |
|---|---|
| NAME | David Pattison |
| GIVEN NAMES | David |
| FAMILY NAME | Pattison |
| SIGNATURE | PATTISON D |
| AFFILIATIONS | Texas A&M University – Corpus Christi |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Sites of Resistance
This article uses spatial theory to examine the political dimensions of porch space in Zora Neale Hurston's Their Eyes Were Watching God (1937). By tracing Janie Crawford's increasing ability to locate and negotiate political space, readers may develop a deeper understanding of the complex discourses of gender and race at the heart of the novel. The article draws upon Michel Foucault's concept of the heterotopia to discuss how individuals may loc…
Dambudzo Marechera
Call no man happy
Over the last two decades or so an industry has burgeoned in universities and other educational institutions extolling the virtues of black African writers and their struggle to create a black historicity and to expose the evils of colonialism and neo‐colonialism. Authors such as Chinua Achebe and Wolé Soyinka figure high on the curricula. If the name of Dambudzo Marechera features at all, it is as the critics’ stereotype of the ‘tortured artist’…
Sites of Resistance
This article uses spatial theory to examine the political dimensions of porch space in Zora Neale Hurston's Their Eyes Were Watching God (1937). By tracing Janie Crawford's increasing ability to locate and negotiate political space, readers may develop a deeper understanding of the complex discourses of gender and race at the heart of the novel. The article draws upon Michel Foucault's concept of the heterotopia to discuss how individuals may loc…
Call no man happy
Over the last two decades or so an industry has burgeoned in universities and other educational institutions extolling the virtues of black African writers and their struggle to create a black historicity and to expose the evils of colonialism and neo‐colonialism. Authors such as Chinua Achebe and Wolé Soyinka figure high on the curricula. If the name of Dambudzo Marechera features at all, it is as the critics’ stereotype of the ‘tortured artist’…
Dambudzo Marechera
Sites of Resistance
This article uses spatial theory to examine the political dimensions of porch space in Zora Neale Hurston's Their Eyes Were Watching God (1937). By tracing Janie Crawford's increasing ability to locate and negotiate political space, readers may develop a deeper understanding of the complex discourses of gender and race at the heart of the novel. The article draws upon Michel Foucault's concept of the heterotopia to discuss how individuals may loc…
Aesthetics (2 works) · Art (2 works) · Gender Studies (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Binary opposition (1 work)