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Tirza True Latimer

Biographic Data

ID1252287
NAMETirza True Latimer
GIVEN NAMESTirza True
FAMILY NAMELatimer
SIGNATURELATIMER T T
AFFILIATIONSOxford University Press (United Kingdom)
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS4
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Women Together/Women Apart

    Tirza True Latimer•BOOK•Women Together/Women Apart•2019

    What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed. In Wom…

  • Discrepant Modernisms

    Tirza True Latimer•ARTICLE•American Art•2016

  • Conversations on Queer Affect and Queer Archives

    Tirza True Latimer•ARTICLE•Art Journal•2013

    More than a repository of objects or texts, the archive is the very process of selecting, ordering, and preserving the past—in short, of making history. Artists, scholars, and activists have been rethinking the politics of what archives preserve, demonstrating that the piecing together of cultural memory is not a neutral pursuit.

  • “We Can Make It Come True”

    Tirza True Latimer•ARTICLE•English Language Notes•2013

    Research Article| March 01 2013 “We Can Make It Come True”: Faith Ringgold's Dinner at Gertrude Stein's Tirza True Latimer Tirza True Latimer California College of the Arts [email protected] Tirza True Latimer is associate professor and chair of the Graduate Program in Visual and Critical Studies at California College of the Arts, San Francisco. Her published work reflects on modern and contemporary visual culture from a lesbian feminist perspecti…

  • In the Jealous Way of Pictures”

    Tirza True Latimer•ARTICLE•Women s Studies•2010•References: 3

    Gertrude Stein stood apart from other collectors of her day, according to the critic Henry McBride, because “she collected geniuses rather than masterpieces.” 1 In fact, she did both. The foundatio

  • “Queer Situations”

    Tirza True Latimer•ARTICLE•English Language Notes•2007

    Research Article| September 01 2007 “Queer Situations”: Behind the Scenes of Borderline Tirza True Latimer Tirza True Latimer California College of the Arts, San Francisco [email protected] Tirza True Latimer is associate professor and chair of visual and critical studies at California College of the Arts, San Francisco. She co-chairs the Queer Caucus for Art, a College Art Association affiliated society. Her most recent book, Women Together/Women…

  • The Art of Starting Over

    Tirza True Latimer•ARTICLE•American Art•2006

  • Entre Nous

    Tirza True Latimer•ARTICLE•GLQ A Journal of Lesbian and Gay…•2006•Cited by: 2

    Research Article| April 01 2006 ENTRE NOUS: Between Claude Cahun and Marcel Moore Tirza True Latimer Tirza True Latimer Search for other works by this author on: This Site Google GLQ (2006) 12 (2): 197–216. https://doi.org/10.1215/10642684-12-2-197 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Ci…

  • The Modern Woman Revisited

    Ute L Tellini, Whitney Chadwick et al.•ARTICLE•Woman s Art Journal•2005

    contributions of female artists to the development of literary and modernism in early 20th-century France remain poorly understood. It was during this period that a so-called began occupying urban spaces associated with the development of modern art and modernism's struggles to define subjectivities and sexualities. Whereas most studies of modernism's formal innovations and its encouragement of artistic autonomy neglect or omit necessary discussi…

  • Utopies sexuelles

    Marlène Albert-Llorca, Natacha Baboulene et al.•OTHER•Clio•2005

  • Visions émancipatrices. Portraiture et identité sexuelle dans le Paris des années 20

    Tirza True Latimer•ARTICLE•Clio•2005•Cited by: 1•References: 3

    La comparaison des portraits à l'huile réalisés par Romaine Brooks dans les années 20 et les photographies de Claude Cahun et sa partenaire Marcel Moore de la même époque rend visible les positions idéologiques conflictuelles que ces women of vision défendirent dans les milieux artistique et politique où les débats sur la femme moderne se sont élaborés

  • Balletomania

    Tirza True Latimer•ARTICLE•GLQ A Journal of Lesbian and Gay…•1999•Cited by: 1

    Research Article| April 01 1999 Balletomania: A Sexual Disorder? Tirza True Latimer Tirza True Latimer Search for other works by this author on: This Site Google GLQ (1999) 5 (2): 173–197. https://doi.org/10.1215/10642684-5-2-173 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Tirza True Latimer; Balletomania: A Sexual Disorder?. GLQ 1 April 1999; 5 (2): 173–197. doi: https://doi.org/10.1215/10642684-5-2-173 Download cita…

  • Entre Nous

    Tirza True Latimer•ARTICLE•GLQ A Journal of Lesbian and Gay…•2006•Cited by: 2

    Research Article| April 01 2006 ENTRE NOUS: Between Claude Cahun and Marcel Moore Tirza True Latimer Tirza True Latimer Search for other works by this author on: This Site Google GLQ (2006) 12 (2): 197–216. https://doi.org/10.1215/10642684-12-2-197 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Ci…

  • Visions émancipatrices. Portraiture et identité sexuelle dans le Paris des années 20

    Tirza True Latimer•ARTICLE•Clio•2005•Cited by: 1•References: 3

    La comparaison des portraits à l'huile réalisés par Romaine Brooks dans les années 20 et les photographies de Claude Cahun et sa partenaire Marcel Moore de la même époque rend visible les positions idéologiques conflictuelles que ces women of vision défendirent dans les milieux artistique et politique où les débats sur la femme moderne se sont élaborés

  • Balletomania

    Tirza True Latimer•ARTICLE•GLQ A Journal of Lesbian and Gay…•1999•Cited by: 1

    Research Article| April 01 1999 Balletomania: A Sexual Disorder? Tirza True Latimer Tirza True Latimer Search for other works by this author on: This Site Google GLQ (1999) 5 (2): 173–197. https://doi.org/10.1215/10642684-5-2-173 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Tirza True Latimer; Balletomania: A Sexual Disorder?. GLQ 1 April 1999; 5 (2): 173–197. doi: https://doi.org/10.1215/10642684-5-2-173 Download cita…

  • Balletomania

    Tirza True Latimer•ARTICLE•GLQ A Journal of Lesbian and Gay…•1999•Cited by: 1

    Research Article| April 01 1999 Balletomania: A Sexual Disorder? Tirza True Latimer Tirza True Latimer Search for other works by this author on: This Site Google GLQ (1999) 5 (2): 173–197. https://doi.org/10.1215/10642684-5-2-173 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Tirza True Latimer; Balletomania: A Sexual Disorder?. GLQ 1 April 1999; 5 (2): 173–197. doi: https://doi.org/10.1215/10642684-5-2-173 Download cita…

  • The Modern Woman Revisited

    Ute L Tellini, Whitney Chadwick et al.•ARTICLE•Woman s Art Journal•2005

    contributions of female artists to the development of literary and modernism in early 20th-century France remain poorly understood. It was during this period that a so-called began occupying urban spaces associated with the development of modern art and modernism's struggles to define subjectivities and sexualities. Whereas most studies of modernism's formal innovations and its encouragement of artistic autonomy neglect or omit necessary discussi…

  • Utopies sexuelles

    Marlène Albert-Llorca, Natacha Baboulene et al.•OTHER•Clio•2005

  • Visions émancipatrices. Portraiture et identité sexuelle dans le Paris des années 20

    Tirza True Latimer•ARTICLE•Clio•2005•Cited by: 1•References: 3

    La comparaison des portraits à l'huile réalisés par Romaine Brooks dans les années 20 et les photographies de Claude Cahun et sa partenaire Marcel Moore de la même époque rend visible les positions idéologiques conflictuelles que ces women of vision défendirent dans les milieux artistique et politique où les débats sur la femme moderne se sont élaborés

  • The Art of Starting Over

    Tirza True Latimer•ARTICLE•American Art•2006

  • Entre Nous

    Tirza True Latimer•ARTICLE•GLQ A Journal of Lesbian and Gay…•2006•Cited by: 2

    Research Article| April 01 2006 ENTRE NOUS: Between Claude Cahun and Marcel Moore Tirza True Latimer Tirza True Latimer Search for other works by this author on: This Site Google GLQ (2006) 12 (2): 197–216. https://doi.org/10.1215/10642684-12-2-197 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Ci…

  • “Queer Situations”

    Tirza True Latimer•ARTICLE•English Language Notes•2007

    Research Article| September 01 2007 “Queer Situations”: Behind the Scenes of Borderline Tirza True Latimer Tirza True Latimer California College of the Arts, San Francisco [email protected] Tirza True Latimer is associate professor and chair of visual and critical studies at California College of the Arts, San Francisco. She co-chairs the Queer Caucus for Art, a College Art Association affiliated society. Her most recent book, Women Together/Women…

  • In the Jealous Way of Pictures”

    Tirza True Latimer•ARTICLE•Women s Studies•2010•References: 3

    Gertrude Stein stood apart from other collectors of her day, according to the critic Henry McBride, because “she collected geniuses rather than masterpieces.” 1 In fact, she did both. The foundatio

  • Conversations on Queer Affect and Queer Archives

    Tirza True Latimer•ARTICLE•Art Journal•2013

    More than a repository of objects or texts, the archive is the very process of selecting, ordering, and preserving the past—in short, of making history. Artists, scholars, and activists have been rethinking the politics of what archives preserve, demonstrating that the piecing together of cultural memory is not a neutral pursuit.

  • “We Can Make It Come True”

    Tirza True Latimer•ARTICLE•English Language Notes•2013

    Research Article| March 01 2013 “We Can Make It Come True”: Faith Ringgold's Dinner at Gertrude Stein's Tirza True Latimer Tirza True Latimer California College of the Arts [email protected] Tirza True Latimer is associate professor and chair of the Graduate Program in Visual and Critical Studies at California College of the Arts, San Francisco. Her published work reflects on modern and contemporary visual culture from a lesbian feminist perspecti…

  • Discrepant Modernisms

    Tirza True Latimer•ARTICLE•American Art•2016

  • Women Together/Women Apart

    Tirza True Latimer•BOOK•Women Together/Women Apart•2019

    What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed. In Wom…

Art (8 works) · Computer Science (5 works) · Historical Gender and Feminism Studies (5 works) · History (5 works) · Visual arts (5 works) · Art history (4 works) · Icon (4 works) · Art, Politics, and Modernism (3 works) · Citation (3 works) · Download (3 works)

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