Kimberly Engber
Biographic Data
| ID | 1237751 |
|---|---|
| NAME | Kimberly Engber |
| GIVEN NAMES | Kimberly |
| FAMILY NAME | Engber |
| SIGNATURE | ENGBER K |
| AFFILIATIONS | City University of New York |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
Anthropological Fictions
In January 1932, anthropologist Ruth Benedict writes a letter to her colleague Margaret Mead on fieldwork in New Guinea, bringing Mead up to date on the health of “Papa” Franz Boas. Boas, the academic mentor that Benedict and Mead shared at Columbia University, acts as only the momentary locus for their continuing exchange about life and work and the relationship between the two. After giving “her hospital report,” Benedict turns eagerly to anoth…
County Lines
Is One Eye Better Than Two When Viewing Pictorial Art
During viewing of most objects in one's everyday environment, the binocular and monocular relative depth cues interact in a harmonious, concordant and reinforcing manner to provide perceptual stability. However, when one views pictorial art, these binocular and monocular cues are discordant, and thus a perceptual "cue conflict" arises. This acts to reduce the relative apparent perceived distance of objects in a painting, thus producing overall pe…
Is One Eye Better Than Two When Viewing Pictorial Art
During viewing of most objects in one's everyday environment, the binocular and monocular relative depth cues interact in a harmonious, concordant and reinforcing manner to provide perceptual stability. However, when one views pictorial art, these binocular and monocular cues are discordant, and thus a perceptual "cue conflict" arises. This acts to reduce the relative apparent perceived distance of objects in a painting, thus producing overall pe…
County Lines
Is One Eye Better Than Two When Viewing Pictorial Art
During viewing of most objects in one's everyday environment, the binocular and monocular relative depth cues interact in a harmonious, concordant and reinforcing manner to provide perceptual stability. However, when one views pictorial art, these binocular and monocular cues are discordant, and thus a perceptual "cue conflict" arises. This acts to reduce the relative apparent perceived distance of objects in a painting, thus producing overall pe…
Anthropological Fictions
In January 1932, anthropologist Ruth Benedict writes a letter to her colleague Margaret Mead on fieldwork in New Guinea, bringing Mead up to date on the health of “Papa” Franz Boas. Boas, the academic mentor that Benedict and Mead shared at Columbia University, acts as only the momentary locus for their continuing exchange about life and work and the relationship between the two. After giving “her hospital report,” Benedict turns eagerly to anoth…
Art (2 works) · Psychology (2 works) · Aesthetic Perception and Analysis (1 work) · Anthropology (1 work) · Anthropology: Ethics, History, Culture (1 work) · Argument (complex analysis (1 work) · Art history (1 work) · Binocular disparity (1 work) · Character (mathematics (1 work) · Cognitive psychology (1 work)