Is One Eye Better Than Two When Viewing Pictorial Art
Bibliographic Data
| ID | 3591143 |
|---|---|
| Authors | Kenneth J Ciuffreda (0000-0003-1886-6585, State University of New York), Kimberly Engber (City University of New York) |
| Year | 2002 |
| Volume | 35 |
| Issue | 1 |
| Pages | 37-40 |
| Publication date | 2002-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/002409402753689290 |
| OpenAlex | W2162014755 |
| Language | EN |
| Citations received | 2 |
| References cited | 17 |
During viewing of most objects in one's everyday environment, the binocular and monocular relative depth cues interact in a harmonious, concordant and reinforcing manner to provide perceptual stability. However, when one views pictorial art, these binocular and monocular cues are discordant, and thus a perceptual "cue conflict" arises. This acts to reduce the relative apparent perceived distance of objects in a painting, thus producing overall perceptual depth "flattening." The theory and physiology underlying this phenomenon are discussed
Art · Binocular disparity · Cognitive psychology · Computer vision · Depth perception · Monocular · Painting · Perception · Visual arts · Aesthetic Perception and Analysis · Color perception and design · Computer Science · Neuroscience · Psychology · Visual perception and processing mechanisms
| Citations per year | 0.11 |
|---|---|
| Citation span | 2007 - 2011 (5) |
| Highly cited | No |